Jon Winet page *

Curriculum Vitae

Address: The University of Iowa

School of Art and Art History

Iowa City, IA 52242

E-mail: abo5vi@r.postjobfree.com

EDUCATION

****-**** *.*., ***************** Arts, San Francisco State University

1971-1973 B.A., Sociology, University of California, Berkeley

1969-1970 Merritt Community College, Oakland, California

1968-1969 Reed College, Portland, Oregon

TEACHING EXPERIENCE

2005-presentAssociate Professor, International Programs, The University of Iowa, Iowa City, Iowa.

2003-presentAssociate Professor & Intermedia Area Head, School of Art & Art History, The University of Iowa, Iowa City,

Iowa

.

2002-2003Visiting Professor & Intermedia Co-area Head, School of Art & Art History, The University of Iowa, Iowa City,

Iowa

.

2006 [summer]

Visiting Faculty, Housing The Virtual, month-long seminar, University of Stuttgart, Institut fUr Baukonstruktion,

Stuttgart, Germany. Team-taught with Dr.-Ing Anne-Catrin Schultz.

2002Faculty, Electronic Media and Culture, Maryland Institute College of Art, Baltimore, Maryland.

Faculty, Digital Media Studio and Art, Culture & Society Colloquium, California State Summer School for the

Arts, Valencia, California.

2001

Faculty, Digital Media Studio, California State Summer School for the Arts,, Valencia, California

.

1999-2000Visiting Lecturer, Art Studio Department, University of California at Davis. Beginning Photography (spring

quarter).

Visiting Artist, School of the Art Institute of Chicago Photography Department, Chicago, Illinois. Digital imaging

workshop; thematic seminar on photography and the city; advanced individual projects seminar. (fall semester

)

Adjunct Professor, California College of Arts and Crafts, Oakland, California. IndependentGraduate Tutorials19981999

Visiting Artist, Center for Digital Media, San Francisco Art Institute, San Francisco, California. Advanced seminar

on hypertext and authoring for the Internet. (Spring semester, team taught with Margaret Crane.

)

Adjunct Professor, California College of Arts and Crafts, Oakland, California. Interdisciplinary graduate seminar,

America Online: Popular Culture and Contemporary Art Practice at the Fin de SiEcle. (Spring semester, team -

taught with Margaret Crane.

)

Visiting Lecturer, Art Studio Department, University of California at Davis. Beginning and Advanced Photography

(winter quarter).

Jon Winet page 2

Curriculum Vitae

Other Contributions to Instructional Programs

2009-2010 Panelist, When the Gowns Go to Town. Nuts and Bolts: When Theory is Practice and Practice is

Theory: New Media Art in Community-based Practice and the New Digital Commons,

2009 Obermann Graduate Institute for Engagement and the Academy. [scheduled for January

2010]

Mentor, IMLS Fellowship Program, School of Library and Information Science. [Joe Williams]

Co-Director,

2008-2009 Participant, Engaged Teaching to Engaged Scholarship: Pedagogy, Practice, and Publication,

Center for Teaching Institute.

Participant, 2009 Faculty Engagement Corps Tour of western Iowa.

Guest Lecture, The Business and Politics of Public Art and Government and Private Patronage

graduate seminar, School of Art & Art History Art History Division .

Panelist, When the Gowns Go to Town. Nuts and Bolts: When Theory is Practice and Practice is

Theory: New Media Art in Community-based Practice and the New Digital Commons,

2009. Obermann Graduate Institute for Engagement and the Academy.

Advisory Board, Works In Progress Festival [staged fall 2009]

Mentor, IMLS Fellowship Program, School of Library and Information Science. [Joe Williams]

Introduction Overview Remarks, 4CAST 2008, Symposium on Social Networking, Center for

Teaching, ITS, and the University of Iowa Libraries. 2008

Small Group Moderator, 4CAST 2008 Symposium on Social Networking, Center for Teaching,

ITS, and the University of Iowa Libraries. 2008

Panelist, Community Partnership Roundtable, Best Practices: Iowa City Senior Center

Television, Volunteer Administrators Network, organized by a sub-committee of the Civic

Engagement Program Board of Directors.

