elin o Hara slavick

CB# ****, Hanes Art Center, University of North Caro lina, Chap el Hill, NC 27599

919-***-**** studio abqgzl@r.postjobfree.com fax: 919-***-**** http://www.unc.edu/~eoslavic

Education:

1991 The School of the Art I nstitute o f Chicago, MFA in Photography, with finan cial scholarship,

Top Prize for Gradu ate Wo rk: Raymond Traveling Fellowship

1988 Sarah La wrence College, BA, Bronxville, New York, with financi al scholarship

1985 Tyler School of Art, Philadelphia, PA, gu est year, Dean s List

Solo Exhibitions:

2007 Oma Auma, curated by Rob Sikorski and Kathy Hudson, The John Hop e Franklin Center, Duke

University, Du rham, NC

2006 Heroic Correspo ndence, with Laura Sharp Wilson, Bryce s Barb er Shop Gallery, Oly mpia, WA

2005 Road In Sight: Workers Drea ming, with Mel Chin, an exhibition of solo shows at Duke University,

Center for Documentary Studies, Du rham, NC, catalogue with an essay by Kristine Stiles

2003 Two Pro jects : Workers Drea mi ng and Mutter, curat ed by Terry Glispin, Bro wnlee O. Currey J r.

Gallery, Watkins College o f Art and Design, Nashville, TN

2002 Two Pro jects : Workers Drea mi ng - photographs an d Protesti ng Cartography - dra wi ngs, curated

by Juan Puntes, pres ented by White Box, The Annex, New York, NY

Pro testing Cartogra phy, cu rated by Rob Sikorski and Kathy Hudson, The John Hope Franklin Center,

Duke University, Durh am, NC

2001 Pro testing Cartogra phy, Wo men's Studies Program, UNC, Chap el Hill, NC

2000 New Fro ntiers I V, curated by Todd Smith, The Mint Museum, Charlotte, NC, catalogue with an essay by

Todd Smith

Collectio n, Galerie Fait Sa Broc, Lyon, France

1999 Workers Drea mi ng, with J ane Marsching, Brewhouse Space 101, Pittsburgh, PA

Bragg Murders - a violent cartog raphy, Th e Modern Museu m, Durham, NC

1997 Labour Leisure (Global Eco no my), Lu mp Gallery, Raleigh, NC

1996 mutter, The Oth er Gallery, Banff Centre fo r the Arts, Alberta, Canad a

Brother, I Never Knew You (mutter), The Modern Museum, Durham, NC

1995 A Retrospective, The Grove, Raleigh, NC

Pleasures of Gender, Artspace, Raleigh, NC

Inherita nce, Site-specifi c installation at old slave quarters, Wil mington, NC

List, p erforman ce/installation with Jane Marsching, Art Center, Wil mington, NC

1992 A Wall of Incoherent Dresses, curated by Danny Tisdale and Martha Wilson, Franklin Furnace, NY

Matter, Th e Gold Bar, New York, NY

1991 Embo di ment, curated by Angela Kelly, Randolph Street Gallery, Chicago, catalogue

Selected Group Exhibitions:

2008 Uncoordinated: Mapping Ca rtography in Contemporary Art, curated by Claire No rwood,

Contemporary Art Center, Cincinnati, OH

Mirror I mag e: Co ntempora ry Artists Re-i nvent Art History, curated by Linda Johnson Dougherty,

North Carolina Museu m o f Art, Raleigh, forthco ming catalogue

Expressive Bo dies: Co ntempora ry Art Photography fro m The Kinsey Institute, Indiana University

North west Contempo rary Gallery in Gary, Indiana

Hero es, LUMP Projects, Raleigh, NC

North Carolina Fello wship Exhibition, Rocky Mount Art Center, Rocky Mount, NC

Art a nd Social Co nscience: the Holocaust, Cameron Art Museu m, Wilmington, NC

Paper Quilts, Essex Art Center, Lawrence, MA

2007 The Big Picture, Contemporary Photography, North Carolina Mus eum of Art, Raleigh

Paper Politics, Esplanade Loft Project Gallery, Montreal, Canada

elin o Hara slavick, pg. 2

S e l e c t e d G r o u p E x h i b i t i o n s continued :

2007 Glimpse, SACI (Studio Art Centers International), Florence, Italy

Expressive Bo dies: Co ntempora ry Art Photography fro m The Kinsey Institute, Th e Indiana

University School of Fine Arts Gallery in Bloomington, Indiana; Herron Gallery at the

Herron School of Art and Design in Indian apolis

Pra cticing Contempo raries, Ackland Art Museum, Chapel Hill, NC

Hero es, Bryce s Barb er Shop Gallery, Oly mpia, WA

2006 New Cartography, LeBot Gallery, Oakland, CA

Terror?, Intersection for the Arts, San Francisco, CA

Paper Politics, Po rtland State University Gallery, OR

Res tating Empire, curated by Deborah Paine, Gallery 110, Seattle, WA

Bunker than Thou, Bemis Underground, The Bemis Center for Contemporary Art, Omaha, NE

Crosscurrents, Mint Museum of Art, Charlotte, North Carolina, catalogue

Paper Politics, 5 +5 Gallery, Brooklyn, NY

Raci ng Pages, New York Lesbian, Gay, Bisexual & Transgender Community Center, NY

2005 Image Acts, Amnesty International Firefly Project: "A nd So Forth: A Post-Inaugural Ass embly," s elected

by Whitney Museu m o f Art curators Apsara Di Quinzio and Tina Kukielski, Office Ops, a

cooperative arts space, Williamsburg, Brooklyn, NY

PatriART: Artists Defend Civil Liberties, Puffin Cultural Foru m, Teaneck, NJ

Paper Politics, Phinney Gallery Center, Seattle, WA, h ttp://www.seattleprintarts.org/paperpolitics.html

Workers of the World, A Shen ere Velt Gallery, Los Angeles, CA

Crosscurrents, No rth Carolina Museum of Art, Raleig h, catalogue

Art / Work, Tufts University Gallery, Med ford, MA

The Si mnuke Project, curated by Sasha Harris-Cronin and Max Carlson, Rx Gallery, San Francisco, CA,

Two fo r the Seesa w, curated by Bill Th elen, Branch g allery, Carrboro, NC

2004 News fro m Ho me, curated by Moniek Voulon, The An nex, New York, NY, catalogue

Felix Variatio ns: Artists Res pond to Felix Go nzalez-Torres, curated by Meredith Talusan, Play Space,

California College for the Arts, San Francisco, CA

Wo men in the Mi ddle: Border, Barriers, I ntersectio ns: an ex hibition o f co ntempora ry femi nist art,

curated by Flo Oy Wong, Gail Tremblay, Clarissa Sligh, Tey Marianna Nunn, and Helen

Klebes adel, the University of Wisconsin in Mil waukee Union Art Gallery, Milwaukee, WI

