Project University
Resume:
ELLENDRISCOLL
*** ******* ***. #***, **********, RI 02909 *************@*****.*** www.ellendriscoll.net tel. 617-***-****
SOLO EXHIBITIONS
**** **** ******, ******* ** St. Rose, Albany, NY
**** **stant Mirrors Providence tidal river, RI, co-produced with Waterfire, September-October
Spill an exhibition of accordian books and drawings, Brooklyn Public Library, Brooklyn, NY
2010 Fastforwardfossil part 3, West Cork Arts Centre, Skibbereen, Ireland
2009 Fastforwardfossil Part 1, Frederieke Taylor Gallery, New York, NY
Fastforwardfossil Part 2, SmackMellon, Brooklyn, NY
2007 Hunter Gatherer, Long Island University Humanities Gallery, Brooklyn campus
2005 The Loophole of Retreat Tremaine Gallery, The Hotchkiss School, Lakeville, CT
Filament / Firmament Cambridge Arts Council, Cambridge, MA
2002 New Drawings Roger Williams University, School of Architecture, Art and Historic Preservation,
Bristol, RI
2001 From Ear to There: Sculptures, Drawings, Books University of Massachusetts, South Dartmouth, MA
TurnScope collaboration with Nick Tobier, Green Street Gallery, Boston, MA
2000 The Loophole of Retreat African American Museum, Fresno, CA
1999 The Loophole of Retreat The Hyde Collection, Glens Falls, NY
1998 Ahab's Wife: Drawings, Models, Sculptures Snug Harbor Cultural Center, Staten Island, NY
1997 As Above, So Below, selections Glyptotek, Munich, Germany
Ahab's Wife: Models and Drawings University of Michigan Museum of Art, Ann Arbor, MI
1996 Passionate Attitudes New Langton Arts, San Francisco, CA
1995 Passionate Attitudes, Migration, The Loophole of Retreat, and collaborative work From There On Up to Here and
Now with Mamie Hughley, Annie Parks, Annie Heard, Pearl Walker multiple locations at University of
Virginia, Charlottesville, VA
Passionate Attitudes Threadwaxing Space, New York, NY
1994-5 Passionate Attitudes, Part 1 installation in abandoned windows of G. Fox dept. store and Real Art Ways,
Hartford, CT
1993 Magnetic Works and Migration Huntington Gallery, Massachusetts College of Art, Boston, MA
1992 Migration and The Loophole of Retreat Contemporary Arts Center, Cincinnati, OH
1991-2 The Loophole of Retreat, installation Whitney Museum of American Art at Philip Morris, New York, NY
1990 Damon Brandt Gallery, New York, NY
1989 Tim Hill Gallery, Birmingham, MI
1988 Damon Brandt Gallery, New York, NY
1987 Stavaridis Gallery, Boston, MA
1986 Damon Brandt Gallery, New York, NY
Paulo Salvador Gallery, New York, NY
1985 Hudson D. Walker Gallery, Provincetown, MA
CURATORIAL PROJECTS
2009 NearEverywhere, for GASP Studio Projects Gallery, Boston, Mass. with Vivan Sundaram, Jane Marsching, Deb
Todd Wheeler, Troy Oullette, Marguerite Kahrl, and Ellen Driscoll
COMMISSIONS
2009 Filament / Firmament for the Cambridge Public Library in collaboration with the Women's Commission
2008 Wingspun International Arrivals, Raleigh-Durham International Airport, Raleigh, NC
Lumina LED animation sign, outdoor fa ade, MassArt, Boston, MA
2006 Pro Patria Mori 84' gates for the Liberty Memorial World War 1 Museum, Kansas City, MO
The View From Here 240' sandblasted glass wall for Forest Park Metro, St. Louis, MO
2004 Aqueous Humour kinetic sculpture for South Boston Maritime Park, South Boston, MA, collaboration with
Halvorson Design Partnership (landscape architects) and Machado and Silvetti Associates (architects)
2003 Catching the Drift women's restroom renovation, Brown Fine Arts Center, Smith College, Northampton,
MA, collaboration with James Polshek/Polshek Partnership Architects
2000 Meanderlink airborne project over Frederick Law Olmsted's Emerald Necklace Park, Boston, MA, Vita
Brevis Program, Institute of Contemporary Art
Circuitstream Bank of America, Technology Headquarters, Charlotte, NC
1999 Longfellow Elementary School, Cambridge Arts Council, Percent for Public Art Program
1997-8 Mum's the Word temporary public work for City of Boston, collaboration with Spaulding Rehabilitation
Hospital Aphasia Community Group, Boston, MA, Fund for the Arts commission
1995 Project FREE, Dorchester, MA collaborative design of park benches with adolescents, Urban Arts
1993-9 As Above, So Below design and execution of artwork for new tunnel entrances at 45th, 47th, and 48th