Director, The Virtual Writing University Experimental Wing

Mentor, IMLS Fellowship Program, School of Library and Information Science. [Joe Williams]

2007-2008 Project Co-Director, Ingmar Bergman 2008 Film Series, [launched as part of the 2007

Scandinavian Nordic Fest.]

Guest Lecture, The Business and Politics of Public Art and Government and Private Patronage

graduate seminar, School of Art & Art History Art History Division.

Panelist, When the Gowns Go to Town. Nuts and Bolts: When Theory is Practice and Practice is

Theory: New Media Art in Community-based Practice and the New Digital Commons,

2008 Obermann Graduate Institute for Engagement and the Academy.

Presentation, Art & Design Learning Community seminar.

Guest Lecture, Planning for Sustainable City-Regions, Urban Planning graduate seminar.

Guest Lecture, IMLS Seminar, School of Librarary and Information Science.

Mentor, IMLS Fellowship Program, School of Library and Information Science. [Mark Anthoney

and Sarah Zdinek]

Presenter, Animated Culture: Contemporary Experimental Art Practices College of Liberal Arts

& Sciences Saturday Scholars Lecture Series

2006-present Editor, The Iowa Review Web, 2006- present.

Director, The Virtual Writing University Experimental Wing

2006-2007 Project Co-Director, Ingmar Bergman 2007 Film Series, [part of the 2007 Scandinavian Nordic

Fest.]

Guest Lecture, freshman seminar on graphic novels, Art Education Program.

2005-2006 Guest Lecture, Current Issues in Art Education: Identity, Social Justice, Activism Seminar,

College of Education Seminar.

Guest Instructor, Elements of Art

Guest Lecture, Public Art Seminar, School of Art & Art History Art History Division

Guest Lecture, Electronic Publishing Seminar, School of Library and Information Science

2004-presentDirector, The Daily Palette. Year of Arts & Humanities Project featuring 365 Iowa artists on line

[linked from www.uiowa.edu and on The University s UI s public computer screens. The Daily

Palette, in its third year, is collaborating with the Iowa Review to include writing on the site as

part of the Year of Public Engagement. 2004-present. In fall 2006, a feature to make the site fully

searchable was implemented. http://dailypalette.uiowa.edu/

2004-2005 Guest lecture, Language of Print Media Seminar, School of Art & Art History Prinmaking Area

Jon Winet page 3

Curriculum Vitae

2004-present Program Design and Coordination, Technology 100 Brown Bag Workshops Introductory one-

hour lunchtime digital media workshops conducted 3-4 times a semester in the School of Art &

Art History s Deklab.

2002-presentCoordinator, Intermedia New Media Visiting Artist/Scholar Project. Visitors include cultural

critic/arts writer theorist David Levi-Strauss [spring 2007]; poet/theorist Barrett Watten [fall

2006]; artist Elaine Tin-Nyo [spring 2006]; graphic novelists Chris Ware and Adrian Tomine [fall

2005]; University of Northern Iowa Exhibitions Director Darrell Taylor [spring 2004]; new media

curator Steve Dietz [April 2004]; new media researcher Sarah Cook [spring 2003]; and artists and

theorists Gregg Bordowtz and Claire Pentecost [fall 2002]

2003-2004Guest Lecture, Public Art Seminar, School of Art & Art History Art History Division

Guest Artist, Graduate Painting Workshop; (spring 2004)

Guest Artist, Graduate Painting Workshop (fall 2003)

2002-2003Guest Lecture, School of Art & Art History Colloquium

Guest Lecture, Graduate Painting Forum

Guest Lecture, BFA Seminar

HONORS, AWARDS, GRANTS, RESIDENCIES & COMMISSIONS

[nb: includes grants prior to appointment to The University of Iowa faculty]

2009Fellowship, Provisions Library,

Washington, D.C. [renewed, as Online Communications Research Fellow]

2008

University Faculty Scholar Award, The University of Iowa

.

Fellowship, Provisions Library, Washington, D.C.

2007

Fellowship, Vectors Journal of Culture and Technology in a Dynamic Vernacular. University of Southern

California School of Cinema & Television, Los Angeles, California.

