D'Mil Polley
Sound Engineer
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513-***-**** ****.******@*****.*** Cincinnati, OH 45231
PROFESSIONAL SUMMARY
Dynamic Audio and Sound Engineer extensive experience at Crossroads, excelling in digital sound editing and technical troubleshooting. Proven track record of enhancing audio quality and efficiency through innovative techniques. Adept at collaborating with teams to deliver outstanding soundscapes, ensuring client satisfaction while mastering complex audio projects. Passionate about creating exceptional auditory experiences. SKILLS
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Sound engineering Equipment testing Equipment maintenance Digital sound editing Technical troubleshooting
Adobe Audition
Mixing and mastering Logic Pro X Pro Tools Digital audio workstation EXPERIENCE
AUDIO ENGINEER, Cincinnati, OH
Crossroads, January 2024-Present
• Mastered and edited audio recordings using Pro Tools, Logic Pro X, and Adobe Audition software.
• Suggested new methods and techniques to improve efficiency.
• Troubleshot technical issues that arose during tracking and mixing sessions with quick precision.
• Operated audio consoles to mix and balance multiple sources during live performances.
• Edited dialogue, music, and sound effect tracks for post-production projects.
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SOUND ENGINEER, Cincinnati, OH
Blacklite Productions, January 2022-January 2024
• Recorded voice-overs for radio commercials and television shows using professional vocal booth setups, using Adobe Audition, Pro Tools, and Reaper.
• Monitored levels during live performances to ensure proper balance between instruments and vocals on stage.
• Collaborated with producers and directors to determine desired sound effects and music elements.
• Performed advanced editing techniques such as noise reduction, spectral analysis, EQing, compression.
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MUSIC PRODUCER, Cincinnati, OH
DMillionaire Music, January 2013-January 2022
• Edited dialogue recordings for clarity, continuity, and overall quality.
• Recorded voiceover narration using professional microphones and preamps.
• Provided feedback on musical performances from both artistic and technical perspectives.
• Implemented advanced techniques for achieving desired sonic textures.
• Coordinated with clients to ensure complete satisfaction with final product.
• Created professional audio recordings for live performances and studio albums.
• Performed at concerts, festivals, and theaters to entertain fans.
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EDUCATION
ELECTRONIC MEDIA, MUSIC THEORY, 9555 PLAINFIELD RD, BLUE ASH, OH University of Cincinnati, May 2014
HIGH SCHOOL DIPLOMA, 8916 Fountainbleau Terrace, Cincinnati OH Finneytown Highschool, May 2012
CERTIFICATIONS
• Sound Engineering, Associate
• Highschool, Diploma
REFERENCES
References available upon request