streets, Grand Central Terminal North, MTA, Percent for Public Art Program, collaboration with Beyer,
Blinder, Belle (architects)
1991 Robert Orton, La Jolla, CA
1990 Saul and Ellyn Dennison, Bernardsville, NJ
1988 Steven and Nancy Oliver, Oliver Ranch, Geyserville, CA
1986 Mid-Atlantic States Arts Consortium, Virginia Center for the Creative Arts, Sweet Briar, VA
1985 Operation GreenThumb for 6th Street and Avenue B, Community Garden Division of NY Parks and
Recreation
PUBLIC AND PRIVATE COLLECTIONS
Addison Gallery of American Art, Phillips Academy
Bayly Art Museum, University of Virginia
The Boston Public Library
The Detroit Institute of Art
Hood Museum of Art, Dartmouth College
Massachusetts Institute of Technology
Metropolitan Museum of Art
The New School for Social Research, New York
The Rose Art Museum of Brandeis University
University of Michigan Museum of Art
Whitney Museum of American Art
Saul and Ellyn Dennison
Martin Margolis
Steven and Nancy Oliver
Smith College Museum of Art
HONORS AND AWARDS
2012 Artist s Resource Trust grant from the Berkshire Taconic Community Foundation
2011 Robert and Margaret McColl Johnson grant from the Rhode Island Foundation
Artists in Context grant for Distant Mirrors website construction
2009 Sirius Art Centre Residency, Cork, Ireland
LEF Foundation grant for FastForwardFossil
Professional Development grant for FastForwardFossil, Rhode Island School of Design
2008 MacDowell Colony Residency, Kate and George Kendall Fellowship
New England Foundation for the Arts grant for Filament/Firmament
Blue Mountain Center residency
2007 International Association of Art Critics, New England Chapter, Best Public Project in a Public Space, Second
Place, for Filament/ Firmament
Pro Patria Mori chosen as one of the top public projects of 2006 by Public Art Network Year in Review
MacDowell Colony Residency, Henry Eastwood fellowship
Bogliasco Foundation Residency
Professional Development grant for Revenant, Rhode Island School of Design
2005 LEF Grant for Lumina
2004 American Association of University Women Senior Scholar Special Commendation of Honor
New England Foundation for the Arts for Lumina
Browne Fund for Lumina
2002 Artists Resources Trust, Berkshire Community Foundation
2001 Rockefeller Foundation, Bellagio, Italy Residency
Banff Centre for the Arts, Banff, Canada Residency
1999 Pilchuk Glass School, Stanwood, WA Artist in Residence
Massachusetts Cultural Council Sculpture Fellowship
1998-9 Anonymous Was a Woman Foundation Fellowship
1997 Institute for the Humanities, University of Michigan Visiting Fellow
Pilchuk Glass School, Stanwood, WA Artist in Residence
Henson Foundation Development Grant for Ahab's Wife
1995 Dancing in the Streets Research and Development Grant for Ahab's Wife
1994 EEC six-week Project Residency, Les Arques, France
Wesleyan University Distinguished Alumnae Award
1992 LEF Grant for development of Memorial Grove Project at Jacob's Pillow Dance Festival, Becket, MA,
collaboration with Gary Hildebrand (landscape architect)
1991-2 European Ceramics Work Center Opening Project Residency, The Netherlands
1990-1 Radcliffe College Bunting Fellowship
Kittredge Education Fund, Portland, Maine
1989 New York Foundation for the Arts Sculpture Fellowship
1987 John Simon Guggenheim Memorial Foundation Guggenheim Fellowship
Solomon R. Guggenheim Museum, New York Chesterwood Award
1986 National Endowment for the Arts Sculpture Fellowship
1986-8 P.S.1 Institute for Art and Urban Resources Studio Residency
1985 New York Foundation for the Arts Sculpture Fellowship
Institute for Contemporary Art, Boston, MA Engelhard Award
1984 National Endowment for the Arts Sculpture Fellowship
1983-5 Fine Arts Work Center, Provincetown, MA Visual Arts Fellowship, fourteen-month Studio Residency
1983 The MacDowell Colony, Peterborough, NH seven-week Residency
GROUP EXHIBITIONS
2011 Washed Up, Robert Oxnam and Ellen Driscoll, Brooklyn Zen Center, curated by Noah Fischer
Art Encounters Preservation, curated by Allison Newsome, Wentworth-Coolidge Mansion, NH
Democratic Promenade, curated by Brigitte Jurack, the Bluecoat Gallery, Liverpool, England
Marked Differences curated by Roberta Waddell, Kentler International Drawing Space, Brooklyn,NY