Award, The University of Iowa s President's Award for State Outreach and Public Engagement

2005

Commission, The Liberty Science Center, Newark New Jersey. Content development of permanent science display

as part of Onomy Labs, Menlo Park, California design team. [Project launched July 2007]

2004

Commission, DiverseWorks Art Space, Houston, Texas. For development of 2004 America & The Globe,

multimedia project focusing on the 2004 U.S. presidential elections. Awarded to Margaret Crane Jon Winet.

2003

Residency, Isis Arts, Newcastle Upon Tyne, England. Research on future collaborative projects in England s

northeast.

2002Project Grant, Market Street Art in Transit Project, San Francisco Arts Commission, San Francisco, California.

Awarded to Margaret Crane Jon Winet.

2001

Project Grant, Arts Council of England. For Monument Internet-based multi-media project. Awarded to

Margaret Crane Jon Winet and Locus+, Newcastle Upon Tyne, England

Rockefeller Foundation Bellagio Residency Fellowship, Rockefeller International Study Center, Bellagio, Italy.

2000Project Grant, University of California Irvine Beall Center for Art and Technology. For Democracy-The Last

Campaign. Awarded to Margaret Crane Jon Winet. .

1999Project Grant, Creative Work Fund, San Francisco, California. For Democracy-The Last Campaign, a year-long

project focusing on the elections. Awarded to Margaret Crane Jon Winet and SF Camerawork San Francisco,

California.

Jon Winet page 4

Curriculum Vitae

Faculty Project Grant, California College of Arts & Crafts, Oakland, California.

McKnight Foundation National Fellowship, Intermedia Arts, Minneapolis, Minnesota. Awarded to

Margaret Crane Jon Winet.

Residency and Project Grant, Hallwalls Center for Contemporary Art, Buffalo, New York. For Democracy-The

Last Campaign. Awarded to Margaret Crane Jon Winet

1994-1998

Residency, PAIR (Xerox PARC Artists in Residence Program) One-year residency extended to five years, working

with PARC Researchers Dale MacDonald and Scott Minneman. Palo Alto, California. Awarded to Margaret

Crane Jon Winet.

EXHIBITIONS & PROJECTS

nb: all work through 2004 by artist collaboration Margaret Crane Jon Winet

solo

2010 World Cup Global Health [working title] World Cup media project. [projected launch spring 2010]

2008The Electoral College: The Campaign media and multimedia project focusing on the 2008 U.S.

Presidential elections and democratic engagement in America. In conjunction with Provisions Library,

Washington, D.C. and Vectors Journal of Culture and Technology in a Dynamic Vernacular. University of

Southern California School of Cinema & Television, Los Angeles, California

.

2007The Electoral College - The Iowa Caucuses website.

2006 Goal 2006! The 2006 World Cup international multimedia art and technology project focusing on the

World Cup in Germany in the era of globalization. Onsite co-production by the University of Stuttgart,

Institut fUr Baukonstruktion; WUrttembergische Kunstverein; and Dialekt e.V Rocker 33, Stuttgart,

Germany.

ZeroOne to the Globe The World to San Jose Media project for ZeroOne San Jose: A Global Festival

of Art on the Edge & the Thirteenth International Symposium of Electronic Art (ISEA2006), San Jose,

California

.

2004 Inside The

Perimeter Gallery Paule Anglim, San Francisco, California.

2004-America & The Globe election year web project [www.2004atg.net] and multimedia exhibition,

DiverseWorks Art Space, Houston, Texas.

2003 The Street public art project for the San Francisco Arts Commission Art on Market Street Program, San

Francisco, California. companion web site: http://www.the-street.net

2002 Monument web site project (http://www.locusplus.org.uk/monument) commissioned by the Arts Council

of England New Media Initiatives Programme. Locus+, Newcastle Upon Tyne, England.

The New Regime Web project for stretcher.org

2000 Democracy-The Last Campaign year-long public art and multimedia exhibition project. Walker Art

Center, Minneapolis, Minnesota (web site commissioned by Gallery 9/Walker Art Center through a grant

from the Jerome Foundation);

Hallwalls Contemporary Arts Center, Buffalo, New York; Intermedia Arts,

Minneapolis; and SF Camerawork, San Francisco, California

.

Margaret Crane Jon Winet Gallery Paule Anglim, San Francisco, California

.

1998Nightfall Yerba Buena Center for the Arts, San Francisco, California

.