Active Duty, Armed Artists of America, curated by Lee Wells, Studio 84, Williamsburg, Brooklyn, NY

The Art of Politics, cu rated by Lee Wells and Nicole Dupont, Ash more Gallery, Miami, FL

Toxic La nds capes: Artists Exa mine the Environment, curated by Tim Blunk and Ben Jones for the

Puffin Foundation, Long Beach Island Foundation of th e Arts and Sciences Art Center,

Loveladies, NJ, catalogue with essays by Eliades Acosta Matos, Ti m Blunk, Ben Jones, John

Passacantando and Ellen Do rsey

Hall of Portraits, curat ed by Gary Kachadourian, Pinkard Gallery, Maryland Institute College of Art,

Baltimore

Bad Touch 6, Beaker Gallery, Tampa FL

LOOM 3: Labeler, Old Lab el Mill, Pittsboro, NC

Lost Weekend, Lu mp Gallery, Raleigh, NC

Tiny Works, Project Gallery, Wichita, KS

2003 Les Fa bles de la Fo ntaine, Th e Jacob Lawrence Gallery, University of Washington, Seattle

Les Fa bles de la Fo ntaine, Th e Meyerhoff Gallery, Maryland Institute College of Art, Baltimore, MD

The New Normal, curated by Gerard Bro wn and Cheryl Harper, Borofsky Gallery, Philadelphia, PA

Violent Violence, curated by elin o Hara slavick, Arti et Amicitiae, Amsterdam, Holland

Bad Touch 5, Rose Art Museu m, Boston, MA

Bad Touch 4, Keith Talent Gallery, London, England

2002 Bad Touch 3, curated by Bill Th elen, Uk rainian Institute of Modern Art, Chicago, IL

Art Basel / Mia mi, Art Positions, curated by Jan et Ph elps, Mi ami, FL

Drea m: A Painter Loo ks at Photogra phy, curated by To m Do wling, Squareblue Gallery, Los Angeles,

CA

elin o Hara slavick, pg. 3

S e l e c t e d G r o u p E x h i b i t i o n s continued :

2002 Coloring Wo rds, Fotogalerie, Fringe Club, Hong Kon g, China

Figura tive Works, curated by Olga Viso of the Hirshhorn Museu m, Armory Art Center, West Pal m

Beach, FL, cat alogue

Toxic La nds capes: Artists Exa mine the Environment, Reino de este Mundo International Gallery,

Biblioteca Nacional Jose Marti, Havan a, Cuba; The Pu ffin Cultural Foru m, Teaneck, NJ

Les Fa bles de la Fo ntaine: Exhibition Space of Temple University, Rome, Italy; Centre pour l Art et la

Culture, Institut Americain Universitaire et Maryland Institute College of Art, Aix-en -Proven ce,

France

Majo rity Rules, o rganized by Tara McDo well and Letha Wilson, Free Gallery, Glasgo w, Scotland

So me Kind of Drea m, curat ed by Raphaela Platow, Contemporary Art Museu m, Raleigh, NC, catalogue

To wards To mo rro w, curated by Tammy Rae Carland, LUMP Gallery, Ral eigh, NC

Let Freedo m Ring, curated by Elliot Blad es, Page Wal ker Art and History Center, Cary, NC

LOOM 2, Chatham Label Mill, Pittsboro, NC

2001 Para dise in Search of a Future: a Series of Solo Ex hibitions Ex ploring Travel and Touris m, curated

by Lisa Fisch man, CEPA, Bu ffalo, NY http://cepa.buffnet/

New Art 2001, curated by Bill Arning, Kingston Gallery, Boston, MA

Ladyfes t, Arches Theatre, Glasgow, Scotland

A Social Event Archive, Hermetic Gallery, Mil waukee, WI

Toxic La nds capes: Artists Exa mine the Environment, Associated Artists of Pittsburgh Gallery,

Pittsburgh, PA

30 Hours of Photogra phy, Chatenay, France

Media/Tonic, curated by Esther Millouh, Pittsburgh Filmmak ers, PA

Ho megro wn, curated by Douglas Bohr and David Brown, SECCA, Winston-Salem, NC

Postca rds to New York, Macy Gallery, New York, NY

LOOM 1, Chatham Label Mill, Pittsboro, NC

2000 Flesh and Blood V, John Batten Gallery, Hong Kong

Counter Productive Industries, 1926 Exhibition Space, Chicago, IL

La Trace Poiein (The Poetic Trace or the Trace of the Original), Ch atenay, France

Visual Artist Fellowshi p Exhibition, Weatherspoon Art Museu m, Greensboro, NC, catalogue

Flesh and Blood I V, 1708 Gallery, Rich mond, VA, cat alogue

1999 Seeds of Peace, State Street Church, Portland, Maine

Requiem: Living Artists Eulogize a Dying Century, curated by TABOO, Nexus Contemporary Art

Center, Atlanta, GA

Flesh & Blood III, The New Gallery, Miami, FL

Wha t Will You Miss? curated by Jane Block er and Nancy Floyd, Georgia State University Gallery,

Atlanta, GA

National Expos ure, curated by Colin Westerbeck, ARC Gallery, Chicago, IL

Flesh and Blood II, Lump Gallery, Raleigh, NC

Tough and Tender, curat ed by Bill Th elen, Lump Gallery, Raleigh, NC

Art/ Audi ence: Understa nding Contemporary Art, curated by Jennie Moore, Green Hill Center for Art,

Greensboro, NC, catalogue

Co mmunity, Oiga Gallery, Chapel Hill, NC

1998 Context, cu rated by Anne Raman and Gerard Bro wn, Nexus Foundation for Today s Art, in conjunction

with the Fringe Festival, Philadelphia, PA, catalogue with an essay by Judith Barry

Steel, Brew House Space101, Pittsburgh, PA

Wo men in the Vis ual Arts, Erector Square Gallery, N ew Hav en, CT

Art o n Paper, cu rated by Amy Cappellazzo and Laura Hoptman, Weatherspoon Art Museu m,

Greensboro, NC, catalogue

The Huma n Habit, William King Arts Center, Abingd on, VA, brochure

World View, Ten Thousand Villages Gallery, Raleigh, NC

Art of the Spirit III, Bangor Theological Seminary, Portland, ME

1997 Flesh and Blood, Hewlett Gallery, Carnegie Mellon, Pittsburgh, PA, catalogue

elin o Hara slavick, pg. 4

S e l e c t e d G r o u p E x h i b i t i o n s continued :

1997 Yello w, Lump Gallery, Raleigh, NC

Wo men in the Arts, curated by Susanna Coffey, Erect or Square Gallery, New Haven, CT

