Multimedia Content Digital Video

Elisa Leiva Anderson

Oakland, CA +1-650-***-**** **********@*****.***

Film & Media Professional with an MFA in Documentary Film/Video from Stanford University and 8+ years of experience in multimedia content production, brand strategy, creative documentary filmmaking, and digital video editing. Passionate about crafting impactful multiplatform narratives, with expertise in international film marketing, cultural content curation, and compelling copywriting across digital and traditional platforms.

EDUCATION

Stanford University

Master in Fine Arts in Documentary Film & Video (September 2023 - June 2025)

University of Chile

Bachelor’s degree in Audiovisual Communication (2011-2016) INTERNATIONAL FILM MARKETING CONTENT CREATION &

STRATEGY

CinemaChile -International Promotional Agency for Chilean Films & Series

Head of International Relations (April 2017 - August 2023)

-Spearheaded the international promotion of Chilean cinema and series at 40+ major film festivals and markets, including Cannes, Berlin, Rotterdam, Locarno, San Sebastián, Toronto, and Tokyo.

-Led the coordination of event production and logistics, representing Chilean productions on a global stage.

-Built and nurtured strategic relationships with festival directors, programmers, sales agents, streamers, and cultural/financial institutions, enhancing global opportunities for Chilean productions.

-Elevated CinemaChile’s international profile by translating cultural capital into a globally recognized brand across B2C and B2B platforms.

-Led creative and resilient campaign strategies under high-pressure timelines, ensuring strong Chilean presence through compelling storytelling and targeted outreach.

-Drove innovative communication strategies and cross-platform initiatives that positioned Chile as a key player in the global audiovisual landscape.

CinemaChile

General Editor (April 2019 - August 2023)

-Led a 12-person creative and communications team, producing original multimedia content, including promotional videos, digital catalogs, podcasts, and social campaigns, tailored for both general audiences and specialized film industry stakeholders.

-Designed and implemented CinemaChile’s international marketing strategy across digital platforms, driving engagement and awareness through Instagram, Facebook, Twitter, and custom streaming platforms.

-Wrote and edited engaging copy for a variety of marketing materials, social media posts, press releases, and digital content, ensuring consistent and impactful messaging.

-Managed communication with global press agents and streaming platforms to elevate the profile of Chilean productions across international media ecosystems.

TEACHING EXPERIENCE

STANFORD UNIVERSITY (Fall 2024) Stanford, CA

Instructor of Film Production, Dept. of Art & Art History

-Taught digital video production, including directing, shooting, editing, and sound design using Premiere Pro.

-Guided students through the full production process, from concept to postproduction, with a focus on fiction, documentary, and experimental film.

-Led final short film projects, providing hands-on instruction and critiques, culminating in a public screening.

CATHOLIC UNIVERSITY OF CHILE (March - December 2022) Santiago, CL

Instructor of Film Production & Distribution, Dept. of Communication Studies

-Taught film production and distribution, focusing on collaborative praxis and cross-disciplinary creation.

-Emphasized teamwork, creative collaboration, and practical distribution strategies for student thesis films.

-Facilitated discussions on Latin American cinema, critically examining its historical, cultural, and political contexts.

UNIVERSITY OF CHILE (November, 2021) Santiago, CL

Lecturer, Documentary Graduate Program, Dept. of Communication and Image

-Led a month-long seminar focused on the distribution of Chilean cinema globally.

ARCHIVAL RESEARCH & CURATION

Investigator, Apple TV+ Series (April - July 2022)

- Conducted in-depth research to gather audiovisual archives, photographs, and historical materials, contributing context for the series' portrayal of political figures.

-Enhanced the accuracy and depth of the series through written content that helped shape the narrative voice and historical representation.

Thursdays of Chilean Cinema & Tuesdays of Chilean Series, CinemaChile (2020-21)

-Curated and programmed bi-weekly streaming events, engaging over 800,000 viewers globally.