2010 Agriculture encounters Sculpture, curated by Allison Newsome, at Allendale Farm, Brookline, Mass.
2009 Near Everywhere, curated by Ellen Driscoll, at GASP, Boston, Mass.
browser, inter-actor, co-author, producer, nomad curated by Lauren Ewing, Fine Arts Work Center,
Provincetown, MA.
Yoshitomikura, Hiroshima, Japan, curated by Rene Grayre
2008 Mercurial and Capricious Systems curated by Joan Giroux at Columbia College, Chicago
Its Getting Hot in Here, curated by Shana Dumont and Leonie Bradbury for Monserrat College
Mend, Proteus Gowanus Gallery, Brooklyn, NY
Thoreau Reconsidered, Concord Art Association, curated by Jennifer McGregor
The Persistence of Line Kentler International Drawing Space, Brooklyn, NY, curated by Charlotta Kotik
2007 Revenant,curated by Zero Higashida for Nippon Ginko,Hiroshima, Japan
Phantom Limb, Wave Hill, exhibition of a work based on "Civil Disobedience" by Thoreau
2006 Legacies with The Loophole of Retreat New York Historical Society, as part of a three-part exhibition on
slavery, New York, NY
2005 Camp with The Loophole of Retreat Museum London, London, Ontario, Canada
Veil,Tashkent Biennale, Uzbekistan
Trunk Show The Women's Library, London, England
2004 Trunk Show King House, Boyle Co Roscommon, Ireland and Sirius Arts Centre, Cork, Ireland
A Void part of The Big Nothing, Institute of Contemporary Art, Philadelphia, PA, curator Gerard Brown,
collaborative net video Parallax with Jane Marsching at InLiquid.com
"Betwixt", Motoazabu Gallery, Tokyo, Japan
Virginia Lynch Gallery, Tiverton, RI
2003 CustomFit Smack Mellon Studios, Brooklyn, NY
American Academy of Arts and Letters Invitational Exhibition, New York, NY
2002 Archipelago Museum of Contemporary Art, Denver, CO
Virginia Lynch Gallery, Tiverton, RI
2001 Annual Drawing Exhibition Boston Center for the Arts, Boston, MA, curator Bill Arning
The Drawing Project Bernard Toale Gallery, Boston, MA
2000 Forms in Motion Henson International Festival of Puppet Theater, The Cooper Union, New York, NY
1999 Ellen Driscoll, Lesley Dill, Ambreen Butt DNA Gallery, Provincetown, MA
Marilyn Monroe X Times Emily Peterson Gallery, New York, NY
Private Eye Douglass College Library, Rutgers University, NJ, curator Amy Sillman
Recent Projects: Ellen Driscoll and Lesley Dill Bernard Toale Gallery, Boston, MA
1998 Paraphotography Maier Museum of Art, Lynchburg, VA, curator Charles Hagen
1997 Spaces and Forms Maryland Institute College of Art, Rhinehart School of Sculpture, Baltimore, MD
Lifelines Long Island University, C.W. Post Campus, Brookville, NY, curator Margie Neuhaus
1996 Infernal Inception: Artists Work in Glass Boston Center for the Arts, Boston, MA
Home Lehman College Art Gallery, Bronx, NY
Chesterwood Anniversary Exhibition Chesterwood Museum, Stockbridge, MA, curator Lisa Dennison
1995 From There On Up to Here and Now with "Equal Rights and Justice," National African American Museum
project, Smithsonian Institution, Washington, DC
In Three Dimensions: Women Sculptors of the 90s Snug Harbor Cultural Center, Staten Island, NY, curator,
Charlotte Streifer Rubinstein
New Forms; Fine Arts Work Center, Cape Museum of Fine Art, Dennis, MA, curator Ann Wilson Lloyd
1994 From There On Up to Here and Now, collaborative installation with Mamie Hughley, Pearl Walker, Annie
Heard, Annie Parks with "Equal Rights and Justice," High Museum of Art, Atlanta, GA
Raft Threadwaxing Space, New York, NY, project room installation with Nene Humphrey
Art en Route: MTA/Arts for Transit Paine Webber Gallery, New York, and Museums at Stony Brook, NY
Four Women Sculptors Cherrystone Gallery, Wellfleet, MA, curator Paul Bowen