1997The Inaugural Ball Open Space Project, Ansel Adams Center for Photography,

The Friends of Photography, San Francisco, California.

Sunset SIGGRAPH 97 Electric Garden and BLTV/Billboard Live, Los Angeles and

Hollywood, California

.

1996 Conventional Wisdom (web site) Xerox PARC Artist In Residence Program, Palo Alto, California.

Election Day Special (public art project) BLTV/Billboard Live, West Hollywood, California.

General Hospital1996, New Langton Arts, San Francisco, California

.

1995The Guiding Light Terrain Gallery, San Francisco, California.

General Hospital public art project commissioned by the Wallace Alexander Gerbode Foundation and

Capp Street Project's "Art in the Urban Landscape" in conjunction with Xerox PARC s Artist In Residence

Program. (project web site and Internet newsgroup continue indefinitely) San Francisco and Palo Alto,

California.

Jon Winet page 5

Curriculum Vitae

1994 The Market Street Chronicles (public art-in-print project) San Francisco Arts Commission Market Street

Art In Transit Project, San Francisco, California

.

1993The Best Years of Our Lives White Columns, New York, New York. Bill Arning, Curator.

The Days of Our Lives (public art project) Public Art Work, San Rafael, California

.

1992The First Day of the Rest of Our Lives Mincher/Wilcox Gallery, San Francisco, California

.

The Voting Booth Christopher Grimes Gallery, Santa Monica, California

.

Star Search II:

The House of Wax Zolla/Lieberman Gallery, Chicago, Illinois.

1990The Rising Storm Mincher/Wilcox Gallery, San Francisco, California

.

This Is Your Life Phelan Award Exhibition,

SF Camerawork, San Francisco, California

.

1989The Bush Presidency Allied Arts Gallery, Las Vegas, Nevada

.

1986 Margaret Crane/Jon Winet Media, San Francisco, California

.

1985Days Clark County Library, Las Vegas, Nevada

.

group

2008Add-Art Eyebeam, New York, New York. Online project directed by Steve Lambert. Curated by Sarah

Cook.

Close Encounters American University Museum of Art, Washington, D.C.

UnconventionTV The UnConvention, Minneapolis-St. Paul, Minnesota.

We Remember the Sun Walter and McBean Galleries, San Francisco Art Institute, San Francisco,

California. Mary Ellyn Johnson, Curator.

2007 School of Art & Art History Faculty Show University of Iowa Museum of Art

.

Everything is Included Old Brick Labor Day exhibition,

Iowa City, Iowa. Organized by Mark NeuCollins

Democracy = Love The Magic Theatre, San Francisco, California. Pauline Shaver, Curator.

2006 PLAC II Portfolio 2006 Southern Graphics Council Conference, Madison, Wisconsin.

2005 Improbable Monuments - On line component of exhibition Monument Recall: Public Memory and

Public Spaces, The Art Gym, Marylhurst University, Marylhurst, Oregon. Paula Levine, Curator.

Exhibition organized by

SF Camerawork, San Francisco, California.

2004 Improbable Monuments - On line component of SF Camerawork 30the Anniversary Exhibition

Monument Recall: Public Memory and Public Spaces SF Camerawork, San Francisco, California. Paula

Levine, Curator.

Internet Microcinema Screening Side Cinema, Newcastle Upon Tyne, England. Christo Wallers, Internet

Video DJ. [U.S. Election Night - November 2]

Regime Change Athens Institute of Contemporary Art Virtual Gallery, Athens, Georgia. Didi Dunphy,

Curator.

School of Art & Art History Faculty Exhibition

2004 University of Iowa Museum of Art

Iowa City, Iowa

.

NYC GOP Media Project Screensavers Group, New York New York.

MPPS:

The Mobile Phone Photo Show RX Gallery, San Francisco.

Transformers: An Exhibition of Alumni and Advisory Board Members Transformer, Washington,

D.C.

2003 What I did during Summer Vacation Athens Institute for Contemporary Art Virtual Gallery, Athens,

Georgia. Didi Dunphy, Curator.

The Will of the People (virtual set design for theatre project by Antoinette LaFarge and Robert Allen)

Beall Center for Art and Technology, University of California, Irvine.

2002Art/Women/California: Parallels and Intersection, 1950-2000 San Jose Museum of Art. Diana Fuller,

Curator.