-Researched, wrote, and edited compelling articles on program themes, filmmaker interviews, and retrospectives, tailoring content for both general audiences and industry professionals.

-Led the development and execution of cross-platform digital marketing campaigns, producing high-quality audiovisual and graphic assets to boost program visibility and viewer engagement. Curator, "Mira pa'cá: Latin American Cinema Program," CCMATTA, Buenos Aires, Argentina (2020)

-Curated short and feature-length Chilean films for the program, writing engaging copy for promotional materials and program descriptions to maximize viewer interest.

Curator, "CHILE NOW!" Retrospective, Uppsala International Film Festival, Sweden (2018)

-Curated a selection of Chilean short films, writing program notes and promotional content to convey the artistic and cultural significance of the films.

Investigator and Writer, “The Other Cinema” by Coti Donoso (2015)

-Collaborated with editor Coti Donoso on a book exploring non-fiction editing techniques in Contemporary Chilean Cinema.

-Contributed research and written content, offering insights into the intersection of documentary filmmaking and editing practices in Chile. Archival Research and Editing, Cineteca of the University of Chile

(2013)

- Conducted archival research and assisted with film editing, crafting written descriptions and contextual narratives to enhance the accessibility and understanding of historical film materials for both academic and public audiences.

PANELS

2018: Masterclass on Film Promotion - Chilean Film Festival

(FECICH) (2018)

Presenter

2018: Jury Member, Chilean National Film Fund Grantees (2018) Ministry of Culture, Arts and Heritage

2018: Masterclass on Film Promotion - Viña International Film Festival (FicViña) (2018)

2018: Jury Member, Short Film Competition - XVI Santo Tomás Film Festival (2018)

FILMOGRAPHY - DIGITAL VIDEO EDITING & DIRECTING

TOWARDS, THE SUN FAR FROM THE CENTER (2024) Editor Berlinale Shorts, New York Film Festival, Hong Kong International Film Festival, Festival Internacional de Caracas, Leiden Shorts, La Habana, SANFIC, Bucharest Film Festival (Best Visual Concept) Silhouette Film Festival (Jury Prize) & Viña International Film Festival (Best Latin American Short)

TO BURN A DESERT (2024) Editor and producer

+RAIN FILM FESTIVAL (Barcelona, Spain), Nemaf Korea (Seoul, South Korea)

VIEWS (2015) - Director, editor, sound designer and producer Valdivia International Film Festival (Chile), Santiago International Documentary Film Festival (Chile)

BURRO (2014) - Director, editor and producer

Caracas International Film Festival (Venezuela), Rengo International Film Festival (Chile)

LAS VECINAS (2013) - Director, editor, sound designer and producer

Honorable Mention - Chilean National Human Rights Institute Award ADDITIONAL CREDITS

2017: Assistant editor of the documentary The Sky is Red by Francina Carbonell (International Documentary Film Festival Amsterdam: Winner 2020), Guadalajara International Film Festival (Winner: Best Documentary), Mar del Plata International Film Festival (Winner: FEISAL Prize)

2016: Assistant producer of Holly Near: Singing for our lives by Jim Brown, documentary part of the American Masters program of PBS. 2015: Assistant editor of Alcones directed by Rocío Romero and Daniela Camino of Mimbre Producciones.

SKILLS

Languages

● Bilingual in Spanish and English (Native proficiency in both) Technical Skills

● Editing: Experienced editor with proficiency in Adobe Premiere Pro and Adobe Creative Suite, Final Cut Pro (versions 7 and 10), Avid Media Composer, PhotoShop, InDesign, Microsoft Office

● Copywriting: Skilled in crafting clear, engaging, and persuasive written content for marketing materials, social media, press releases, and promotional campaigns.

● Cinematography: Skilled in digital cinematography (Canon, Sony), photography, and analogue (Bolex Super 16mm)

● Sound: Proficient sound recordist and mixer with expertise in capturing and mixing high-quality audio for film.

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