Dane Allan Smith

323-***-**** adg29n@r.postjobfree.com https:// www.linkedin.com/in/daneiam

SUMMARY OF QUALIFICATIONS

• • • • • • • • • VFX 3D Virtual Themed Collect Open Generate Expose Audit Animation & new workflow Previs strategic Reality under-Entertainment dialogue business Production utilized Capture to market with develop opportunities internal and existing & intelligence Attractions enhanced Display company & in intended and untapped balance present resources business and markets it productivity as targets actionable, meaningful data PROFESSIONAL EXPERIENCE

VICE PRESIDENT

THE THIRD FLOOR // 2016 – CURRENT LOS ANGELES, CA

• Serving as TTF’s Brand Ambassador in all of our technical and creative affairs.

• • Ownership Working with of all multiple Production, technologies casting and and colleagues studio management to assess capabilities, IP, partnership alignment

• contract Leading awards the global and team related in formulating goal achievement. marketing goals, objectives and strategies and direct the execution of PROJECTS Captain Marvel, Avengers; Infinity War/ Endgame, Christopher Robin, Aquaman, Black Panther, Thor: Ragnarok, Guardians Star Alien: Afterlife Wars: Covenant (VR)of The the, Game Last, Galaxy Beauty Jedi, of Thrones Vol. and Wonder 2, the Jumanji: (TV Beast Woman,Series), Welcome Kong: Spider-among Skull Man: to others Island the Homecoming, Jungle,, Rogue Justice One: Pirates League A Star of Wars the Caribbean: Story, Arrival Dead (feature Men Tell films)No Tales, PRODUCER THRESHOLD • • • • • Management Management, Animation Management Development, production cinematic ENTERTAINMENT content production/and of coordination execution global planning creative, oversight and of and /delivery / resources 2014 architectural delivery of a – slate of 12/related large of of 2016 digital CG and format, to animated technical assets the LOS HFR/development, ANGELES, for features partners CG multiple animated CA production OTT media platforms in and 24.exhibition 1 audio, including of digital virtual PROJECTS Hainan Dome – Ocean Adventure (360 Dome/Theme Park), A Night at the Mansion: Director, Jonas Akerlund, UFC: Featuring Mr. Porter Chuck – HULUVR Liddel (Virtual (Virtual Reality) Reality), Stan Lee’s Cosmic Crusaders – VR (Virtual Reality), Page 2

EXECUTIVE FREELANCE • • • PROJECTS Deadpool, Client-Bidding, Planning Crouching facing PRODUCER negotiation of 11/VFX communication, 2013 pipeline Tiger – and 12/Hidden 2016 execution from creative Dragon script LOS for to ANGELES, 2 development delivery final The Walk DI delivery of CA Anomalisa VFX and strategic (Independent)planning, Star Trek BEYOND, Daddy’s Home, Transformers: Age of Extinction (Paramount Pictures), Blended (Warner Brothers), The Wedding Ringer, Deliver us from Evil, Think Like A Man 2 Need for Speed), Expendables 3 - (feature films), Man In The High Castle S1, S2, Cosmos (FOX), The Good Wife, Silicon Valley, Game of Thrones S:5 (television) PRODUCER DELUXE • • • • • • PROJECTS Hansel Point Management Liaise Report Manage Interview, and 3D of with Gretel, internal (contact all STEREOD) evaluate deliverables internal of Witch financial, global for all and editorial, Hunters 6/client artistic through develop 2012 technical 3D, facing technical team – 10/R.production DI I.and communication for P.in 2O13 D.a theatrical and, artistic deadline James creative BURBANK, staff Cameron’s progress and driven department home CA production to Deep CCO video Sea heads needs Challenge environment (feature films) VFX SONY • • • • • PROJECTS The Amazing Scheduling Managing Ensuring Overseeing Approving PRODUCER PICTURE Spiderman timely workflow change and IMAGEWORKS marketing planning turnovers orders (and feature requests schedule VFX and film) 2/deliveries deliveries 2012 of off-– 6/site 2012 of stereoscopic vendors HOLLYWOOD, VFX elements CA Page 3

VFX R • PROJECTS Looper • • BERGMANN Working Preparing Negotiating overall guidelines PRODUCER (feature budgets closely PRODUCTIONS key film) rates – dates, LOOPER and with with project schedules the multiple Visual schedule 9/2011 and domestic Effects assumptions – 2/Supervisor, 2012 and foreign UNIVERSAL including Editorial vendors overall Department CITY, to maintain project CA and planning, creative, Executive technical for all Producer 2D and and budgetary to 3D maintain artists. STEREOSCOPIC PIXEL • • • PROJECTS Harry PT. VFX 2 Consulting, Liaise Client-Producer: (Potter feature MAGIC with facing and films) The executive staffing, 12/CONVERSION the communication 2010 Twilight Deathly producing, – producers 9/Saga: Hallows 2011 PRODUCER Breaking managing and LOS PT. VFX 1, ANGELES, Harry Dawn Supervisor production Potter - Part CA and 1, of Ghost stereoscopic the Deathly Rider: Spirit Hallows features of Vengeance and VFX (feature films) VP/SNOOTFX • • • • PROJECTS Bunraku, HEAD Primary Pipeline Overseas Primary Peep OF 3/contact contact development, location PRODUCTION World, 2004 – for from Undocumented, 12/management all 2010 image research key creative, capture LOS of and The ANGELES, all legal testing through aspects Wackness, and of CA of final executive CG VFX The production delivery production Key personnel Man, for including Revenge, all territories Haunting compositing, Hour editorial (feature and films) design PRODUCER TERRA • • • PROJECTS Terra • Secured Project Oversight Working overall (Animated PRODUCTIONS budgets manager (financing closely PARTNER) of all feature production and with for for project build film) 7/the Independent 2003 Visual out, tasks schedule – pipeline 5/Effects from 2009 feature concept creation Supervisor, LOS animated ANGELES, through and Editorial staffing film delivery CA of Department Los Angeles and based Executive animation Producer studio to maintain ADDITIONAL INFORMATION

INSTRUCTOR GNOMON SCHOOL – THE OF BUSINESS VISUAL EFFECTS OF VFX/ HISTORY 2/2010 – OF PRESENT VISUAL EFFECTS HOLLYWOOD, CA IMBD: HTTP://WWW.IMDB.COM/NAME/NM1328180/?REF_=NV_SR_1 MANAGING MEMBER VES, MEMBER: PGA, VES, SIGGRAPH ACM