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Location:
St. Louis, MO
Posted:
November 08, 2012

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Resume:

Professional Resume of

Dr. Nicholas

Hellmuth

Professional Resume of Nicholas M. Hellmuth

Personal Information

Residence:

ST. Louis, MO.

E-mail:

abpcib@r.postjobfree.com

Education:

BA, cum laude, Harvard, 1967;

MA Brown University 1969,

PhD Karl-Franzens-Universit t, Graz, Austria (art history), 1986.

Projects, Grants, Research Experience :

1965, 12 months, excavator and photographer, Tikal Project, Peten, Guatemala, University

of Pennsylvania.

1969 to present (continuing), founder and President of the Foundation for Latin American

Anthropological Research (FLAAR), a research and educational institute devoted to advanced digital

imaging in art history, archaeology, and photography of tropical flora and fauna.

1970-1975, Director, Proyecto Arqueologico Yaxha; responsible for preserving the area around the

substantial Maya ruins and aiding in developing the Parque Nacional Yaxha-Sacnab.

1971 grant from American Philosophical Society, Philadelphia, for study in Archivo General de Indias,

Seville, Spain, on ethnohistory of Chol and Peten Ytza Maya cultural groups of the 17th century.

On three occasions, 1 yr 1970 + 1 yr 1980 + 5 yrs 1990 s, honorary research positions at Yale

University (Visiting Fellow, Dept of History of Art twice; then Yale s Peabody Museum of Natural

Sciences, Curatorial Associate), held simultaneously with other then-current positions.

1980, grant from Organization of American States (via Guatemala) for fellowship at Dept of History

of Art, Yale University.

1990 s, five years, Visiting Professor, Dept of Art, Rollins College .

1992-1997, Visiting Professor, Brevard Community College.

1996, Visiting Professor, National Museum of Ethnology, Osaka, Japan (in charge of program at the

museum via Japan s Ministry of Education to prepare program for digitizing and digital storage of the

museum s 35mm slide archive holdings in art and anthropology).

1997, recipient of $100,000 grant from an American foundation to prepare program for digitizing

the photo archive of pre-Columbian art photographed by FLAAR.

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Professional Resume of Nicholas M. Hellmuth

1998, founded the first web site of what has FLAAR at Universidad Francisco Marroquin,

grown into a network of 900 pages over 5 URLs the first course in Latin America on digital

photography at the professional level.

reviewing high end scanning and large format

printing hardware and software, including:

2003, Consultant and lecturer on digital

www.FineArtGicleePrinters.org,

www.wide-format-printers.org, photography, Malta Centre for Restoration,

and www.large-format-printers.org Bighi, Kalkara, University of Malta, six-week

FLAAR web sites are read by over one million semester.

people a year.

2001-May 2008, Visiting Professor, College

1999-2005, Director of the Digital Imaging of Technology, Director, Large Format Digital

Technology Center, at Universidad Francisco Imaging Division (under the Center for Applied

Marroquin, Guatemala City, Guatemala. Technology, Bowling Green State University of

Ohio).

2000-2004, recipient of substantial educational

2004, begins full-time evaluation of UV-cured

grant by Hewlett-Packard large format printer

division, Barcelona, Spain, to promote public wide-format inkjet printers

education in large format printers especially for

2008, Establishes new FLAAR office in St.

the fine art and photography segments of the

large format printer market. Louis, Missouri and initiates an expanded series

of FLAAR Reports on UV-cured wide-format

2001-to 2006, educational subventions from printers.

other large format printer companies such as

2008, continues circumferential rollout

MacDermid ColorSpan. Equipment grants

from CreoScitex, Heidelberg, Calumet Digital photography programs in Guatemala with a

Solutions (Calumet Photographic). private foundation of cultural heritage.

2002, initiated the first full-scale course on 2008-2010 Expands coverage of wide-format

professional digital photography of any state inks, media (substrates and printable materials).

university in the USA. Available over the internet

2009-2010 Initiates evaluation of 3D scanners.

to people in any country and in three languages

(Deutsch, espa ol, and English). Summer 2002,

Languages

I can speak, read, and can give public lectures in Spanish and German in addition to native English.

Can understand Italian, basic Portuguese, and basic French but am otherwise not proficient. With

sufficient incentive I feel capable of learning at least one more language.