Round Up, Rogue Art Gallery, Vi ctoria, BC, Can ada

Art of the Spirit II, Pilgrimage Gallery, Portland, ME

1996 White Columns at Green Hill, curated by Bill Arning, Green Hill Center fo r Art, Greensboro, NC

Artists Ex hibition, curated by Donald Kuspit, Raleigh Fine Arts Society, NC

Art of the Spirit I, Pilgrimag e Gallery, Portland, ME

1995 Meanwhile, Warehouse, Du rham, NC

To Be Ra ther Tha n To Seem, NC Pride 95, Durham

Beaco n, Studio 1 & 2, Raleigh, NC

1994 Art o n Paper, Weatherspoon Art Museu m, Greensboro, NC, catalogue

National Fi ber Arts, curated by Annette Co wenberg, Creative Arts Guild, Dalton, GA

Female Trouble, City College Gallery, New Yo rk, NY

Rev enge, site-specific installation, Ch amber Gallery, New York, NY

Flash Bash, City Gallery, Raleigh, NC

1993 Wall to Wall, Tribeca 148 Gallery, New Yo rk, NY

Beyond Body, 494 Gallery, New Yo rk, NY

Fate of the Earth, Ceres Gallery, New York, NY

1992 Neuroti c Art: The Return of the Repressed, Artists Space, New York, NY

Queer Bo dies, Ev ergreen State College Gallery, Olympia, WA, bro chure

1991 Crude Thinking, MWMWM Gallery, Chicago, IL, b rochure

Furious Wo men, Furious Work, Artemesia Gallery, Chicago, IL

Small Things, No rthern Illinois Gallery, Chicago, IL

1990 Evidence, Art emesia Gallery, Chicago, IL

Gigantic Wo men / Miniature Work, Gallery 2, Chicago, IL, catalogue with an essay by Jane Blocker

Personal / Political - Sexuality Self-Defined, Gallery 2, Chicago, IL

Wo men Speak for Themselves, Beacon Street Gallery, Chicago, IL

Thro ugh a Mas k, Da rkly, Prairie Av enue Gallery, Ch icago, IL

Invitational Auctions + Benefits:

2005 Visual AI DS: Postcards fro m the Edge, Rob ert Miller Gallery, New York, NY

Daylight Magazine Benefit, North Carolina Museu m of Art, Raleigh, NC

2004 Postca rds fro m the Edge, Visual AIDS Benefit, Brent Sikkema Gallery, New York, NY

Squa reblue Benefit Auction, Squareblue Gallery, Los Angeles, CA

Benefit Auction, curated by Gary Sangster, Art Institute of Boston at Lesley University, MA

2003 SECCA Collects, Art Auction, Winston-Salem, NC

2002 Sixth Biennial Photog raphy Art Auction, CEPA Gall ery, Buffalo, NY, catalogue

White Box Benefit Auction, White Box, New Yo rk, NY

2001 SECCA Collects, an Art Auction, SECCA, Winston-Salem, NC

14th Annual Auction, A Benefit for the Orange County Rap e Crisis Center, Chap el Hill, NC

Curatorial Experience:

2008 Curator, Pa cifism, Group Exhibition, Unitarian Universalist Church, Ch apel Hill, NC

Co-Curato r, with La ura Sharp Wilson, Heroes, LUMP Projects, Raleigh, NC

2005 Curator/ Advisor, I mages That Matter: Us and Them, Honors Seminar: Collaborative Visual Projects,

selections from the permanent collection, Ackland Mus eum, Ch apel Hill, NC

Curator /Juro r, Annu al Photography Exhibition, Carrboro Arts Center, NC

Organizer, Fro m the Collection o f Archibal d Honey thistle, a collaborative student installation in the

Student Union based on a fictional anthropologist, ethnographer and professor

2004 Curator, Loo m 3: La beler, with Jeff Waites, an exhibition of 40 national artists exploring labor, labeling

and post-industrial sites, Old Label Mill, Pittsboro, NC

elin o Hara slavick, pg. 5

C u r a t o r i a l E x p e r i e n c e continued:

2004 Organizer, Dang erous Sea ms, a student group sho w from my Body Imaging class, Undergraduate

Allcott Gallery, UNC, Ch apel Hill

2003 Curator, Violent Violence, an exhibition of 30 Ameri can artists dealing with issues of violence for

Gallery Arti et Amicitiae, Amsterdam, Holland

Co-Curated and Advised, LOOM 2 and LOOM 1, g roup exhibitions at the old Chatham Label Mill,

Pittsboro, NC

2002 Organizer, Embedded, a collaborative student project in the Allcott Gallery and on campus

2001 Organizer, Perpetuati ng History: A Duty to Truths, a student site-specific and perfo rmative

collaboration at Silent Sam, a statue to a confed erate soldier, UNC campus

Organizer, Personal History Artifacts, an exhibition in the Allcott Gallery, UNC, Chapel Hill

1999 Organizer, Depth of Crotch, a student project in the Undergraduate Alcott Gallery, UNC, Ch apel Hill

Juror, Persistence of Memory, an exhibition in the Undergraduate Alcott Gallery, UNC, Chap el Hill

1998 Juror, In the Fles h, an exhibition of student work, Alcott Gallery, UNC, Ch apel Hill

Organizer, Queer Strategies and Advanced Mixed Media, group exhibitions of student work in the

Allcott Gallery, UNC, Ch apel Hill

Organizer, LIVE ART! parade on UNC, Chap el Hill campus

1997 Curator, Mo ther Smother Other Lover, with Beth Grabo wski, group sho w in the Alcott Gallery,

UNC, Chap el Hill

1996 Organizer, Experimental Photogra phy, a student exh ibition, Hanes Art Center, UNC, Ch apel Hill

Organizer, The Windo ws Project, a student collaboration, 6 store windo ws, downto wn Chap el Hill, NC

1995 Organizer, Body I maging, an exhibition of student work, Han es Art Center, UNC, Chapel Hill

Organizer, Vessel, an exhibition of student work at Stray Studios, Raleigh, NC

Organizer, Fiasco, a p erforman ce/installation night on campus, Chapel Hill, NC

Organizer, Day Without Art for AIDS Awaren ess in The Glass Gallery, UNC, Chapel Hill

1994 Curator, Bodily Functions, with Carol Mavor, a grou p exhibition at The Student Union, UNC

Organizer, Rinse and Spin, a group student exhibition at 8 business locations, Chap el Hill, NC

Organizer, Plot, a perfo rmance art night on campus, Chapel Hill, NC

S e l e c t e d P u b l i c a t i o n s by elin o Hara slavick :

Books :

Bomb after Bo mb: A Violent Cartography, fall, 2007, monograph on my wo rk with essays by Ho ward Zinn,

Carol Mavor, and Catherine Lutz, Charta Art Books, Milan, Italy, distributed by DAP

Fables of La Fontaine, 2006, Constantine and Ko ren Christofides, University of Washington Press,

Seattle/London, page 68

Not Just Any Dress: Narratives of Memory, Body, and Identity, 2004, edited by Sandra Weber and Claudia