1993 Drawings from 55 Ferris Street Jessica Berwind Gallery, Philadelphia, PA and Wynn Kramarsky Gallery,
New York, NY
55 Ferris Street, Brooklyn, NY, curator Fredereicke Taylor
Summer Exhibition, Socrates Sculpture Park, Long Island City, NY, curator Eve Sussman
Grounds for Sculpture Johnson Atelier Sculpture Park, Mercerville, NJ
Five Sculptors Rosa Esman Gallery, New York, NY
1992 Opening Project Exhibition, European Ceramics Work Center, s'-Hertogenbosch, The Netherlands
Suzanne Biederberg Gallery, Amsterdam, The Netherlands
Ellen Driscoll / Donna Byars University of Southern Maine, Gorham, ME
1991 Alchemy: Ellen Driscoll, Donald Lipski, Suzanne Bocanegra Fayerweather Gallery, University of Virginia,
Charlottesville, VA
Two Objects Rosa Esman Gallery, NY
Insight on Site and The Loophole of Retreat installation at The Rose Art Museum, Brandeis University,
Waltham, MA
Collection Notes The Rose Art Museum, Brandeis University, Waltham, MA
American Abstraction at the Addison Addison Gallery of American Art, Phillips Academy, Andover, MA
1990 Means to Ends: Process and its Traces in Recent Sculpture Rockland Center for the Arts, West Nyack, NY,
curator Cynthia Nadleman
The New School Collects: Recent Acquisitions The New School for Social Research, New York, NY
Group Show Eve Mannes Gallery, Atlanta, GA
Wood Transformed McMullen Museum of Art, Boston College, Boston, MA
Pour une Foundation Europ ene de Recherche sur le Sida, Drouot Richelieu, Paris catalog
Grounded: Sculpture on the Floor University of Michigan Museum of Art, Ann Arbor, MI
1989 Butterfield and Butterfield Warehouse, San Francisco, CA
Art Against AIDS American Foundation for AIDS Research, San Francisco, CA
Totem Addison Gallery of American Art, Philips Academy, Andover, MA
Sculpture on the Edge DeCordova Museum and Sculpture Park, Lincoln, MA
1988 Sculpture '89 University Art Gallery, State University of New York, Albany, NY
Ellen Driscoll, Robert Lobe, Ursula Von Rydingsvard Damon Brandt Gallery, New York, NY
Ancient Explorations Met Life Gallery, New York, NY
Kindred Spirits: Metaphysical Insights of Seven Sculptors George Ciscle Gallery, Baltimore, MD and Trabia-
MacAfee Gallery, New York, NY
Elements Stavaridis Gallery, Boston, MA
The Nature of Things Cydney Payton Gallery, Denver, CO
In the Making The Sculpture Center, New York, NY
Nomadic Visions Southeastern Massachusetts University, North Dartmouth, MA
Innovations in Sculpture Aldrich Museum of Contemporary Art, Ridgefield, CT
Strike; Nature, Abstraction, Aggression Valencia Community College, Orlando, FL
The 1980s: A New Generation, American Painters and Sculptors Metropolitan Museum of Art, New York, NY
1987 PS1 Fifth Annual National and International Studio Artists Program Clocktower Gallery, New York, NY
Natural Reflections: Inside/Outside The Sculpture Center, New York, NY
Moody Gallery, Houston, TX
The Prevalence of Myth Organization of Independent Artists, Bronx Council on the Arts, Bronx, NY
Hill Gallery, Birmingham, MI
Pursuing Shape and Form Thomas Barry Arts, Minneapolis, MN
Alternative Supports: Contemporary Sculpture on The Wall Brown University, Providence, RI
The Tree Show Massachusetts College of Art, Boston, MA
1986 A Contemporary View of Nature Aldrich Museum of Contemporary Art, Ridgefield, CT
Stavaridis Gallery, Boston, MA
Paulo Salvador Gallery, New York, NY
Ten-Year Survey, Arts Apprenticeship Program Mayor's Office of Cultural Affairs, City Gallery, New York, NY
1985 Paulo Salvador Gallery, New York, NY
Invitational Stux Gallery, Boston, MA
Southern Exposure Brockton Art Museum, Brockton, MA