Computer & Software Skills:

Macintosh OSX

Microsoft Word

Adobe Photoshop

PowerPoint

FTP, Skype, etc.

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Professional Resume of Nicholas M. Hellmuth

Foreign experience:

I have lived in Switzerland, Austria, Germany, and Latin America most of my life and have lived in Japan

during six months as Visiting Professor plus several two-month visits to Japan on other occasions.

Fund-raising experience:

Considerable experience raising research funds from industry as well as from private benefactors.

Interests:

Digital photography, both landscape, nature, fine art, architectural historical, and archaeological combined

with digital printing of fine art giclee, and public education on large format printers for use by museums,

educators, students and the general public by means of evaluations of hardware, software, inks, and

media. I am interested in working with art historians, archaeologists, museum personnel and students,

especially related with Latin America, to share with them knowledge of digital imaging hardware and

software so that they in turn can study and publicize their national patrimony both to their own people

and to a worldwide audience via reports in PDF format and over the Internet. By having invested time

to learn about digital imaging, it is now possible to better utilize the unprecedented educational resource

represented by the 50,000 photos in the FLAAR archive for students and scholars. I enjoy training the

trainers, as was successfully done in Japan circa 1996, and at the University of Malta in 2003. The

primarily asset I possess via FLAAR is that we have all the high-end digital photography equipment.

Equipment of this sophistication is lacking at 95% of the universities that I have visited. Thus I look forward

to being able to provide training with this equipment to university faculty so that they in turn can add new

material to their course syllabus. Today, with the capability of Distance Learning to reach more countries,

a single university can impact students across larger areas of each continent.

My hobbies include the study of tropical flora and fauna (especially Maya ethno-botany of Guatemala,

Belize, Honduras and Mexico) and learning (and then teaching) new methods to accomplish better

photography of these subjects.

Most of my current research in 2007-2009 and into the future is devoted to experimental methods

of new software, cameras and lenses to create innovative fine art photography .

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Professional Resume of Nicholas M. Hellmuth

Articles:

I Have published over 147 reports in PDF format on digital imaging; available on www.wide-format-

printers.net.

FLAAR has issued reports on Mayan architecture at Santa Rosa Xtampak and 10 reports on the

pre-Columbian ballgame of Mesoamerica.

Special Report: FESPA 2005: Insights into the 2005 FESPA trade show.

Articles in Natural History magazine, mexicon, Americas (Organization of American States).

Overseas Markets: Looking Abroad: Dubai. Digital Graphics, Vol. 10, No. 6, June, pp. 40-43.

In addition, I have been invited to write in the following publications.

Publish (Magazine, Russia)

Publish Magazine, January 2008. pp. 48-53.

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Professional Resume of Nicholas M. Hellmuth

Publish (Magazine, Russia)

Publish Magazine, April 2008 pp. 45-51.

ME Magazine (Middle East)

ME Magazine, Large format printers

evolving the UV way

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Professional Resume of Nicholas M. Hellmuth

FESPA DAILY NEWS

Fespa Daily News, June 6th, 2007.

Fespa Daily News, June 7th, 2007.

Fespa Daily News, June 8th, 2007. Fespa Daily News, June 9th, 2007

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Professional Resume of Nicholas M. Hellmuth

SIP (Germany)

SIP, January 2006. pp 35-40

SIP, January 2006. pp 53-56

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Professional Resume of Nicholas M. Hellmuth

SIP (Germany)

SIP, April 2006. pp 30-35

SIP, July 2006. pp 46-47

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Professional Resume of Nicholas M. Hellmuth

SIP (Germany)

SIP, August 2006. pp 67-70

SIP, February 2007. pp 54-58

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Professional Resume of Nicholas M. Hellmuth

SIP (Germany)

SIP, February 2007. pp 57-61

SIP, May 2007. pp 50-56

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Professional Resume of Nicholas M. Hellmuth

SIP (Germany)

SIP, June 2007. pp 30-35

IPA Magazine

IPA Magazine, January-February 2002. pp 10-12

IPA Magazine, Mayo-Junio 2002. pp 24-26

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Professional Resume of Nicholas M. Hellmuth

Publications:

Monster and Men in Maya Art (coffee table book version of PhD

dissertation), Akademische Druck-und Verlaganstalt, Graz, Austria, 1987.