Mitchell, Peter Lang USA, "Collecting Loss," Carol Mavor, with reproductions of my wo rk

Autobiographical Writing Across the Disciplines, Di an a Freed man and Olivia Frey, editors, Duke University

Press, 2003, cover photograph

The Zine Yearbook, Volume Six, an Annual Collection of Excerpts fro m the Best Zines Publishing Today,

Beco me the Media, 2002, Interview with Su e Coe, p p.87-91

Ho mefront: A Military City and the American Twentiet h Century, Catherine Lutz, with photographs by elin

o Hara slavick, Beacon Press, fall, 2001

Centuries, Joel Brou wer, Four Ways Press, 2002, front cover photography

Exactly What Happened, Joel Brou wer, Purdue University Press, 1999, front cover photography

The Untimely Pres ent, Postdictatorial Latin American Fiction and the Task of Mourning, Idelber Avelar, Duk e

University Press, 1999, front cover photography

elin o Hara slavick, pg. 6

S e l e c t e d P u b l i c a t i o n s by elin o Hara slavick continued :

Magazines / Newspapers / Journals / Catalogues:

Red Pepper Magazine, London, UK, Bo mb After Bomb, inside back cov er

Oxfam Magazine, Hong Kong, China, Wo rkers Dreaming, p . 28, No. 2, 2006; "Places the USA h as

Bombed," p. 35, No . 1, 2003

American Ethnologist, November 2006, Issue 33(4), photographs

Daylight Magazine, Issue #5, 2006, Wor kers Drea ming Photographs by elin o'Hara slavick, Chap el Hill, NC,

New York, NY and London, UK, pp. 54-59

Cartographic Perspectives, forthco ming, an essay by Denis Wood with reprodu ctions from elin o'Hara slavick 's

Protesting Cartography: Places the U.S . has Bo mb ed, Washington DC

Cultural Politics, July, 2006, Field Report Protesting Cartography: Places the U.S. has Bo mbed, by elin o'Hara

slavick, Oxford, UK, pp. 245-254

The Anniston Star, August 6, 2006, Places We Bombed, by elin o Hara slavick, cov er of the Insight section, pp.

1E and 4 E, Anniston, Alabama

Paper Politics, An Exhibition of Politically and Socially Engaged Printmaking, Curated by Josh

McPhee, Phinney Center Gallery, Seattle, WA, catalogue, Seattle Print Arts, 2005, p. 45

Not In My Name: Silvia Velez, Adelaide, Australia, 20 05, "Scraps of Hope for a Nameless Flag," catalogue es say

by elin o'Hara slavick, pp. 36-39

Chapel Hill Herald, March 8, 2005, "Need to Clarify Stance on Popes ", Guest Columnist, pag e 2, NC

Pittsburgh Post-Gazette, May 29, 2004, "Artists often fi ll their houses with own Work," Kevin Kirkland

Paper Politics: An Exhibition of Politically and So cially Eng aged Printmaking, exhibition catalogue, Seattle Print

Arts, 2005, p . 45

American Anthropologist, New York, NY, Volume 10 4, Numb er 3, September, 2002, cover photograph,

photographs pp. 728 and 730

Southern Atlantic Quarterly, Durham, NC, spring, 2002, Dissent from the Ho meland: Essays after Septemb er

11, photographs p. 289

Southern Exposure: a Journal o f Politics and Culture, Vol. XXX, Nos. 1 & 2, Durham, NC, su mmer, 2002,

photographs pp. 21-23,42, 51; LUMP Gallery: Free Expression in Jesse s Backyard and Suffragettes

to She-Devils, 1998, pp.62-63

The Independ ent, Durh am, NC: Pictured Southern: Co ntemporary Southern Photography from Walker Evans to

Sally Mann a photo essay curated by elin o Hara slav ick, cover story, January 2-8, 2002; Life in

War s Shado w, Nov ember 7-13, 2001, photographs p p. 7, 30-31; Otherwo rldly, Nov ember 7-13,

2001, p. 33; Best Bet, August 22-28, 2001, p. 51

Endeavo rs, Chapel Hill, NC, winter, 2002, Service an d the City: An Anthropologist seeks the Fay etteville

outsiders don t see, Angela Spivey, photographs, pp . 2 3-24 and back cov er

Ex-Voto/Plumbu m/ History Attached to my Heels, 2001, David Solo w, catalogue, photograph, p. 8

Fireweed, Graphics Issue 70, Toronto, Canad a, winter, 2001, Post Colonial Girl Doll, pp. 8 -89

Media Reader, Chicago, No. 4, summer, 2001, Art Activism, an Interview with Sue Coe, pp . 4-10

Public Health? An Interview with Epidemiologist Dr. David Richardson, No . 3, Jan ., 2001, pp. 3-6

Adbusters, Vancouv er, BC, Canada, January, 2001, Gl obal Economy Postcard, p.6

The Prog ressive, Madison, WI, Janu ary, 2000, A Doll for the Global Economy, p . 15

Art Pap ers, Atlanta, GA: "Leah Bailis at Branch Gallery," Sept/ Oct, 2005, pp . 42-43; Memori es of Nature,

Sept/Oct., 2001, pp . 39-40; Th e Lyon Biennale, Nov/Dec., 2000, pp. 55 -56; URDLA, Photography as

a Form of Printmaking, Sept/Oct., 2000, pp . 55-56; Sarah Jones and Clementina Hawarden: Kindred

Spirits of Photography, Aug ., 2000, pp. 47-48; Artist Page, March/ April, 1998, p. 31; Wild Life at the

Weatherspoon, Sept/Oct., 1998, pp .50-51; The Quiet In The Land: Everyday Life, Contemporary Art,

and the Shakers, Feb . 1999, pp. 52-52; The First Cen tral American Painting Biennial at DUMA,

March/Ap ril, 1999, p.55; Ben Vautier: Any Photograph Will Do, Sept/ Oct., 1999, pp.42-43

Printed Matter, Inc., NY, distribution of Post Colonial Girl Paper Doll, slavick, 1998, booklet printed by Paper

Crane Press, 10 pages, 1999 distribution

Arts Media, Boston, MA, Piero Manzoni at Serp entine Gallery, May, 1998, p.15

The Pris m, Chap el Hill, NC, Selections fro m Post Col onial Girl Zine, 1998, p .5

Iris, UNC journal o f medicine, literature and art, Dr. Alice Stewart, 1999, pp . 17-18, Ad am & Eve, 1997, p.20

elin o Hara slavick, pg. 7

S e l e c t e d P u b l i c a t i o n s by elin o Hara slavick continued :

Magazines / Newspapers / Journals / Catalogues:

Extimacy, Chap el Hill, NC, edited by Rhada Vatsal an d Lisa Stev enson, spring, 1996

