SKEET McAULEY
La Ca ada, CA 91011
818-***-**** FAX 541-7794
abhxzj@r.postjobfree.com
EDUCATION:
**** ****** ** **** ****: Ohio University, Athens, Ohio
**** ******** ** *rts: Sam Houston State University,
Huntsville, Texas
PROFESSIONAL EXPERIENCE:
2008-2010 Technology Coordinator: Mountain Avenue Elementary, La
Crescenta, California
2005-present C.E.O.: 1UglyShirt.com, La Canada, California
2004-05 Visiting Artist: Loyola Marymount University, Los
Angeles, California
1997-2004 Part-time Lecturer: CalArts, Otis College of Art and
Design, Loyola
Marymount University and Cal State San Bernardino.
1981-93 Associate Professor of Art: University of North Texas;
Denton, Texas
1979-81 Instructor of Photography: Tyler Junior College; Tyler,
Texas
1978-79 Instructor of Photography: Spring Hill College; Mobile,
Alabama
SELECTED GRANTS:
1988 Polaroid Artist Support Grant: Polaroid Corporation
1986 National Endowment for the Arts Individual Artist
Fellowship
1984 National Endowment for the Arts Individual Artist
Fellowship
SELECTED ONE PERSON EXHIBITIONS:
2005 Rebecca Ibel Gallery, Columbus, OH
2003 Las Vegas Museum of Art: Las Vegas, NV
1997 Ibel Simeonov Gallery: Columbus, Ohio
Christopher Grimes Gallery: Santa Monica, California
1996 Christopher Grimes Gallery: Santa Monica, California
1995 Christopher Grimes Gallery: Santa Monica, California
1993 Lowinsky Gallery: New York, New York
United States Golf Association Museum: Far Hills, New
Jersey
1992 Dallas Museum of Art: Dallas, Texas
Moody Gallery: Houston, Texas
Tyler Museum of Art: Tyler, Texas
1991 The Heard Museum: Amherst, Massachusetts
California Museum of Photography: Riverside, California
Etherton/Stern Gallery: Tucson, Arizona
1990 The Albuquerque Museum: Albuquerque, New Mexico
The Southwest Museum: Los Angeles, California
Wichita Art Museum: Wichita, Kansas
1989 Barry Whistler Gallery: Dallas, Texas
Amon Carter Museum: Fort Worth, Texas
Burden Gallery, New York, New York
Simon Lowinsky Gallery: New York, New York
1988 Andrew Smith Gallery: Santa Fe, New Mexico
1987 Orange Coast College: Costa Mesa, California
1986 University of Rhode Island Art Gallery: Kingston, Rhode
Island
1985 Museum of Contemporary Photography: Chicago, Illinois
1984 University of California Extension Center: San Francisco,
California
1983 ASA Gallery: University of New Mexico; Albuquerque, New
Mexico
1982 Mattingly Baker Gallery: Dallas, Texas
1980 Cronin Gallery: Houston, Texas
Tyler Museum of Art: Tyler, Texas
SELECTED GROUP EXHIBITIONS:
2007 "Home/Office Landscapes", Guggenheim Gallery at Chapman
University, Orange, California
2006 "Revising Arcadia: The Landscape in Contemporary Art",
Cornell Fine Arts Museum, Winter Park, Florida
2005 "Photography by Gallery Artists: Apagya, Connell, Gersht,
Hido, Hughes, McAuley, and Mirer", Rebecca Ibel
Gallery, Columbus, Ohio
2003 "Environs" Feigen Contemporary, New York, New York
2001 "New Works" Feigen Contemporary, New York, New York
"The Great Wide Open", The Huntington Library Boone
Gallery, San Marino, California
"Post-Landscape: Between Nature and Culture", Pomona
College Museum of Art, Pomona, California
2000 "Gardens of Pleasure", John Michael Kohler Arts Center,
Sheboygan, Wisconsin "Utopiaries: Fictions for