New History of World Art, Japanese art book, (based on 18

months photography by Nicholas Hellmuth.

Tikal Copan Travel Guide (A general Introduction to Maya Art,

Arquitecture & Archaeology), 1978

Hellmuth Photos in books of other people

1977, The Mysterious Maya of National Geographic

13 photos inside the book of George Stuart and Gene Stuart.

Photos by Nicholas Hellmuth have been used on the front cover of at least two

books on Maya archaeology: one on Tikal,Guatemala, one related to architec-

ture of Campeche, Mexico,Peter Harrison.

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Professional Resume of Nicholas M. Hellmuth

Courses:

I teach art history and archaeology, and completely separately, teach beginning, intermediate, and

advanced digital photography and scanning. I can teach courses in fine art photography and giclee/

decor fine art inkjet printing.

These courses are equally suitable for Continuing Education to interested lay people, including

individuals who might wish to donate to the sponsoring university once they learn about the projects

and potential of FLAAR+the host university.

My interests also include developing these courses for Distance Learning via the Internet, so that

these courses may bring international income into the university where I may be situated.

DP201: Taking Digital Photography to the Next Level

Digital Cameras

SLR 35mm Evaluation Lenses and

Glossary of Digital at the Photokina

Digital Cameras & Review Nikon Filters

Photography Trade Show in

D70 and D100

Germany, 2004

Worthwhile

Evaluation & Sigma SD9 and

Tradeshows

Hybrid Digital

Lens Reduction

Review of the SD10 Foveon

for Digital

Cameras

Factors: Chart

Canon Digital Cameras

Photographers

Rebel

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Professional Resume of Nicholas M. Hellmuth

DP201: Taking Digital Photography to the Next Level

Professional

CCD and CMOS

Pros and Cons of

Results from Practice &

Image Sensors

Digital and Film

Budget-Priced Critique

Photography

Cameras

Composition the

History and

Nature

Aperture and Key to

Timeline of Digital

Photography with

Shutter Speed Prizewinning

Photography

Digital Cameras

Photography

Architectural

Portrait QuickTime

Lighting Digital

Photography

Photography Virtual Reality

Photography

with digital

with 35mm SLR

cameras

Digital Cameras

Shooting on Computer

QuickTime Location with How to Organize Equipment for

Virtual Object Digital Camera an Exhibit of your Digital Imaging

3-D Views Equipment

Own Photographs

Additional

Camera and

Adobe Software for

Computer Memory File Formats for

Photoshop for Digital Imaging

Storing Digital Digital Images

Photographers

Files

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Professional Resume of Nicholas M. Hellmuth

DP201: Taking Digital Photography to the Next Level

Pros and Cons of Evaluation & Taking

Digital Backs for

Digital vs Film Review of the Photographs with

Digital Image

Medium Format

Photography Leaf Valeo 22 a Repro Copy Stand

Resolution

Medium and Cameras

Large Format

Recommended Lighting for

Cameras to Large Format

Evaluation of Equipment for Profitable Portrait

Hold Digital

the Hasselblad H1 Creating a Photography

Medum Format Architectural

Studio

Digital Backs Photography

Panoramic

Hybrid Digital Lighting

Lighting Modifiers Photography with

Cameras to Hold Techniques

Evaluating

for Portrait the BetterLight

Medium Format for Plants &

Cameras for use

Photography System

Digital Backs Flowers

in Museums

Architectural Landscape

Portrait Gray Balance

Nature

Photography

Photography Photography for Professional

Photography with

with Medium and

with Medium with Medium and Digital

Medium and Large

Large Format

Format Systems Large Format Photography

Format Cameras

Cameras Cameras

Portability: Lighting for Shooting

Product

Panoramic

Wich Digital Product On-location with

Photography with

Photography for

Camera is best for Photography Medium and Large

Professional

Digital Cameras

Out on Location?

Format Cameras

Digital Cameras

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Professional Resume of Nicholas M. Hellmuth

DP202-FA/G: Fine Art Photography for Giclee with Medium Format and Large Format Cameras

Resolution

Scanning Flim

Pros and Cons of

What is Fine Art How much DPI

vs. Direct Digital

Digital and Film

Photography? do you need for

Photography

Photography

Inkjet Printing?