2001 The Will of the People (virtual set design for project by Antoinette LaFarge and Robert Allen)

7 Degrees, Laguna Beach, California. (scheduled for October - postponed September 12, 2001)

2000Memory Theater Orpheum Theater, Saint Paul, Minnesota. Organized by Suzanne Kosmalski.

Nonzero Sum Games Gene Genies Worldwide Gallery at the Brewery, Los Angeles, California. Liz

Harvey, Curator.

High Touch/High Tech:

Crossing The Divide Refusalon, San Francisco, California.

1999 Version 1.02 www.wmin.ac.uk/~jmulc/version_1.02/ Dave McDougall,

Curator,

University of Westminster, London, England. (on line project)

1998 pFORMative ACTS: 1998 Faculty Exhibition San Francisco Art Institute. John Killacky, Curator.

Jon Winet page 6

Curriculum Vitae

Beyond Interface International Museums & the Web Conference, Toronto, Canada.

Steve Dietz, Curator, Walker Art Center New Media Initiatives. (on line project; catalog on CD)

Then & Now Terrain Gallery, San Francisco, California.

1997 Browser Artropolis 97/Roundhouse Community Centre, Vancouver, British Columbia, Canada. Kitty

Scott, Curator.

1996 Location Location San Jose Institute of Contemporary Art, San Jose, California. Marcia Tanner, Curator.

Pixel Perfect: Digital Photography in the Bay Area San Jose Museum of Art, San Jose, California. Mark

Petr, Curator.

Home Show II Santa Barbara Contemporary Arts Forum. (catalog)

1995 Alternatives: 20 Years of Hallwalls Contemporary Arts Center, 1975-1995 The Burchfield Penney Art

Center, Buffalo, New York. Sara Kellner, Curator. (catalog)

Moving The Message: Artists' Social Action From Private to Public SF Camerawork,

San Francisco, California. Trena Noval, Curator.

1994 Collaborations: Inside the Armory/Out on the Street Pasadena Armory Center for the Arts, Pasadena,

California. In conjunction with the LAX 94: The Los Angeles Exhibition. Karen Moss, Curator. (catalog)

Old Glory New Story: Flagging the 21st Century Capp Street Project, San Francisco. (traveled to the

Santa Monica Museum of Art in Summer 1995)

The Bong Show, Kiki Gallery, San Francisco, California and Alleged Gallery, New York, New York. Rick

Jacobsen, Curator.

Tiny Shoes New Langton Arts, San Francisco, California. D. L. Alvarez, Curator.

Photography '95 Davis Art Center, Davis, California.

1993 112th Annual Exhibition: The Voice of Citizenry: Artists and Communities in Collaboration San

Francisco Art Institute, San Francisco, California. (catalog)

Filler Terrain Gallery, San Francisco, California.

Pop Life: Inspired by Prince New Langton Arts Downstairs Space, San Francisco, California. Glen

Helfand, Curator.

1992 Liz Claiborne, Inc. Domestic Violence Public Awareness Campaign 30 billboards throughout San

Francisco Bay Area. Lynn Sowder, Curator.

Work from the Liz Claiborne, Inc. Domestic Violence Public Awareness Campaign EYE Gallery,

San Francisco, California.

One By Two/Artists in Collaboration University Art Gallery, Sonoma State University, Rhonert Park,

California. Michael Schwager, Curator.

Still Lifes Zen Center Hospice, San Francisco.

Information/Culture/Technology San Francisco State University Art Department Gallery, San Francisco,

California.. George Legrady, Curator.

1991 No More Heroes SF Camerawork, San Francisco, California.. Barbara DeGenevieve, Curator. (catalog)

Image/Object/Place Oliver Gallery, California College of Arts and Crafts, Oakland, California. Maria

Porges, Curator. (catalog)

Hydrangea Presents San Francisco Terrain Hydrangea Gallery, Newport, Rhode Island.

Do You Hear What I'm Saying? Transamerica Building Gallery, San Francisco, California. Judy Kay &

Associates, Curator.

Group Exhibition Mincher/Wilcox Gallery, San Francisco, California.

Projections in Public: Grand Rapids Urban Institute of Contemporary Art, Grand Rapids, Michigan.