Cultivated Space", Temple Gallery, TylerSchool of Art,
Philadelphia, Pennsylvania
1999 Feigen Contemporary, New York, New York
"The American Lawn: Surface of Everyday Life",
Contemporary Arts Center,
Cincinnati, Ohio and The Museum of Art, Ft. Lauderdale,
Florida
"Some Kind of Wonderful", Barry Whistler Gallery, Dalllas,
Texas
1998 "The American Lawn: Surface of Everyday Life", Canadian
Centre for
Architecture, Montreal, Canada
"Expanded Visions: The Panoramic Photograph", Addison
Gallery of American
Art, Andover, Massachusetts
1997 "Retro Photo", Barry Whistler Gallery, Dallas, Texas
1996 "Perpetual Mirage: Photographic Narratives of the Desert
West": Whitney Museum of American Art, New York, New
York
"Crossing the Frontier: Photographs of the Developing
West, 1849 to the
Present": San Francisco Museum of Modern Art, San
Francisco, California
"Splash: Paintings, Photography, Sculpture": Monique
Knowlton Gallery,
New York, New York
"Visual Reality": Barry Whistler Gallery, Dallas, Texas
"Photography in the 90's": Wright State University Art
Gallery, Dayton, Ohio
"Lie of the Land": UCSB Art Gallery, Santa Barbara,
California "Field and Stream": Monique
Knowlton Gallery, New York, New York
1995 "Brave New World": Christopher Grimes Gallery, Santa
Monica, California
"Organizing Nature - Skeet McAuley and Joe Walters":
Nancy Solomon
Gallery, Atlanta, Georgia
"The Friendly Village": Milwaukee Institute of Art and
Design, Milwaukee,
Wisconsin
1994 "In the Garden": Rena Bransten Gallery, San Francisco,
California
"Drawings": Barry Whistler Gallery, Dallas, Texas
"Between Home and Heaven, Contemporary American Landscape
Photography": Cleveland Museum of Art; Cleveland, Ohio,
and Virginia
Beach Center for the Arts; Virginia Beach, Virginia
1993 "Seeing the Forest Through the Trees": Contemporary Arts
Museum;
Houston, Texas
1993 cont. "This Sporting Life": Albright-Knox Art Gallery; Buffalo,
New York,
Delaware Art Museum; Wilmington, Delaware, and The de
Saisset
Museum; Santa Clara, California
"Between Home and Heaven, Contemporary American Landscape
Photography": New Orleans Museum of Art; New Orleans,
Louisiana,
and the New York State Museum; Albany, New York
"Exploring Scale in Contemporary Art": Laguna Gloria Art
Museum;
Austin, Texas
"Souvenirs": Lawndale Art & Performance Center; Houston,
Texas
1992 "This Sporting Life": High Museum of Art; Atlanta,
Georgia, and the
Sarah Campbell Blaffer Gallery; Houston, Texas
"Between Home and Heaven, Contemporary American Landscape
Photography": National Museum of American Art;
Washington, D.C.,
and the Carnegie Museum of Art; Pittsburgh,
Pennsylvania
"Who Discovered Whom": Islip Art Museum; Islip, New York
"Landscape, Culture, and Politics": University of New
Mexico; Las Cruces,
New Mexico
1991 "Fotografia Americana del S.XX": Sala de Exposiciones de
la Fundacion
'La Caixa'; Madrid, Spain, and the Centre Cultural de
la Fundacion 'La
Caixa'; Barcelona, Spain
"The State I'm In": Dallas Museum of Art; Dallas, Texas
"Good Art": Etherton/Stern Gallery; Tucson, Arizona
"House": Laguna Gloria Art Museum; Austin, Texas
"Recent Acquisitions": Rose Art Museum; Brandeis
University, Waltham,
Massachusetts
1990 "Mediations": Center for Research in Contemporary Art;