Whitewalls, Chicago, IL, A Wretch Like Me, edited by Robert Blanchon, fall, 1994, p. 39

S e l e c t e d P u b l i c a t i o n s about elin o Hara slavick :

Art US, Los Angeles, CA, forthcoming, Book Review Essay, Ry an Griffis, fall, 2007

Green Resistance, Lebanon, Good News: Po wrerful b ook revealing the amorality of war, Rania Masri,

htt://greenresistance.wo rdpress.com/, August 23, 2007

Big, Red and Shiny, Boston, MA, http://www.bigredan dshiny.com, Bo mb After Bo mb, a Book Review,

Matthew Nash, July 17, 2007; Art and Activism, April 8, 2007

Friendly/Agitate, feature post, http://www.friendlyagitate.net/2007/07/17/bomb-after-bomb-a-violent-

cartography/, July 17, 2007

Arthur, http://www.arthurmag.co m/magpie/, For Your Formal Consideration, Robby Herbst, July 11, 2007

Moon River, feature post, http://mooonriver.blogspot.com/, July 4, 2007

Critical Sp atial Practice, feature post, http://criticalspatialpractice.blogspot.com/, July 3, 2007

The Agony of Co mmunication: New Military Visualities, New Technologies of the Disapp earing Self, John

Armitage, forthco ming book featuring the wo rk of elin o Hara slavick, 2008

On Th e Left Side, Countermapping, http://www.rainer-rilling.de/blog/?p=151, Febru ary 22, 2007

V is for Virilio: Culture, Theor y, Sp eed, lecture by John Armitag e, featuring the work o f elin o Hara slavick,

Royal College of Art, London, March 7, 2007

Signal Fire: A Blog for the Arts o f Social Change, http://signalfire.provisionslibrary.org/, Ap ril 12, 2007

Big, Red and Shiny, Boston, MA, Art and Activism, April 8, 2007

Omaha City Weekly, NE: Gi mme Shelter, Michael J oe Krainik, Feb ruary 1, 2006

Paul Virilio and the Arts Symposium, John Armitage, ZKM, Karl esruhe, Germany: Virilio over Hyp ermod ern

America: On the Recent Art of Jordan Crandall, Joy Garnett, and Elin O'Hara Slavick.

News and Obs erver, Raleigh, NC: "Weaving Art Into an Archival Setting," Caitlin Cleary, May 23, 2004; "Art

Fills Old Mill," Caitlin Cleary, May 21, 2004; Dream Weavers, Max Halperen, April 19, 2002;

Students, Critics Praise Award-Winning Artist, Twardy, Feb. 25, 1995

City Paper, Baltimore, Maryland, "Hall of Portraits," J. Bo wers, July 21, 2004

San Fran cisco Ch ronicle, California, "Mixing Painting and Identity Politics," Kenneth Bak er, May 8, 2004

The Mi ami Herald Street Weekly, Florida, "Call to Arts: Armed Artists of America Rally Against the War in Iraq

with an Exhibit at Ashmore Gallery," Carlos Suarez d e Jesus, October 29, 2004

The Guardian, London, England, "Within These Walls," Craig Taylor, Decemb er 17, 2003

Volkskrant, Amsterd am, Netherlands, "Critical Art fro m Ameri ca," Rutger Pontzen, Saturday, July 19, 2003

Endeavo rs, UNC, Chapel Hill, "Picturing truth with as l owercase t," spring, 2003, Volu me XIX, Numb er 3, pp. 1

and 33

Coast, Newport Beach, California, Art Access: Leg en dary Imagery, Lauri Mendenhall, pp . 152-153, November,

2002

Utne Reader Web Watch, website review, Eri ca Sagran s, www.utne.co m/ web watch/archive.tpl?=11/18/2002

Mediach annel.org, Editor's Pick Archive, "Art and Bo mbing," 2002

Daily News, West Palm Beach, Florida, Photos Click in Armory, J an Sjostro m, October 1, 2002

La Provence, Aix-en-Prov ence, France, Ces g ens de l a Fontaine, Samir Hedd ar, April 13, 2002

Aix-en -Dialogue, Aix-en-Provence, Fran ce, Les Fables de la Fontaine, Jean-Francois Hubert, March, 2002

The Spectator, Raleigh, NC: World on Its Head, Lissa Brennan, June 22, 2002; Do cumenting Th e Self, Li ssa

Brennan, May 29, 2002, p. 28; In Light of Recent Events, Glenn Perkins, January 24, 2002; A

Mercurial Tal ent, On the trail of an artist s career, Nat ale, Ap ril 21, 1999, p.21; The Unh appiness of

Gend er, Linda Dough erty, March 2, 1995

NPR, All Things Considered, Anti-War Professors, October 9, 2001

Pittsburgh Tribune Review, PA, Pair o f sho ws co mment on environmental issues facing ou r nation and the

world, Kurt Shaw, Nov emb er 16, 2001

The Boston Globe, MA, New Art 2001, July, 2001, p . D

elin o Hara slavick, pg. 8

S e l e c t e d P u b l i c a t i o n s about elin o Hara slavick continued :

The Herald-Sun, Durham, NC: "Snapshot: Best Bet in Arts, Loom 3: Label er," May 21, 2004; Exhibit shows

photo world upside do wn, Eric Ferreri, May 27, 2002; Durham Artist Wins Right To Sho w, J. Tew,

March 3, 1995

Blue Dog, Bu ffalo, NY, Paradise Found, J essica Kou rkounis, June 27, 2001, p . 26

New Frontiers IV, catalogue essay, Todd Smith, Curato r of American Art, Mint Museum, 2000

Creative Loafing, Charlotte, NC, Political Messeng er, Amy Sh afer Swisher, April 6, 2000

South China Post, Hong Kong, The Beauty of Flesh & Blood, Fionnuala McHugh, Janu ary 9, 2000, p. 6

Independent, Du rham, NC; elin o'Hara slavick charts history's nightmares in Bo mb After Bo mb

A screaming comes across the sky, Brian Ho we, Augu st 22, 2007; "Best Bet: in label making and

unmaking," Kirk Ross, May 19, 2004; The Anti-Warri ors: In a year consumed by war, triangle peace

activists helped keep deb ate and dissent alive Jon Elliston, p. 22, November 27, 2002; Protest Maps;

slavick s wo rk maps the fatal seduction of distance, Elizabeth Ho wie, November 13, 2002; Zine

Stream, John Valentine, July 31, 2002; Triangle Art Awards, elin o Hara slavick, Artist/Activist, June

25, 2002; Th e Personal is Political, Clancy Nolan, June 20, 2001, pp.28-29

Winston-Salem Journal, NC: A Little like Ho me, To m Patterson, June 17, 2001; Eclectic Mix, Tom

Patterson, July 2, 2000; Not in Mint Condition, Tom Patterson, June 4, 2000; Art o f the State, To m