Scanning

Scanners Taking Fine Art

Scanning

Medium Format Photographs with

and Scanning Anything and

and 4x5 inch a Reprographic

35mm Everithing

Transparencies Copy Stand

Recommended Cameras to

Discussion

Introduction to

Books on Hold Medium

of the Cruse

Wide Format

Scanners &

Scanner/ Digital Format Digital

Scanners

Camara System Scanning Backs

Lenses for Tri-linear

Large Format Architectural

Scanning Backs

Cameras for

Medium Format Photography with

for Large Format Medium Format

Digital

Digital

Digital Cameras

Digital Photo

Photography

Photography

Panoramic

Landscape

Pros and Cons Landscape

Photography

& Panoramic

Architectural Photography with

Photograohy as with Digital

Medium and Large

Photo with Large

Format Cameras

Format Cameras Gliclee Cameras

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Professional Resume of Nicholas M. Hellmuth

DP202-FA/G: Fine Art Photography for Giclee with Medium Format and Large Format Cameras

Shooting Nature Special Lighting

Commercial

Out on Photography Photography: When for Fine Art

is it Fine Art? Photography

as Giclee

Location

History of

Lighting Fine Art created Rollout

Rollout

Modifiers for with the Photography for

Cameras

assistance of

Fine Art Giclee creating Fine Art

Computer Software Photos of

Photography

Cylindrical Objects

Gray Balance

Portrait Learn, and

Lighting &

for Professional

Photography Improve, your

Reflectors for

Digital Capabillities in

as Fine Art Portrait

Adobe Photoshop

Photography

Photography

Composition Professional

File Formats

Aperture

Software for

The Key to and for Digital Working with RAW

Prizewinning Shutter Speed Images Dile Formats

Photography

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Professional Resume of Nicholas M. Hellmuth

Public lectures:

Have lectured on:

iconography

archaeology

and pre-Columbian architectural

history

in German

English

and Spanish languages.

At museums and universities in:

Have lectured at:

Berkeley

UCLA

Princeton

Columbia, and more universities,

colleges, and more museums than I can remember.

On advanced digital imaging I have lectured in:

Athens, Greece (3-day Cincinnati, Resource Imaging Slovenia, University of Ljubljana,

symposium as featured speaker), Supply Digital flatbed lecture Adriatic Print and Photo Forum,

24-26 March 2006. series, January, 2007. November, 2007.

Amsterdam, FESPA Digital; and GulfPrint Lectures, April 2 to 4, FESPA, Mexico, August 2008

elsewhere in Holland, 2006. 2007. Sign Africa, September, 2008

Dubai, United Arab Emirates IP&I conference and lecture. SGIA, Atlanta, Lecture SPECTRA

(twice, two different years) Past, Present and Future for UV (Dimatix Presentation), October

St. Louis, Missouri History Printers, July 12th, 2007. 2008

Museum, September 7, 2006. Novosibirsk, Russia (2-day FOGRA, Chicago, October, 2008

Chicago, GraphExpo (multiple symposium as featured speaker), FESPA, Asia, November 2008.

times, each year for last three 30-31 August 2007. Orlando, Florida, FASTSIGNS

years, October 2006). SUN, LLC, 1000 Ideas on how to International, USA, January 2009

Mimaki, December 2006. earn on UV Print, August 30 and Zagreb, Sarajevo, Belgrade, IB-

Amsterdam, Sabanci University, 31, 2007. PROCADD lectures, March 2009

December 9, 2006. Graph Expo, UV Printers, Chicago, Illinois, USA, PRINT 09,

Seoul, Korea, UV-curable flatbed September, 2007 September 2009

and roll-to-roll printer (three Mondo della Serigrafia e delle GoA, Miami, February 2010.

different times), January 2007. Tecnologie Correlate, SIOTEC di

Roma, September, 2007.

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Professional Resume of Nicholas M. Hellmuth

Nicholas presenting information on UV-curable printers to eager audiences

at FESPA Mexico.

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Professional Resume of Nicholas M. Hellmuth

Special PowerPoint Presentations for Consulting Opportunities

If you bring Dr Hellmuth to your company as a consultant, there are special presentations available as part

of a consulting fee. You should ask for the PDF on how to arrange for FLAAR to come to your company

offices for consulting.