Arlington, Texas
"New Work from Gallery Artists": Moody Gallery, Houston,
Texas
1989 Janet Borden Gallery: New York, New York
"The Television Show": Dallas Museum of Art, Dallas,
Texas
"The Landscape at Risk": Houston Center for Photography;
Houston, Texas
"The Political Landscape, New Directions in Interpreting
the West":
Anderson Ranch Arts Center; Snowmass, Colorado
1888 Burden Gallery: New York, New York
"Texas Artists": Moody Gallery; Houston, Texas
"Paintings by Gallery Artists": Barry Whistler Gallery;
Dallas, Texas
"Six Texas Photographers": McMurtrey Gallery; Houston,
Texas
"Evidence of Man": Amon Carter Museum; Fort Worth, Texas
"Recent Acquisitions": Houston Museum of Fine Arts;
Houston, Texas
"Photography of the 80's": Center for Creative
Photography; Tucson, Arizona
"Memory: J.F.K. in Contemporary Art": Center for
Research in
Contemporary Art; Arlington, Texas
1987 "Small Wonders": Barry Whistler Gallery, Dallas, Texas
1987 cont. "Photography and the West: The 80's": The Rockwell
Museum; Corning,
New York
1986 "Photographs; Skeet McAuley and Ann Stautberg": Barry
Whistler Gallery,
Dallas, Texas
"Views and Visions; Landscapes by American Photographers":
The Aldrich
Museum; Ridgefield, Connecticut
"New Landscapes": Amon Carter Museum; Fort Worth, Texas
"Nine Artists/Photographers": Moody Gallery; Houston,
Texas
"Recent American Landscapes": Wave Hill Gallery;
Riverdale, New York
"Contemporary Texas": Amon Carter Museum; Fort Worth,
Texas
"New Texas Photography": Houston Center for Photography;
Houston, Texas
"Works on Paper": Barry Whistler Gallery; Dallas, Texas
1885 "Comic Relief": Barry Whistler Gallery: Dallas, Texas
"Landscape": Brown-Lupton Gallery; Texas Christian
University, Fort Worth,
Texas
"Current Works:": Morgan Gallery; Kansas City, Missouri,
and Edwynn
Houk Gallery; Chicago, Illinois
1984 "Contemporary Color Work": Boston Art Institute; Boston,
Massachusetts
"The Art Elements": Dallas Museum of Art; Dallas, Texas
"Juergen Strunk and Skeet McAuley": The Art Center; Waco,
Texas
"Northlight/Southwest": Northlight Gallery; Arizona State
University,
Tempe, Arizona
"Contemporary Color": Sioux City Art Center; Sioux City,
Iowa
"The Urban Landscape": Pacific Grove Art Center; Pacific
Grove, California
"Olivia Parker, Skeet McAuley, Scogin Mayo": Allen Street
Gallery, Dallas
Texas
"A Place of Order; Five Emerging Artists": Galveston Art
Center; Galveston,
Texas
1983 "U.S.A. Today": Burlington Cultural Center; Ontario,
Canada
"The Land Redefined": Sioux City Art Center; Sioux City,
Iowa
"ARCO Collects": Art Museum of South Texas; Corpus
Christi, Texas
"Contemporary American Photography": Moore College of
Art; Philadelphia,
Pennsylvania
1982 "American Photographs": California Institute of the Arts;
Valencia, California
"Second Sight": Camera Work Gallery; San Francisco,
California
"American Biennial": University of Oklahoma Museum of
Art; Norman,
Oklahoma
1981 "Tenth Anniversary Exhibition": Tyler Museum of Art;
Tyler, Texas
1980 "Fifth Anniversary Exhibition": Cronin Gallery; Houston,
Texas
SELECTED COLLECTIONS:
Museum of Contemporary Art, San Diego: La Jolla,
California
San Francisco Museum of Modern Art: San Francisco,
California
National Museum of American Art: Washington, D.C.