Patterson, May 21, 2000, Arts Section, front page, p. E1; Pictures with Punch, To m Patterson, April 30,

2000, p. E5; Art as Politics, Tom Patterson, Ap ril 9, 2000, Arts Section front p age, pp. E1-E2; Getting

it to Make Sense, To m Patterson, October 24, 1999, p. E4

Ming Pao Daily, Hong Kong, Four Faces, Daughters, Sisters, Nerves, Carol Liu Ying Kei, Jan. 29, 2000, p. 22

Beco ming, Duk e University Press, Carol Mavor, 1999, pp.135-173

New Art Examiner: Chicago, IL, Requiem, Cedric DeSouza, May, 1999, pp.61-62; Artist Wins Censorship

Fight in Raleigh, Woody Holliman, May/June, 1995; Sister Serpents, Bill Stamets, April, 1991, p .35

Art Pap ers, Atlanta, GA: "Loom 3: Labeler," Ann Millett, Sept/Oct, 2004, pp. 44-45, So me Kind o f Dream,

Julia Ridley Smith, Sept/Oct, 2002, pp. 38-39; Flesh & Blood, Dinah Ry an, Sept/ Oct, 2000, pp . 43-44;

Requiem, Jason Forrest, May/June, 1999; Studio Vi sit with elin o Hara slavick, Linda Dougherty,

March, 1998, pp.29-31; Labor Leisure (Global Economy), Linda Dougherty, Jan ., 1998, p. 59;

Th e Pleasures of Gender, Woody Holliman, July/Au g., 1995, pp. 58-59; 7th Annual Fiber Arts

Exhibition, Bill Alexand er, March, 1995, pp. 50-51

Atlanta Press, Taboo s Requiem, Christina Kline, Jan uary 22, 1999

Creative Loafing, Atlanta, GA, Requiem: Death rattle for the millennium, By rd, J an. 1, 99, pp .39-46

Flesh & Blood, exhibition catalogue essay, Too Close to See, Carol Mavor, 1998

Media Performance Along the Bord er, Johannes Berringer, John Hopkins University Press, 1998, p . 246

Philadelphia Weekly, Context, Miriam Seidel, Sept. 2, 1998, pp . 37-38

Cultural Studies, Routledge/ London, Collecting Loss, Carol Mavor, spring, 1997, pp. 113-137

Pittsburgh Post-Gazette, Family weav es symbolism into exhibition, Tho mas, Dec. 13, 1997, p. B-8

Pittsburgh Tribune-Review, Flesh and Blood h as Ch ekhov Drama, Shearing, Nov. 30, 1997, p. E6

Chapel Hill Herald, Professor s Presentation Sparks Discussion on Equality, Fugate, Nov. 3, 1997

Artistic Freedo m Und er Attack, People for the American Way, DC, Case Studies, Vol . 4, 1996, pp.20

Curve Magazine, San Fran cisco, Southern Going, Zelie Pollen, July/ August, 1995, pp . 58- 60

Chapel Hill News, NC: An upside-do wn Wo rld, Dav e Hart, cov er story + p. A8; Art Flap Spotlights Issues

of Gender, Vicky Jiggetts, March 1, 1995

National Public Radio, Pleasures of Gender, review b y Joseph Covington, March 24, 1995

Binocular, Australia, From Dada to Mama: Feminism, Th e Ready-Made and Contemporary Practice, Margaret

Morgan, 1994, pp. 11-29

New York Post, The Dress o ff Her Back, Jerry Tallmer, Decemb er 11, 1992

P-Form, Chicago, Embodiment: Sh aring Our Wounds, Johannes Birringer, Issue 25, 1992

Fiberarts, BASF Fiber Sho w: Po werfully Disturbing, Bill Alex ander, March, 1995, pp. 60-62

elin o Hara slavick pg. 9

Selected Conferences + Panels:

2007 Charta Books for Peace, with Ho ward Zinn, Michael Lally and Moises Saman, Cooper Union, New

York, NY

Art + Activis m, with Kanarinka / the Institute for In finitely Small Things and Jane Marsching, Boston,

MA

Bo mb After Bo mb: A Violent Cartog raphy, No rth American Cartographic Information Society

(NACIS) Conference, St. Louis, MO

2005 Anthropology, Art and Activism: Wars Unfinished, U.S. Military Bases in Okina wa and Korea,

Bro wn University, Providence, RI

Southern Arts Federation Vis ual Arts Summit, Atlanta, GA

2004 Rega rding the Pain of Others in Sebastio Salgado's Pho tographs, Th e Ackland Art Museu m, Ch apel

Hill, NC

2002 Balance and Accuracy i n Journalis m, Bu rsting the Bubble of U.S. Propag anda and Iraq, Co mmunity

Church, Ch apel Hill, NC

2001 Art as Activism, SURGE (Students United for a Respo nsible Global Environment) Glocal Conferen ce,

Chapel Hill, NC

Poets for Peace, reading, UNC, Chap el Hill

2000 Pho tography and Memory, Chatenay, Fran ce

1999 Art Audience, Green Hill Center for Art, Greensb oro, NC

Art, Culture and the Movement, SURGE (Students United fo r a Responsible Global Environment)

Conference, Chapel Hill, NC

Local / Global Pho tographic Practices at the End of the Millenni um, Co-Chair with Jane Marsching,

College Art Association, Los Angeles, CA

A Feminist Pers pective on Wo men in the Arts, The Wo men s Center, Chap el Hill, NC

1997 The Index of Beauty, Society for Photographic Educat ion: Skin Deep: Beauty, Displeasure, Ag ency,

Los Angel es Contemporary Exhibits, CA

Femi nist Navigations, Keynote address, Photographic Feminisms, Chapel Hill, NC

The Rhetoric of Art, Censorshi p, and Public Funding, Claremont McKenna College, Claremont, CA

Talking thro ugh Surrealism i n Val Telberg and Ral ph Eug ene Meatyard s Pho tographs, with Amy

Ruth Buch anan, The Ackland Museu m, Chap el Hill, NC

1996 Performa nce Studies Forma tions, Maternity, Visual ity, Performativity, with Jane Blocker, Carol

Mavor, and Della Pollock, No rthwestern, Chicago, IL

Vertigo, On Autobiogra phy and Identity, Body Biographies: mutter, Chapel Hill

Artist Lectures :

2007 The School of the Museu m o f Fine Arts, Eight Photographers Series, Museum of Fine Arts, Boston, MA

School of Oriental and African Studies, University of London, England

Warwick College, Warwick, England

Manch ester University, England

Ithaca College, Ithaca, NY

Massachusetts College of Art, Boston

Rhythm and Muse Books, book signing + reading, Boston, MA

Democracy Center, book reading + signing with Ho ward Zinn Boston, MA

Internationalist Books, book signing + reading, Chapel Hill, NC

McIntyre s, book signing + reading, Pittsboro, NC

Bull s Head Bookshop, book signing + reading, Chap el Hill, NC

2005 Bro wn University, Providence, RI

University of Alabama, Tuscaloosa

Ackland Art Museu m, UNC, Chapel Hill

North Carolina Museu m o f Art, Raleigh, NC

2004 School of Oriental and African Studies, University of London, England

University of Buffalo, NY

elin o Hara slavick pg. 10

A r t i s t L e c t u r e s continued :