Natural History Art in General, New York, NY
1984 Fusion Paulo Salvador, New York, NY
The Ways of Wood The Sculpture Center, New York, NY
Ten Downtown La Galerie Seconde Classe, New York, NY
1983 Parsons School of Design, New York, NY
1981 5+5 Mayor's Office of Cultural Affairs, City Gallery, New York, NY
1980 Second Annual Exhibition Painting Space 122, New York, NY
1976 Invitational Boston Visual Artists Union, Boston, MA
1975 Jorgensen Gallery, University of Connecticut, Storrs, CT
Fifth Annual Boston City Hall Exhibition, Boston, MA
BIBLIOGRAPHY
2011 Finding Resonant Details in a Big Picture, A conversation with Ellen Driscoll by Jan Riley, Sculpture Magazine
January/February 2011
2010 Art in America, January issue, review of FASTFORWARDFOSSIL #2 by Jean Dykstra
AGNI Magazine, From the Ground Up, Spring Issue, by Ellen Driscoll
FastForwardFossil catalogue with essay by Patricia Phillips, Point la Vue press.
Boston Globe review of Still Life by Cate McQuaid, September 6
Irish Examiner, image of Fastforwardfossil, part 3, October 10
False Assumptions: How We re Holding Public Art Back, by Ellen Driscoll, Public Art Review, fall/winter 2010
2009 On the Waterfront, Spokes Press, An Interview with Ellen Driscoll by Cheryl Kaplan
2008 Capricious and Mercurial Systems, catalogue by Joan Giroux and Whitney Huber Lazar
It s Getting Hot in Here, catalogue by Leonie Bradbury and Shana Dumont
2007 Karen Frostig, "Blaze," a compilation of texts from the Women's Caucus for art
2006 Karen Frostig, "Ellen Driscoll: Transforming Transitory Space," Art New England, February/March
Holland Cotter, "Emancipation Remains a Work in Progress," review, The New York Times, June 20
"On the Way" edited by Sandra Bloodworth, William Ayres for the MTA Arts for Transit program
Artist s Resource Trust: The First Ten Years, catalogue
Laurel Graeber, Family Fare, The New York Times, September 8
Erica Adams, "Thinking Through Glass," This Side Up! winter 2006
2005 Archis, January issue
Marty Carlock, "Aqueous Humour" review, Sculpture, February
Trunk Show at King House review, Circa Art Magazine, spring, issue 111
2004 Monica Geran, "Awash in Artistry," Interior Design, January
Marty Carlock, South Boston Maritime Park article, Landscape Architecture, October
Trunk Show review, Irish Times, December 11
2003 Jill Conner, "CustomFit" review, Contemporary, issue 52
Harvard Review, spring
John MacMillan, "Flush with Art," Smith College Alumni Magazine, spring
Linda Muehlig, Undomesticated Interiors, catalog, Smith College Museum of Art
Megan Rooney, "Taking Art Sitting Down," The Chronicle of Higher Education, April 18
Christina Tree, "Culture Corner," The Boston Globe, April 20
Katherine Bowers, "The Art of Toiletry," Women's Wear Daily, April 22
Grace Gleck, "In New Museum, Smith Puts its Best Forward," The New York Times, May 16
Robert Campbell, "Catching the Drift" review, The Boston Globe, August 24
Carole Calo, Public Art Review, fall
Joni Hullinghorst, "Smith's Museum is Reborn," The Keene Sentinel, October 3
2002 "Collecting Experience," Sculpture, October
Hafthor Yngvason, Conservation and Maintenance of Contemporary Public Art
Nancy Princenthal, "A Creative Legacy: A History of the NEA Visual Artists' Fellowship Program"
2001 Ewa Lajer-Burcharth, "Becoming" publication for From Ear to There
2000 Janet Koplos, "Ellen Driscoll's Passages" review for As Above, So Below, Art in America, June
"Hub's Necklace, Olmstead's Oz" editorial, The Boston Globe, July 3
Christine Temin, "Art on the Emerald Necklace" review of Vita Brevis, The Boston Globe, July 7