Dallas Museum of Art: Dallas, Texas
Modern Art Museum of Fort Worth: Fort Worth, Texas
Museum of Fine Arts: Houston, Texas
Amon Carter Museum: Fort Worth, Texas
United States Golf Association Museum: Far Hills, New
Jersey
Rose Art Museum: Waltham, Massachusetts
International Center of Photography: New York, New York
New York Public Library: New York, New York
Center for Creative Photography: Tucson, Arizona
Tyler Museum of Art: Tyler, Texas
University of Oklahoma Museum of Art: Norman, Oklahoma
University of Texas Photography Collection: Austin, Texas
The Broad Foundation: Los Angeles, California
Polaroid Corporation: Cambridge, Massachusetts
Price Waterhouse: New York, New York
Atlantic-Richfield Corporation: Dallas, Texas
Citycorp: Houston, Texas
First Boston Corporation: New York, New York
LaSalle National Bank: Chicago, Illinois
Callaway Golf: Carlsbad, California
Powell, Goldstein, Murphy, & Frazier: Atlanta, Georgia
3M Corporation: Dallas, Texas
Texas Instruments: Dallas, Texas
Exxon Oil Corporation: Dallas, Texas
Progressive Insurance: Austin, Texas
J.C. Penny Corporation: Dallas, Texas
Frito Lay Corporation: Dallas, Texas
Republic National Bank and Trust: Dallas, Texas
Steak and Ale Corporation: Dallas, Texas
Hughes and Luce: Dallas, Texas
Baker, Smith, and Mills: Dallas, Texas
Texaco Corporation: Houston, Texas
Enron Corporation: Houston, Texas
Locke, Purnell, Rain, and Harrell: Dallas, Texas
Private Collections in New York City, Los Angeles,
Chicago, Denver, San Francisco, Santa Fe, Houston,
Dallas, and Austin
SELECTED PUBLICATIONS AND BIBLIOGRAPHY:
2008 "Ugly: The New Black", Delta Sky; Greensboro, North
Carolina, March, page 14
2007 "1UglyShirt", Thrillist.com
(www.thrillist.com/archives/2007/05/1uglyshirt.html),
May 4
2007 cont. "1UglyShirt.com", edgenewyork.com(www.edgenewyork.com),
New York, October 7
2004 "Hot + Cool * SUMMMER", New York Times, New York, Aug. 6,
2004, page E34
2003 "Unreal Life: Truth and photography in three exhibits at
LVAM", Chuck Twardy, Las Vegas Weekly, Las Vegas, NV,
June 17.
2002 "Light in Cowtown", Christine Biederman, Dallas Observer,
Dallas, TX, July 18.
2001 "'GARDEN OF GOLF' is above par". Robert L. Pincus, The
San Diego Union
Tribune, San Diego, CA, June 14.
2000 "Too Much Dish for Towels Won't Wash". Edward J.
Sozanski, The Philadelphia Inquirer, Philadelphia, PA.
"Worlds of Possibility: 'Utopiaries' and "Lebbeus Woods'
are urban planning at its most phantasmal". Roberta
Fallon, Philadelphia Weekly, Philadelphia, PA.
1999 "Michael Paha and Skeet McAuley". Grace Glueck, New York
Times, New York,
NY, July 16.
"Lay of the Landscape". Jason Rosenfeld, artnet.com-
magazine, New York, NY,
July 15.
"Looking at the Lawn, and Below the Surface". Herbert
Muschamp, New York Times, New York, NY, July 5.
"The American Lawn: Surface of Everyday Life". Daidalos,
Berlin, Germany,
September.
"The Lawn and the Law". Richard Leydier, Art Press,
Paris, France, October.
1997 "True lies; for Photographer, Golf Courses Mimic Nature,
Symbolize America".
Tim Feran, Columbus Dispatch, Columbus, Ohio, April 28.
"In a tamed America, golf courses could be links to
wilderness". Kay Koeninger,
Columbus Dispatch, Columbus, Ohio, June 8.
"Lie of the Land". (brochure) Elizabeth A. Brown,
University Art Museum, University of California,
Santa Barbara, California.
1996 "How the West Was Overrun": Kenneth Baker, San Francisco
Chronicle,
San Francisco, California, September 26.
"Skeet McAuley and Joe Walters: Organizing Nature": Glenn
Harper, Art Papers, Atlanta, Georgia, March/April.