How to Dramatically Improve Input for Digital Printing

Stereo panoramic 3D Photography,Stacked Focus (to achieve Stunning Depth of Field)

& Full-Spectrum Highlights & Shadows (Stacked Exposures)

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Professional Resume of Nicholas M. Hellmuth

Materials printable with UV curable inkjet flatbed printers: Emphasis on Architectural applications

UV Curable Ink Jet Printers: Benefits and Downsides compared with solvent printers

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Professional Resume of Nicholas M. Hellmuth

Lectured on Mayan Archaeology and Ethnobotany, (Guatemala, Belize and Mexico)

Cacao Lecture, Chocolate & Vanilla: Maya

& Mesoamerica, November 24, 2007.

Cruise Ship, January 2008.

Incense & Sacred Resins of the Maya

The Mythical Water Lily in Maya Art, Rituals

& Diet

Ceiba and Sacred World Trees of the Maya;

Iconography of Incense Burners & Urns that

mimic the Ceiba Tree of Life.

Maya Ethnobotany: Exotic Tropical Fruits &

Unusual Vegetables of Guatemala, Belize, and

Mexico

How (precisely how) did the Maya actually construct their pyramids?

Regional differences in Mayan architecture: Puuc, Rio Bec, Chenes

Tomb of the Jade Jaguar: Royal Burial of the Ruler of Tikal, Guatemala

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Professional Resume of Nicholas M. Hellmuth

Ballgames, Iconograpphy and Ballcourt Architecture of the Maya, Aztec, Mixtec, and Zapotec

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Professional Resume of Nicholas M. Hellmuth

Pyramid Temples & Palaces Arquitectual History of the Pre-Columbian Maya.

San Salvador, III Congreso Centroamericano de Arqueolog a en El Salvador, October 2009.

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Professional Resume of Nicholas M. Hellmuth

Photography Exhibitions

Popol Vuh Museum, Guatemala Rollouts Exhibition:

The exhibit of digital circumferential rollouts was exhibited at universities and museums throughout Guatemala

for about two years. (2001 to 2003. The following chart indicates the locations and dates of exhibitions.

Location Date

Hotel Intercontinental 2001

Museo Popol Vuh July 18th, 2001

Universidad del Istmo September 10th, 2001

Centro Cultural Metropolitano, Palacio Nacional de Correos October 19th, 2001

Universidad Rafael Landivar February 5th, 2002

Banco de Guatemala April 25th, 2002

Palacio Nacional de la Cultura September 5th, 2002

Museo Ixchel (textil exhibit) September 4th to 28th, 2002

Centro de Formacion Cooperacion Espa ola, AECI, March 28th, 2003

Convento de Compa ia de Jesus, Antigua Guatemala

Museo de la Universidad San Carlos April 23th, 2003

Distrito Cultural 4 Grados Norte July 2003

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Professional Resume of Nicholas M. Hellmuth

BGSU, Ohio

Giclee Prints of Guatemala Exhibition: from 9th- 23rd of October, 2004.

Through the Digital Lens is an exhibition of photographic high-resolution giclee prints by Dr. Nicholas

Hellmuth. These images were a reflection on nature and architecture, taken from the beautiful surroundings of

Guatemala.

The function of the exhibit was to show the beauty of high-end digital photography, educate the public

about the existence of these technologies, and to show the range of expression possible with different

camera platforms. In short, while this exhibition has a true beauty in its imagery, it can also function as an

educational tool in regards to the state of the art in digital photography.

These exhibition was at FLAAR s digital imaging facility on campus, located in Bowling Green State University s

Saddlemire Hall on the ground floor.

