Engineer Engineering

Eric

Norris

*** ******** **. #*, *********, MA 02445

781-***-**** ab1ym7@r.postjobfree.com

Eric Norris

Summary

Disciplined and dedicated individual with the capability to acclimate to a variety of situations and

needs. Able to both lead and follow instructions with strong problem solving skills and creative

approaches. Possess a strong ability to excel in fast-paced, time-sensitive environments. Proficient with

audio production software/hardware, QLab, Microsoft Office, and web based research.

Experience

Recording/engineering/mixing/mastering for over 200 hours of in-studio production. Setting up

microphones, patch bay, wrapping XLR cables, setting up a headphone mix and using outboard gear

such as compression, Gates, Limiting, EQ, Reverb, and Delay. Live sound engineering at three stage

companies in Boston designing two musicals and mixing over 200 shows. I also have extensive

experience using ProTools, Digital Performer 5, Garage Band, Ableton, Logic Pro and Qlab.

Education

University of Nebraska-Lincoln 2005-2009

*Majoring in Business Administration

Courses completed include: Accounting, Micro/Macro Economics, Finance, Business Ethics

New England Institute of Art, Brookline 2009-2011

*Bachelor of Science in Audio and Media Technology

Courses completed include: Audio Technology 1 & 2, Audio Recording 1 & 2, AdvancedRecording, Hard Disk, Digital

Audio & Media, Computer Music, Music Theory, Sound for Picture, Mastering, Record Label Operations, Live Sound

Reinforcement, Survey of the Music Industry, Electronics 1 & 2, Physics, Media Ethics and Law.

Work History

SpeakEasy Stage Co.

Next To Normal (Board Op) Xanadu (Board Op) Bloody Bloody Andrew Jackson (Sound Designer/Board Op) In The

Heights (Sound Desinger/Board Op)

Company One

The Elaborate Entrance of Chad Deity (Board Op)

Wheelock Family Theater

Oliver! (Board Op)

Influent Telecommunications Center

Team Supervisor (3 years)

Internship

Mike Davidson Recording (Zippah Studios)Brighton, MA

Over 200 hours of hands on time assisting engineer/producer/owner, Mike Davidson withsession

management, placing microphones, arranging instruments and equipment, patchbay, and general assistance.

Awards

2013 Independent Reviewers Of New England: Best Sound Design for a small/mid-sized theatre

company

*Bloody Bloody Andrew Jackson (SpeakEasy Stage Co.)

Elliot Norton: Best Overall Design, Best Production

*Bloody Bloody Andrew Jackson (SpeakEasy Stage Co.)

REFERENCES AND REVIEWS UPON REQUEST

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