2003 Studio Art Center International (SACI), Floren ce, Italy

Watkins College of Art and Design, Nashville, TN

2002 Jose Marti National Library, Havana, Cuba, in conjunct ion with the g roup exhibition Toxic Landscap es

The Center for Advan ced Art and Culture, Maryland In stitute College of Art, Aix-en -Prov ence, France

2001 SECCA (Southeastern Center fo r Contemporary Art), Winston-Salem, NC

Winthrop University, Rock Hill, SC

The Wo men s Center, Chapel Hill, NC, Keynote Address

Images of War, teach-in Und erstanding Terro r: Wh at is War? Wh at is Peace? Journalism School,

UNC, Chap el Hill

Protesting Cartography, Curriculum in Wo men's Stu dies, Johnson Center, UNC, Chapel Hill

2000 The Center for Advan ced Art and Culture, Maryland In stitute College of Art, Aix-en -Prov ence, France

The Mint Museu m, Charlotte, NC

La Trace Poiein, Chaten ay, France

1999 University of Miami, Florida

1998 Brewhouse Space 101, Pittsburgh, PA

Carnegie Mellon University, Pittsburgh, PA

Duke University, Durh am, NC

Wo men's Issues Netwo rk, Chapel Hill, NC

Morality and Law Class, UNC, Chapel Hill

Academic Enhan cement Program, UNC, Chap el Hill, NC

Ackland Art Museu m, UNC, Chapel Hill, NC

Lu mp Gallery, Raleigh, NC

1997 Feminist Philosophy Class, UNC, Chap el Hill

Claremont McKenn a College, Claremont, CA

Chapel Hill High School

1996 University of Alberta, Edmonton, Canada

1996 Duke University, Durh am, NC

DePau w University, Greencastle, IN

Banff Centre for the Arts, Alberta, Canada

1995 American Civil Liberties Union Annual Conference

1994 California International School, Hong Kong

1992 Rochester Institute of Technology, Ro chester, NY

Syracuse University, NY

1991 Yal e Su mmer School at Norfolk, CT

Sarah Lawrence College, Bronxville, NY

University of Maryland, Baltimore County

Awards + Residencies:

2007 Scholarly Research and Exhibitions Award for Bomb After Bomb: A Violent Cartography

University Research Council Award for Bomb After Bomb: A Violent Cartography

2006 North Carolina Arts Council Visual Artist Fello wship

2004 Ken an Faculty Fund, retention of pro mising and outstanding faculty in the face of unprecedented

competition from peer institutions

2002 Best of Sho w Award, Figurative Works, curated by Olga Viso of the Hirshhorn Museu m, Armory Art

Center, West Palm Beach, FL

Triangle Art Award, The Independent Weekly, Durham, NC

University Research Council Grant for Pl aces the United States has Bomb ed

Institute for the Arts and Hu manities Fellowship

2001 Vermont Studio Center, Artist in Residence (declined)

Brandes Course Dev elopment Award for Collaborativ e Visual Ethnographic Projects with

Anthropologist Catherine Lutz

Pearman Undergraduate Res earch Fund Fello wship for Isaac Trogdon s Honors Th esis

elin o Hara slavick pg. 11

A w a r d s + R e s i d e n c i e s continued :

2000 Scholarly Research and Exhibitions Award for New Frontiers

1999 University Research Council Grant for Fayetteville Project

Scholarly Research and Exhibitions Award for Global Economy

Center for Teaching and Learning Mini-Grant fo r Course Enhancement

1998 Philadelphia Exhibitions Initiative / Pew Ch aritable Tru st Public Art Award

North Carolina Arts Council Visual Artists Fello wship

Tanner Award for Ex cellence in Underg raduate Teaching

University Research Council Grant for Fl esh and Blood

1997 Faculty Fellows Opportunity Grant for Guillermo Gomez-Pena, Visiting Artist Lecturer

Williamson Course Development Grant for Queer Strategies in Studio Art Practice

University Research Council Grant for Travel Photographs

Lupton Cours e Development Grant for Photography

1996 The Banff Centre fo r the Arts, Alberta, Canada, July Artist-in-Residence

Third Place Award, Ral eigh Fine Arts So ciety, Juror: Donald Kuspit

University Research Council Grant for Mutter

Scholarly Research and Exhibitions Awards for: Inheritance, List, and Mutter

Lupton Cours e Development Grant for Photography

University Research Council Grant for Mutter

1995 Junior Faculty Dev elopment Grant fo r Mutter

Scholarly Research and Exhibitions Award for Lo cker

Institute for the Arts and Hu manities Fellowship for fal l, UNC

Third Prize in Intern ational Photography Comp etition, Curve Magazine, San Fran cisco

Lupton Cours e Development Grant for Photography

1994 First Place, National Fiber Arts Exhibition, Dalton, Georgia

1993 Honorable Mention by Ron ald Feldman Gallery, 148 Gallery, NY

Professional Experience:

2006 Present: Director of Undergra duate Studies, Art Depart ment, University of No rth Carolina at Chap el

Hill

2002 Present: The University of No rth Carolina a t Chapel Hill, tenured Full Professor

2004 2005: Director of Gra duate Studies, Art Department, University of North Carolina at Chapel Hill

2004 2005: Associate Chair, Art Department, University of North Carolina at Ch apel Hill

1999 - 2002: The University of North Ca rolina at Chapel Hill, tenured Associate Professor of Art

1994 - 1999: The University of North Ca rolina at Chapel Hill, tenure-track Assistant Professor of Art

1995 - Pres ent: Fello w, The Institute for the Arts a nd Huma nities

Chair/Curato r, 1999-02, John and June Allcott Gal lery Co mmittee, responsible for bringing Julie Heffernan,

Sue Co e, Joyce Ko zloff, Lonnie Graham, Andrew Johnson, Jim Kellough, Jane Marsching, Jeff Whetstone, and

others for solo exhibitions and lectures and organizing Alumni, Graduate, and Und ergradu ate Exhibitions

Chair 1994-96, member 1996-97 of the Visiting Artist Lecture Co mmi ttee, responsible for bringing Janine

Antoni, Doris Salcedo, Susan Stewart, Carri e Mae Weems, Terry Allen, Kerry James Marshall, Fred Wilson, Sue

Coe, Guillermo Go mez-Pen a and Roberto Sifuentes, Trinh T. Minh-Ha, Corn elia Hesse-Honegger, Bill Arning,