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Professional Resume of Nicholas M. Hellmuth

FLAAR Reports by Nicholas Hellmuth

FLAAR Reports for Inkjet Paper (Media) and Inks

by Nicholas Hellmuth (2003 - 2010)

FLAAR reports on Color Management

by Nicholas Hellmuth (2003 and 2007)

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Professional Resume of Nicholas M. Hellmuth

FLAAR reports on Color Management

written by FLAAR Staff but initiated and edited by Nicholas Hellmuth (2006)

FLAAR Reports on RIP (Raster Image Processor) software

by Nicholas Hellmuth (2003, 2006 and 2008)

FLAAR Reports on RIP (Raster Image Processor) software

written by FLAAR Staff but initiated and edited by Nicholas Hellmuth (2003 and 2005)

29

Professional Resume of Nicholas M. Hellmuth

FLAAR reports on Color Laser Printers

by Nicholas Hellmuth (2004)

FLAAR reports on Surviving with Wide Format Printers

by Nicholas Hellmuth (2004)

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Professional Resume of Nicholas M. Hellmuth

Reports on Scanners

by Nicholas Hellmuth (2004 to 2005)

FLAAR reports on Creo Scanners

written by FLAAR Staff but initiated and edited by Nicholas Hellmuth (2005)

Reports on Textiles

by Nicholas Hellmuth (2005 -2010)

Wide-Format Inkjet Printer

for Textiles

Yuhan-Kimberly

UJET MC2

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Professional Resume of Nicholas M. Hellmuth

FLAAR reports on Wide Format Printers for CAD-GIS

by Nicholas Hellmuth (2003 to 2004)

FLAAR Reports on Wide Format Printers for CAD-GIS

written by FLAAR Staff based on material from Hellmuth and edited by him (2003 to 2004)

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Professional Resume of Nicholas M. Hellmuth

Some FLAAR reports on UV-Curable Ink Flatbed Printers

by Nicholas Hellmuth (2007 to 2010)

Series 1: Introduction to UV-Cured Inkjet Printers.

Series 2: Introduction to UV-Cured Inkjet Printers.

33

Professional Resume of Nicholas M. Hellmuth

Series 3: UV Printers Model by Model (Continued)

Hybrid UV: Entry Level.

Hybrid UV: Mid Range.

Flatbed UV: Medium Production.

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Professional Resume of Nicholas M. Hellmuth

Flatbed UV: High End.

Flatbed UV: Specialty. Flatbed UV: Entry Level.

Roll-to-Roll: High End.

Roll-to-Roll: Specialty. Led UV Curing, Cationic Ink.

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Professional Resume of Nicholas M. Hellmuth

Series 4: Site Visit Case Studies

Vutek PressVU 200/600

Site-Visit Case Study

Series 5: UV Printers: Korea

Series 6: UV Printers: Taiwan

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Professional Resume of Nicholas M. Hellmuth

Series 8: Comments on UV Inkjet Printers at Major Trade Shows

Trade Shows 2009

Trade Shows 2007

Trade Shows 2008

Trade Shows 2005-2006

FESPA 06

UV-Cured Flatbed UV-Cured Printers

Printers at SGIA 2005

Trade Show

Exhibited at Milan

VisCom 05

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Professional Resume of Nicholas M. Hellmuth

Series 9: UV-Curable Inkjet Market Analysis & Trends

38

Professional Resume of Nicholas M. Hellmuth

FLAAR reports on Solvent Ink Printers

by Nicholas Hellmuth (2003 to 2010)

39

Professional Resume of Nicholas M. Hellmuth

FLAAR reports on Wide Format Printers for Signs, Posters and Banners

by Nicholas Hellmuth (2003 to 2005)

FLAAR reports on Fine Art Giclee Printers

written by FLAAR Staff but initiated and edited by Nicholas Hellmuth (2005)

40

Professional Resume of Nicholas M. Hellmuth

FLAAR reports on Giclee Printers for fine Art Photography

by Nicholas Hellmuth (2003 to 2008)

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Professional Resume of Nicholas M. Hellmuth

FLAAR reports on Fine Art Photography, by Luis Sacayon, Eduardo Sacay n and Jaime Leonardo

(Photographs by Nicholas Hellmuth) (2007 to 2008)

These digital photography evaluations and learning units are the combined work of Nicholas Hellmuth (doing the

photography, selection of software packages, and project design) and the work of Luis Sacayon, student, who

does the graphic design, does the software editing, and writes up the step by step results. The reports document

that students are fully capable of producing excellent work when a professor is available to guide them.

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Professional Resume of Nicholas M. Hellmuth

FLAAR reports on Wide Format Printers for Fine Art Photographers

by Nicholas Hellmuth (2002 to 2006

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Contact this candidate