Ann Wilson Lloyd, "Art on the Emerald Necklace" review, The New York Times, August 6
Nancy Silverman, "Fantastic Journey" review for As Above, So Below, Public Art Review, fall
Patricia Phillips, "The Proportions of Paradox," Sculpture, November
1999 Christine Temin, review, The Boston Globe, January 20
"The Loophole of Retreat" review, The Post-Star, February 4
Kathleen Monaghan, Fugitive, catalog for The Loophole of Retreat
Barbara Rodriguez, Autobiographical Inscription, Form, Personhood and the American Woman Writer of
Color, Oxford University Press, The Loophole of Retreat chapter
Barbara Rodriguez, The American Slave Narrative: Slavery and the Persistence of Form, University of
Wisconsin Press, The Loophole of Retreat chapter
Joyce Wadler, "An Artist Lights a Little Known Tunnel," The New York Times, December 3
1998 Charles Hagen, Paraphotography, catalog
Jane Ingram Allen, "Inspiration and Renewal: Residencies for Sculptors," Sculpture, February
Laura Yuen, "Ahab's Wife," The Boston Globe, July 29
"Bridging the Divided Mind" review of Mum's the Word, The Boston Globe, August 26
Ken Johnson, "Ahab's Wife" review, The New York Times, August 28
Mike Fressole, "Ahab's Wife," Staten Island Advance, September 13
Richard Ryan, "Ahab's Wife, or the Whale" review, Staten Island Advance, September 18
Jennifer Dunning, "Ahab's Wife, or the Whale" review, The New York Times, September 22
Deborah Jowitt, "Ahab's Wife, or the Whale" review, The Village Voice, September 23
"Ahab's Wife," Puppetry International, fall, cover and review
1997 "Spaces and Forms" review, The Baltimore Sun, January 29
"Ahab's Wife: Drawings and Models" review, Ann Arbor News, February 15
"Spaces and Forms" review, City Paper, February 26
New Digital Media conference, Wesleyan University Alumni Magazine, spring, article and cover
"Surreal 'Ahab's Wife' Plays Whaling Museum," Providence Journal, July 23
"LifeLines" review, The New York Times, December 7
1996 Eleanor Heartney, essay in Passionate Attitudes brochure, Real Art Ways, Hartford, CT
"Close to Home" review, The New York Times, October 20
Equal Rights and Justice catalog, Center for African American History and Culture, Smithsonian Institute,
Washington, DC
1995 William Zimmer, "Parsing the Feminine with a Hank of Hair and a Poet's Touch" review of Passionate
Attitudes, The New York Times, January 1
Charlotte Rubinstein, In Three Dimensions: Women Sculptors in the 90s, catalog
Louinn Lota, "Equal Rights and Justice," High Performance, winter
Ruth Latter, "Installing a Medium to Deeper Appreciation" review of University of Virginia exhibition, The
Daily Progress, April 20
Nancy Princenthal, "Passionate Attitudes" review, Art in America, June
Review of Fine Arts Work Center exhibition curated by Ann Wilson Lloyd, Cape Cod Times, October 27
1994 Cathy Fox, "Equal Rights and Justice" review, The Atlanta Journal-Constitution, May 24
William Grimes, "Public Art for Public Places is Raising the Sights of Commuters," The New York Times,
August 22
Jude Schwendenwien, "Passionate Attitudes," The Hartford Courant, December 18
Patricia Rosoff, "Passionate Attitudes" review, The Hartford Advocate, December 22
1993 Fredereike Taylor, 55 Ferris Street, catalog
Wade Saunders, "Making Art, Making Artists," Art in America, January
Christine Temin, review of exhibition at Massachusetts College of Art, The Boston Globe, February
Joanne Silver, review of Massachusetts College of Art exhibition, Boston Herald, February 4
Cate McQuaid, review of exhibition at Massachusetts College of Art, The Boston Phoenix, February 19
Carol Calo, review of exhibition at Massachusetts College of Art, Art New England, June/July