Jeff Wall, Joyce Kozloff, Julie Heffernan, among others, to campus for lectures and graduat e studio visits

F a c u l t y A d v i s o r t o c o m m i t t e e s:

Han es Visiting Artist Lectures

Undergraduate Art Association

Students for Economic Justice

Teaching Assistants, all MFA students

Loom Exhibitions PROGRESS (Progressive Students and Staff)

Campaign to End the Death Pen alty Carolina Socialist Foru m

elin o Hara slavick pg. 12

Other Committees :

Ad ministrative Advisory Co mmittee o f the Ackland Museum, 2004-2007

Contemporary Art History Search, 2006

Faculty Coun cil, 2002-2005

Faculty Coun cil Subco mmittee on Academic Freedom, 2005

Frey Professor in Ameri can Art Search, 2004

Chair, Studio Sp ace, 2004

Steering Committee, Art Depart ment, 2004

Chair, Photography Search, 2001

Photography Search, 1998

Co-Founder of the Progressive Faculty Netwo rk

Space, 2007-08

Intellectual Life, 2007-08

Established Lectures

Library and Slides

Studio Art Honors Program

Carolina Wo men 's Center Advisory Board

Alcott Travel

Institute for Arts and Humanities Planning

Undergraduate Art

Arts Edu cation Agenda

Graduate Art

Salary

Academy of Distinguished Teaching Scholars

Chancellor's Intellectual Task Force on Public Space

Personnel Reviews

Allcott Gallery

Pearman Fund Co mmittee

Post-Tenure Review

Courses Taught:

Basic, Intermediate, Advan ced, Con ceptual, and Experimental Photography

Independent Studies in Painting, Sculpture, and Photography

Basic Drawing and Co mposition

Undergraduate Honors and Gradu ate Advising

Honors Seminar in Collaborative Visual Projects

Graduate Teaching Practicum

Mixed Media

Body Imaging

Collaborative Installation

Queer Strategies in Studio Practice

Introduction to Art making

Professional Seminar

Graduate Seminar in Studio Art

Zines for Teens

Docu mentary Photography

Other Professional Experience:

2007 Summer Traini ng Workshop, History and Practice of Documentary Photography, Student Action with

Farm Wo rkers, Warren Wilson College, Asheville, NC

Culture Works, organizing co mmittee memb er, Washi ngton DC

elin o Hara slavick pg. 13

O t h e r P r o f e s s i o n a l E x p e r i e n c e continued :

2006 Present: Advisory Board, Student Action with Farm Work ers, Center for Do cumentary Studies, Duke

University, Du rham, NC

Interdisciplinary Research Group: New Ca rtographies, Networks, a nd the Ma pping of Eco no mic

Life, Cultures of Economies Wo rking Group, University Program in Cultural Studies, UNC

Juror, PTA Reflections Program, Children s Art Cont est, Ch apel Hill, NC

Pro mo tion Review, Steven Kurtz/Critical Arts Ensemble, University of Buffalo, NY

Radio Discussion, Dick Go rdon s Th e Story, with John Carey, London Times literary critic

Southern Artist Registry, www.Southern Artistry.org

2005 Regional No minator, Creative Capital Foundation, New York, NY

Faculty Mento r, Transart Institute, Krems, Austria

Juror, Annual Photography Contest, The Arts Center, Carrbo ro, NC

Contributing writer, since 1998, to Art Pap ers, Atlanta, Georgia

Grant Reviewer, The City University of New York, NY

Tenure Review, Mich ael Oliveri, Lamar Dodd School of Art, Athens, GA

2004 WUNC, Discussion with Ro mulus Linney about Politics and Art

Ackland Art Museum Advisory Boa rd, 2004 - 2007

2003 Summer School, Co nceptual Photog raphy, SACI, Fl orence, Italy

Tenure Review, Millie Chen, University of Buffalo, NY

2002 Contributing writer, since 2000, to The Independ ent Weekly, Du rham, NC

Contributing writer, since 1999, to Media Reader, Ch icago, Illinois

Interviewed British musician Billy Bragg on WXYC, UNC, Chap el Hill

North Carolina Writers Netwo rk, taught t wo Hot Ink for Teen Writers wo rkshops on zines

Organized and co nstructed a Camera Obscu ra with my Conceptual Photography class as p art of the

Alumni Sculpture Gard en

2001 Co-Orga nized a series of five Teach-Ins in response to September 11, 2001, receiving international press

2000 Pho tographer for Triangle Yog a Center, Chapel Hill, NC

Tenure Review, Larry Jens Anderson, Atlanta College of Art, GA

1999 Interviewer for the North Carolina Fello ws Program

Group Fa cilitator, Teaching Assistant Training, Center for Teaching and Learning

1998 Group Fa cilitator, UNC Safe Zon e Program

1997 Group Fa cilitator, Teaching Assistant Training, Center for Teaching and Learning

1996 Co-Orga nized, with Erika Si mon, Love Makes A Family - Living in Gay and Lesbian Families Pan el

Discussion, Student Union, UNC, Ch apel Hill

1995 Co-Spo nsored the AIDS Quilt in the Great Hall on campus

1994 Co-Spo nsored the AIDS Quilt in the Great Hall on campus

1993 Assistant to Photogra pher Joel Sternfeld, driving across country for t wo months and doing research for

the book On this Site

1992 Assistant to Roa rk Dunn, Photograph er s Rep resentat ive, New York, NY

Book Store Ma nager, The New Museum, New York, NY

Works in the Collections of:

The North Carolina Museu m of Art, Raleigh, NC

John Hope Franklin Center fo r Interdisciplinary and Int ernational Studies at Duke University, Durham, NC

The Law School at the University of North Carolina at Chapel Hill

Diego Cortez / Partobject Gallery, New York, NY

The Kinsey Institute, Bloomington, IN

The Weatherspoon Art Gallery, University of No rth Carolina at Greensboro

The New York Lesbian, Gay, Bisexual, Transgend er Community Center, NY

Ho ward Zinn, Boston, MA

Kurt Vonn egut, New York, NY

Wendy Wilder Larsen, New York, NY

elin o Hara slavick pg. 14

Works in the Collections o f continued :

Lau ra Balan ce, Durham, NC

Daniel Blinkoff, Los Angeles, CA

Christophe Seyv e, Lyon, France

Rebecca Frankel, New York, NY

Jane Marsching, Boston, MA

Todd Fjelsted, Los Ang eles, CA

Kenn eth Sean Golden, New York, NY

Lillian Ball, New York, NY

Lau ra Wilson, Olympia, WA

Catherine Lutz, Providence, RI

Joel Brou wer, Tuscaloosa, AL

Tammy Rae Carland, Oakland, CA

Carol Mavor, Man chester, England

Cyrille Noirjean, Lyon, France

Denis Wood, Raleigh, NC

Mary Huber Cooley, Madison, WI

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