Kenny Micka
Culver City, CA. / linkedin.com/in/kennymicka / 310-***-**** / ******@*****.***
Animation Producer / Line Producer / Post Producer Qualifications & Key Achievements
- Produced over 260 half hours of primetime animation, 2 animated movies, shorts & 20 hours of live action vfx.
- Highly familiar with Adult Comedy Animation genre across 2D, CG and Stop Motion formats.
- Honored with several professional distinctions including an Annie Award “Best Program” win, a Primetime Emmy Award Nomination, along with Telly, EMA, Monitor Award and Pixie Award wins.
- Started on the pilot episode of “King of the Hill” and enjoyed an amazing run for the first 10 seasons. Professional Experience
Producer, The Freak Brothers S2 (WTG / Lionsgate / Tubi) 2022 - Current Produced Season 2 of The Freak Brothers, a classic IP based on the original 70’s underground comic. Producer, Slippin’ Jimmy (Starburns Industries / AMC+) 2021 - 2022 Produced a fun 8 episodic animated prequel of “Better Call Saul presents Slippin’ Jimmy” shorts for AMC+. Producer, Woman in the Book (Starburns Industries / Crypt TV) 2020 - 2021 Produced 10 episode Spanish-American/Anime/Horror series for Facebook Watch in North & Latin America. Producer, Momma Named Me Sheriff S2 (HotHouse / Adult Swim) 2020 - 2021 Produced Season 2 of quarter hour 10 episode series for Adult Swim. Producer, The Freak Brothers S1 (Starburns / WTG / Lionsgate) 2019 - 2020 Animation produced Season 1 of 8 episode series (and 4 shorts) of The Freak Brothers. The A-list cast of Woody Harrelson, John Goodman, Pete Davidson and Tiffany Haddish were secured after animation was finished, which equated to a huge lip-synch/acting pass to accommodate their acting / improv additions. Producer, Momma Named Me Sheriff S1 (HotHouse / Adult Swim) 2018 - 2019 Produced the “Mr Pickles” spinoff series for Adult Swim. Introduced creators to using a Storyboard Pro pipeline. Producer, Mr. Pickles finale episode (HotHouse / Adult Swim) 2018 - 2019 Produced a quarter hour finale for Adult Swim. Introduced creators to using a Storyboard Pro pipeline. Line Producer, The Cops (FX / TBS) 2017 - 2018
Set up writers offices, recorded talent across 10 episodes and had to pre-maturely wrap animated series from Albert Brooks & Louis C.K.. Production halted due to #metoo movement and Louis C.K. cancellations = gut punch. Animation Producer, Animals. S1 & S2 (Starburns Industries / HBO) 2015 - 2017 Produced Animals Seasons 1 & 2 with Phil Matarese, Mike Luciano & the Duplass Brothers for air on HBO, which also included a live action “Humans” episode w/ RuPaul. Phil & Mike created the original pilot episodes in FCP 7 which sold at Sundance and I transitioned them to a more traditional animation pipeline for the series. Producer, Harold & Kumar animated pilot (Bento Box / Lionsgate TV) 2015 Produced animated hour pilot based on the “Harold & Kumar” franchise from Jon Hurwitz & Haden Schlossberg. This was one of the funniest projects I’ve produced that is shelved / never got to see an audience. Producer, Tyler Perry’s Madea’s Tough Love (Bento Box / Lionsgate) 2014 Produced animated movie based on the “Madea” character for Tyler Perry Films, Lionsgate & aired on OWN. Producer, Achmed Saves America (Bento Box / Levity Ent. Group) 2013 Produced 2D animated movie based on comedian / ventriloquist Jeff Dunham’s stand-up character Achmed. Kenny Micka Resume – Page Two
Producer, Rick and Morty pilot (Starburns Industries / Adult Swim) 2012 Produced the half-hour animated “Rick and Morty” pilot for Dan Harmon (Community / Harmonquest) and Justin Roiland with Starburns. Set up S1 production which led it to be greenlighted for its current 70 episode order. Producer, Shady Palms presentation (Stop-motion pilot) 2010 – 2011 Shepherded an animated pilot presentation for Rob LaZebnick (The Simpsons) and Phil Rosenthal (Everybody Loves Raymond) with Aardman Animations, voiced by Robin Williams and Billy Crystal. FOX passed and then was re-pitched to other streamers. This is another career high projects to work on that will probably never be seen. Post Producer, Warehouse 13 S2 & S3 (NBCU / SyFy) 2010 – 2011 Responsible for “Warehouse 13” Post Production and delivery of Seasons 2 & 3 of live-action / VFX series for SyFy network. Each hour episode averaged over 300+ VFX shots. Line Producer, The Goode Family (MRC / ABC) 2008 – 2009 Performed numerous duties as Line Producer for “The Goode Family” during pre, production and post. Found, furnished and closed production offices in Sherman Oaks. Built out record and mix room in-house so EPs would not have to travel.
Line Producer, Creature Comforts America (Aardman / CBS) 2006 – 2007 Performed numerous duties in the satellite office for Aardman Animations in Bristol, UK.
• Supervised the organization, digitization and transcription of over 700 audio interviews across the US.
• Solicited submissions from composers for main title theme / initiated agreement with Steve Earle.
• Conceived and implemented Polaroid-type theme transitions within episodes.
• Nominated for Emmy Award & Won an Annie Award - Best Animated TV Production of 2007. Co-Producer, King of the Hill (20th TV / FOX) 1996 – 2006 Administered daily operations of King of the Hill production and post production. Started as Post P.A. on the pilot episode and promoted to Co-Producer over 10 seasons.
• Supervised 175+ episode show records with A-list talent.
• Conceived and contributed menu items / deleted scenes / Easter eggs / bonus materials for DVDs.
• Chaperoned show’s writers / producers on two separate research retreats to Austin, TX.
• Initiated and implemented “tag lines” over end production “Deedle-Dee” title card for 190+ episodes.
• Pitched the final end scene that was used for the series finale episode in 2013. Summary of Producer duties
• Scope projects by building budgets and waterfall schedules for bidding / greenlight purposes.
• Find / furnish production office space and unfortunately shut down office space when wrapped.
• Oversee budget / payroll functions, including cost reports, cash flows, funding requests & change orders.
• Recruit / hire / manage - Director(s) / design / storyboard / editorial / animation artists / etc.
• Facilitate table reads & show records with A-list talent along with contracts and signatory paperwork.
• Collaborate with showrunners / writers on schedules / draft rewrites / incorporating revisions.
• Orchestrate / direct numerous Walla / ADR / pick-up sessions.
• Supervise editing process comprising of audio selection, animatic/rough cuts, picture locks & deliveries.
• Act as Music Supervisor, overseeing scores, edit sessions, music playbacks and mixes.
• Responsible for clearances of library and licensed music / pitching cues / completing cue sheets.
• Supervised show’s online, mix, layback and delivery of air masters to network / studio. Skill sets
Production: Budgets, Schedules, Cost Reports, Greenslate, Cast & Crew, Signatories, Contracts Software: MS Office, Photoshop, Final Draft, Movie Magic Budget, PowerPoint/Keynote Tracking: Google.docs, Smartsheet.com, Shotgrid, File Maker Pro, Airtable Editorial: Premiere, Avid, Final Cut
Deliverables: Aspera, Box, Dropbox, PIX, DAX, Frame.io, FTP, Hightail, RapidCue Education / Affiliations
BA- University of North Texas- Denton, Texas
PGA / ATAS / ASIFA / Women in Animation
imdb.com/name/nm0585287/ (IMDB)