"Texas artists take a turn toward the tangible", Janet
Kutner, Dallas Morning News, Dallas, Texas, July 5.
"Double exposure: Tiny trees and trailer park trash are
avenues into culture":
Marina Isola, the Met, Dallas, Texas, June 26.
"Exhibit shows the many faces of '90s photography": Jud
Yalkut, The Dayton Voice, Dayton, Ohio, March 6.
"Photography in the 90s": Mollly Youngkin, Dialogue,
Dayton, Ohio, May.
1995 "Not necessarily a peaceable kingdom", Glenn Harper,
Atlanta Journal Constitution, Atlanta, Georgia,
December 22.
1995 cont "Skeet McAuley at Christopher Grimes", Alisa Tager, Art in
America, New
York, September.
"Eyes on a Golf Course", David Pagel, Los Angeles Times,
Los Angeles,
March 2.
"Par for the Course: Skeet McAuley's Splendor in the
Grass", David A.
Greene, Los Angeles Reader, Los Angeles, March 17.
"To Live and Die in L.A.: A Winter's Tale", J.S.M.
Willette, Visions Art Quarterly, Los Angeles, Spring.
"The Cultural Landscape", Westways, Los Angeles, February.
1993 "Art in Review: Skeet McAuley and Margaret Morton",
Charles Hagen,
New York Times, New York, August 27.
"Place Makers", The New Yorker, New York, July 19.
"Skeet McAuley/Margaret Morton", The Village Voice, New
York, August 17.
"Lost in the Woods", Susie Kalil, Houston Press, Houston,
September 9.
"Travels Far and Near", Mark Frohman, Public News,
Houston, December 22.
"Souvenirs" (brochure), Mary Ross Taylor, Lawndale Art &
Performance
Center, Houston.
1992 Between Home and Heaven: Contemporary American Landscape
Photography
(catalogue), Merry Forresta, National Museum of American
Art, Washington. This Sporting Life, 1878-1991
(catalogue), Ellen Dugan, High Museum of
Art, Atlanta.
"Tricky Attempts to Juggle Esthetics and Politics",
Charles Hagen, New York Times, New York, June 14.
"An Ardent Critique About Colonization", Helen A.
Harrison, New York Times
New York, March 29.
"Funky Town", David Byrne, Aperture, New York, Spring.
"Fole Blanche: The Quest for the Perfect Lie", Dave
Hickey, Art Issues, Los
Angeles, November/December.
"Artists Can See the Forest for the Trees", Susan
Chadwick, Houston Post,
Houston, March 28.
"'Sporting Life' Tackles Subjects from Hank Aaron to Rodeo
Ring", Susan
Chadwick, Houston Post, Houston, November 11.
"Skeet McAuley: The Archeology of Euclid's Empire"
(brochure), Dave Hickey
Dallas Museum of Art, Dallas.
"An Odd Couple: Gunter Forg and Skeet McAuley", Bill
Marvel, Dallas Morning News, Dallas, August 13.
"Art Review", Janet Tyson, Fort Wort Star Telegram, Fort
Worth,
September 15.
"Beauty and the Beast", Karen Emenhiser, Dallas Observer,
Dallas,
August 20.
1991 Fotographia Americana Del S. XX (catalogue), John Pultz,
Stuart Alexander,
and Sheryl Conkelton, The 'La Caixa' Foundation,
Barcelona, Spain.
"Golf Heaven: Hawaii's Best Golf Resorts", Brian McCallen,
Connoisseur,
New York, March.
"Sign Language Sends Clear Signals", Charlotte Lowe,
Tucson Citizen,
Tucson, August 15.
1991 cont. "Admiring 'Good Art'", Charlotte Lowe, Tucson Citizen,
Tucson, July 25.
1990 "Native American Subjects: Photography, Narrative, Local
History",
W. Jackson Rushing, Artspace, Los Angeles,
November/December.
"Landscape at Risk", Suzanne Bloom & Ed Hill, Spot,
Houston, Winter.