1992 Kay Larson, "Loophole" review, New York Magazine, January 13
Voice Choices, The Village Voice, January 14
"Goings on About Town/Art," The New Yorker, February 10
Black Arts New York, Visual Arts, February
Ann Berk, "European Ceramics Work Center Project Exhibition" review, Kunstbeeld, March
George Melrod, "Loophole of Retreat" review, Art in America, June
Owen Findsen "Migration" and "Loophole" reviews, The Cincinnati Enquirer, June 7
Susan Stoops, Insight on Site, catalog of "The Loophole of Retreat" installation at The Rose Art Museum,
Brandeis University, Waltham, MA
1991 Nancy Stapen, "Brandeis Exhibit Shows Installation's Vitality" review of Loophole, The Boston Globe, Oct. 6
C. Hagen, "When the Outside World is Danger" review of Loophole installation The New York Times,
December 27
Thelma Golden, The Loophole of Retreat, catalog, Whitney Museum of American Art at Phillip Morris, New
York, NY
Eleanor Heartney, "Means to Ends" review, ArtNews, January
1990 Robert Taylor, "Sculpture at DeCordova Explores Edge of the 90's," The Boston Sunday Globe, January 7
Nancy Stapen, "What Do You Do After Minimalism?," Boston Herald, January 12
Marc Mannheimer, review, Art New England, February
Ann Bertelson, "Site Specific," Northern California Home and Garden, March
Michael Brenson, The New York Times, May 5
Sally Heller, Contemporanea, September
George Melrod, Sculpture, September/October
Nancy Stapen, "Brandeis Exhibit Shows Installation's Vitality" review of Loophole, The Boston Globe, Oct. 6
Boston Globe, review, October 27
Eleanor Heartney, ArtNews, October
1989 Marsha Miro, "Eye on Art," Detroit Free Press
"Ancient Explorations" review at Met Life Gallery, Daily News, June
Elizabeth Wilcox, "Commissions," Sculpture, September/October
Joy Hakanson Colby, review, Detroit New, November 24
Christine Temin, "Totem Exhibit Digs Deep Into Culture," The Boston Globe, December 4
1988 John Dorsey, "Pessimism Pervades Exhibit," The Baltimore Sun, January 8
Kenneth Baker, San Francisco Chronicle, May 7
Andy Grundberg, "The Artists of Summer," The New York Times, Arts and Leisure section, July 3
J.W. Cullum, "Strike; Coyne, Fasnacht, Driscoll, Hepper," ArtPapers, July/August
John Sturman, review, ArtNews, September
Vivien Rayner, "Photos and Sculpture at the Aldrich," The New York Times, November 27
Jennifer Heath, review, Rocky Mountain News, December 2
Martha B. Scott, Innovations In Sculpture, brochure/catalog, Aldrich Museum of Contemporary Art,
Ridgefield, CT
Judith Page, Strike, catalog, Valencia College, Orlando, FL
Lasse Antonsen, Nomadic Visions, catalog, Southeastern Massachusetts University, North Dartmouth, MA
Theresa Bramlin, P.S.1 National and International Studio Program, catalog
1987 Stephan Westfall, "New York Reviews," Art in America, March
John Sturman, "Studio," ArtNews, May
"New Faces for the New Season," The New York Times Magazine, August
Sven Birkerts, review, Art New England, summer
Karen Ott, P.S.1 National and International Studio Program, catalog
1986 John Yau, A Contemporary View of Nature, catalog, Aldrich Museum of Contemporary Art, Ridgefield, CT
1985 Lois Tarlow, "Alternative Space," Art New England, May
1984 April Kingsley, The Ways of Wood, catalog, The Sculpture Center, New York
EDUCATION
1980 MFA Sculpture Columbia University, New York, NY
1974 BA Fine Arts Wesleyan University, Middletown, CT
ACADEMIC EXPERIENCE
1998 Professor, Sculpture
Rhode Island School of Design, Providence, RI
1992-8 Associate Professor, Sculpture
Rhode Island School of Design, Providence, RI
1992 Faculty, Sculpture