Karen Atkinson, Curator.

text/context San Jose Institute of Contemporary Art, San Jose, California. Kathryn Funk, Curator.

Sharkbait Record Release Event The Eyebeam, San Francisco, California..

Omnia Ad Majorem Dei Gloriam Grace Cathedral, San Francisco, California. Peter Wright & Armando

Rascon, Terrain Gallery, Curators.

A Presumption of Faith Christopher Grimes Gallery, Santa Monica, California.

1990 First Moscow Festival of Contemporary Art Center for Photography, Moscow, USSR

The Great American FAX Attack Andrea Ruggieri Gallery, Washington, D.C.

Projections in Public: Cleveland Spaces, Cleveland, Ohio. Karen Atkinson, Curator.

How Can They Be So Sure? LACE, Los Angeles, California.

Social Context Frohring Art Gallery, Hiram College, Hiram, Ohio.

Manipulation in Photography THE Gallery, New York, New York.

1989 Bay Area Conceptualism: Two Generations Hallwalls, Buffalo, New York. (catalog)

Jon Winet

page 7

Curriculum Vitae

What's Wrong With This Picture? Artists Respond To Censorship San Francisco Arts Commission

Gallery, San Francisco, California. (catalog)

Art Against AIDS: a sale exhibition of contemporary works of art Butterfield & Butterfield, San

Francisco, California. Organized by AmFAR. (catalog)

Art Against AIDS On The Road Public Art Campaign using transit system signage, Sn Francisco,

California. Anne Philbin, Curator. Project traveled to Washington, D.C. and Chicago, Illinois in 1990.

(catalog)

Beyond The Frame: Nine Photographic Installations Richmond Art Center, Richmond, California.

Michael Schwager, Curator.

Restraint/Intent/Manipulation Mincher/Wilcox Gallery, San Francisco, California.

The Family Show Artists' Television Access, San Francisco, California.

The New Narratology San Francisco Artspace Annex, San Francisco, California. Exhibition traveled in

1989 to the Santa Cruz County Museum of Art, Santa Cruz, California, and the Center for Fine Arts,

Miami, Florida, and in 1991 to the Center for Research in Contemporary Art, University of Texas at

Arlington, Arlington, Texas. Maria Porges, Curator. (catalog)

MATTER ANTI-MATTER Terrain Gallery, San Francisco, California.

1988 Comment Nexus Gallery, Atlanta, Georgia. (catalog)

Memory: an exhibition to mark the 25th anniversary of the assassination of John F. Kennedy Center

for Research in Contemporary Art, University of Texas at Arlington. Jeff Kelley, Curator.

Election Night Fever San Francisco Artspace Annex, San Francisco, California.

A Nightmare on Valencia Street III Intersection for the Arts, San Francisco, California.

Visual Voices/a spoken word event (performance) Southern Exposure, San Francisco, California. Kevin

Radley, Curator. (catalog)

Wall to Wall New Langton Arts, San Francisco, California.

Festival of Plagiarism Artists' Television Access, San Francisco, California.

1987 Gypsies, Tramps and Thieves Works San Jose, San Jose, California. Nayland Blake, Curator.

Edict and Episode Installation, San Diego, California. (catalog)

Reconnaissance MEDIA, San Francisco, California.

Projections in Public: San Diego Installation, San Diego. Karen Atkinson, Curator.

Projections in Public: Los Angeles L.A.I.C.A, Los Angeles. Karen Atkinson, Curator.

1986 Perilous Sanctuary (performance) MEDIA, San Francisco, California.

Museum Collections

Walker Art Center New Media Gallery 9, Minneapolis, MinnesotaBaltic Library and Archive, Baltic Art Centre, Newcastle Upon Tyne, UK

Recent Published Photography

Exposures [Online publication of

Aperture Magazine], August-November 2008, Aperture, New York, New York

The Brooklyn Rail,

October 2008, Brooklyn, New York

The Brooklyn Rail,

September 2008, Brooklyn, New York

Buffalo Artvoice [Online Edition] August-November 2008, Buffalo, New York

Between The Eyes: Essays on Photography and Politics, (paperback edition) David Levi Strauss. Aperture, New

York, New York, 2005. p. 166

Between The Eyes: Essays on Photography and Politics, David Levi Strauss. Aperture, New York, New York, 2003