"Sign Language: Photographs of Skeet McAuley", Journal of
the Print World,
Meredith, New Hampshire, Spring.
"Learning from Sign Language", David Dillon, Southern
Accents,
Birmingham, Alabama, May.
"Playability: How Tom Fazio Designs Golf Courses Everyone
Can Enjoy",
Mike Bryan, Connoisseur, New York, November.
1989 Sign Language: Contemporary Southwest Native America,
photographs by Skeet McAuley, Introduction by M. Scott
Momaday, Aperture, New York.
"Riddles of Time Explored by Photography", Gerard
Haggerty, The Journal of Art,
New York, April.
"Photography", The New Yorker, New York, April 24.
"Everyday Eloquence", New York Press, New York, April 14.
"Voice Choices", The Village Voice, New York, April 26.
"Under This Very Mall", Allan Gurganus, Harpers Magazine,
New York, April.
"Monument Valley, Adjusting the Landscape", Smart
Magazine, New York,
March-April
"Anglos and Indians", Sally Eauclaire, Southwest Profile,
Santa Fe,
November-December.
"Photo Finish, Skeet McAuley", Southwest Art, Houston,
July.
"A Traditional People in Transition", Janet Kutner, Dallas
Morning News,
Dallas, July 22.
"Exhibit a Startling Picture of Native American Life", Ann
Jarmusch, DallasTimes Herald, Dallas, July 21.
1988 "At Smith: Old West, New West Through Lenses", Jim
Klukkert, Santa Fe Reporter, Santa Fe, September 7.
1987 "Exhibition Reveal Art of Texas", Bruce Nixon, Dallas
Times Herald, Dallas,
January 6.
"A New Native View: Skeet McAuley, Myth Masher", Dallas
Morning News
Dallas Life Magazine Dallas Life Magazine, Dallas,
February 20.
1986 Contemporary Texas: A Photographic Portrait, Texas
Monthly Press, Austin,
pp. 227-239.
Ten Texas Photographers (catalogue), Abilene Fine Arts
Museum, Abilene.
"Focusing on the Diversity of Texas", Bruce Nixon, Dallas
Times Herald,
Dallas, August 8.
"Sobering Images of Downtown", David Dillon, Dallas
Morning News,
Dallas, July 30.
"Photographs Reflect Lone Star Contradictions", Carol
Sewell, Fort Worth Star Telegram Fort Worth, July 3.
"Dallas Dresses Up Neighborhood With Art Galleries", Susan
Chadwick,
Houston Post, Houston, June 29.
1986 cont. "Focusing on the Contemporary Image of Texas", Janet
Kutner, Dallas Morning News, Dallas, June 19.
"Cool Medium, Hot Pix", Kinney Littlefield, Dallas
Observer, Dallas, June 19.
"Views and Visions; Recent American Landscape Photography"
(brochure),
Kate Nearpass, International Center of Photography, New
York.
"New Texas Photography", Susan Chadwick, Houston Post,
September 17.
"Undressing the Texas Myth", Paul Hester, Spot, Houston,
Fall.
1985 "New Deep Ellum Gallery Shows Some Colorful Comic Relief",
Susan
Freudenheim, Dallas Times Herald, Dallas, December 17.
"Works of Art That Make You Laugh - and Think", Janet
Kutner, Dallas Morning News, Dallas, December 15,
"Whistler Gallery's COMIC RELIEF: What's So Funny?",
Charles Dee
Mitchell, Dallas Observer, Dallas, December 19.
Living With Art, William McCarter and Rita Gilbert, Alfred
A. Knopf Press,
New York.
1984 "Photos That Blend the Unlikely", Janet Kutner, Dallas
Morning News,
Dallas, June 14.
"Bits and Pieces Tied Together With Light", Bill Marvel,
Dallas Times Herald,
Dallas, May 30.
"Skeet McAuley, From the Native American Series", Artweek,
San Francisco,
November 10.
"McAuley Photos Reach for Epic Scale", Bob Darden, Waco
Tribune-Herald,
Waco, August 17.