Rhode Island School of Design, Providence, RI
Adjunct Faculty, Sculpture
School of the Museum of Fine Arts, Boston, MA
1991-2 Adjunct Faculty, Sculpture
Art New England Summer Workshops, Bennington, VT
Visiting Lecturer, Sculpture
Princeton University, Princeton, NJ
1990 Adjunct Faculty, Sculpture
Anderson Ranch, Snowmass, CO
1989 Adjunct Faculty, Sculpture
Rhode Island School of Design, Providence, RI
Visiting Artist, Sculpture
School of the Museum of Fine Arts, Boston, MA
1988 Visiting Artist
University of North Carolina, Chapel Hill, NC
1985-9 Director, France Pre-College Summer Program
Parsons School of Design, Paris, France
1987 Visiting Lecturer, Sculpture
State University of New York at Purchase, Purchase, NY
1980-3 Assistant Director of Admissions
Parsons School of Design, New York, NY
VISITING ARTIST: CRITIQUES, PANELS, AND LECTURES
1986 Academy of Fine Art and Design, Bratislava, Slovakia
Bard College, Annandale-on-Hudson, NY
Bennington College, Bennington, VT
Boston College, Chestnut Hill, MA
Boston Public Library, Boston, MA
Brandeis University, Waltham, MA
Brigham Young University, Provo, UT
Bronx Museum of the Arts, Bronx, NY Artists in the Marketplace Program
Brown University, Providence, RI
Colab Gallery, artist's talk, Bangalore, India
College Art Association (CAA), New York, NY,
Cranbrook Academy, Bloomfield Hills, MI
C.W. Post Campus, Long Island University, Brookville, NY
The Detroit Institute of Arts, Detroit, MI
Drew University, Madison, NJ
Fine Arts Work Center, Provincetown, MA
Hartford Art School, West Hartford, CT
Harvard University, Cambridge, MA Memorialization in Public Art
Historic Preservation Panel, Cambridge, MA
International Sculpture Conference,
Jawaharlal Nehru University, artist's talk, Delhi, India
Lesley University, Cambridge, MA Narrative Forms in Sculpture
Maine College of Art, Portland, ME
Massachusetts College of Art, Boston, MA
Middlebury College, Middlebury, VT
Montclair State University, Montclair, NJ
Mount Allison University, Sackville, New Brunswick, Canada
Museum of Contemporary Art/Denver, Denver, CO
Parsons School of Design, New York, NY
Pennsylvania Academy of Fine Arts, Philadelphia, PA
Pennsylvania State University, Lewistown, PA
Princeton University, Princeton, NJ
Public Art Network, Washington, DC Year in Review: The Best of 2004, with Glenn Harper,
Sculpture magazine
Rhode Island School of Design, Providence, RI
Rhode Island School of Design, European Honors Program, Rome, Italy
RISD Art Museum, Providence, RI Provocation from the series But Is It Art?
School of the Museum of Fine Arts, Boston, MA
School of Visual Arts, New York, NY
Skidmore College, Saratoga Springs, NY
Smith College, Northampton, MA
State University of New York at Albany, Albany, NY
State University of New York at New Paltz, New Paltz, NY
State University of New York at Purchase, Purchase, NY
Syracuse University, Syracuse, NY
University of California at Davis, Davis, CA
University of Massachusetts Amherst, Amherst, MA
University of North Carolina at Greensboro, Greensboro, NC
University of Southern Maine, Portland, ME
University of Utah, Salt Lake City, UT
University of Virginia, Charlottesville, VA
Vermont Studio Center, Johnson, VT
Virginia Commonwealth University, Richmond, VA
Visual Arts Leitrim, Leitrim, Ireland
Wellesley College, Wellesley, MA
The Wheeler School, Providence, RI Memorials for fifth-grade class
Whitney Museum of American Art, New York, NY
Worcester Cultural Commission juror for Art in the Park, winner of the Massachusetts Cultural
Commission GOLD STAR award in 2009
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