(scheduled for fall) p. 166

San Francisco Bay Guardian, November 10, 2004, San Francisco, California, p, 13

The Brooklyn Rail, October 2004, Brooklyn, New York, p. 7

Gambit Weekly, September 14, 2004, New Orleans, Louisiana

San Francisco Bay Guardian,

September 8, 2004, San Francisco, California

San Francisco Bay Guardian, September 1, 2004, San Francisco, California

San Francisco Bay Guardian, May 26, 2004, San Francisco, California, p. 18

Harper s Magazine, June 2001, New York, New York, cover

Jon Winet page 8

Curriculum Vitae

Recent Publications

Articles: Invited

*** Winet Jon & Burkhalter, Laura. Three Score, Eleven Artists, A Thousand Words on World Histories, World

Histories. [Catalog for Des Moines Art Center exhibition World Histories.] Des Moines Art Center, Des Moines,

Iowa. 2008. P. 9-13.

* Winet, Jon. Intermedia@Iowa. media-N. Volume 4 no. 1. College Art Association New Media Caucus, New

York, New York, 2008. [peer reviewed online, journal]

* Winet, Jon. Riding The Tiger Ways of Working: Placing Artists in Business Contexts. Arts Council of England,

London, England. 2002. [CD-ROM]

Book Chapter: Invited

*** Winet, Jon, & DeLappe, Joseph. "In Conversation Fall 2003: An Interview with Joseph DeLappe" Videogames

and Art. Clarke, Andy and Grethe Mitchell, editors. University of Chicago Press, Chicago, Illinois, 2007 and

Intellect Books, Bristol, England, 2007.

*** Winet, Jon, & Crane, Margaret Monument, New Media Art: Practice and Context in the UK 1994-2004. Lucy

Kimbell, Editor, Arts Council of England/Cornerhouse Press, London, England, 2004, pp. 142-143

*** Winet, Jon, & Crane, Margaret, & MacDonald, Dale, & Minneman, Scott. Endless Beginnings: Tales from the

Road to Now Where? Art & Innovation: The Xerox PARC Artists in Residence Program. Craig Harris, Editor. The

MIT Press, Cambridge, Massachusetts, 1999, pp 143-163.

Catalog: Invited

*** Winet, Jon, & DeLappe, Joseph. RIDE>The Work of Joseph DeLappe: Interview with Jon Winet. Nevada

Museum of Art, Reno, Nevada, 2003

Contribution: * Major. **Secondary. ***Equal. Minor.

Recent reviews and articles

Bonetti, David, Timely Art on Politics, San Francisco Examiner, San Francisco, California, November 1, 2000,

pp. B-1, B-7

Burke, Adam, Iowa Artist Jon Winet and American Voice, Iowa Independent, Des Moines, November 7, 2007.

[online video and related article.]

Dodson, Sean, Monument to an icon, The Guardian [Online section], London, England. August 1, 2002, p. 7

Edwards, Ken Art of Place, Blueprint, Chelmsford, England, November 2002, pp. 73-75

Galeota-Wozny, Nancy, 2004-America & The Globe, ArtsHouston Magazine, Houston, Texas, November 2004,

pp. 34.

Hauser, Reine, Case Studies, Buffalo News, Buffalo, New York, May 12, 2000

Jana, Reena, Honest Politics In Web Art?, WIRED News, San Francisco, California, August 17, 2000

[http://www.wired.com/news/culture/0,1284,38290,00.html]

Johnstone, Mark, & Aboud-Holzman, Leslie, Epicenter: San Francisco Bay Area Art Now, Chronicle Books, San

Francisco, California, 2003, pp. 64-69.

Jordan, Julie Phillips, Exhibit Takes us on an art-filled trip into cyberspace, Athens Banner-Herald, August 6,

2003

Hauser, Reine, Case Studies: Hallwalls installations take on issues in thought-provoking style, Buffalo News

[Gusto Friday section], Buffalo, New York, May 12, 2000, p.34

Howell, Lydia, Campaigns Go Pop Culture, Pulse of the Twin Cities, Minneapolis, Minnesota September 2000

Klaasmeyer, Kelly, The Voting Machine, Texas ArtLies - The Texas Contemporary Art Journal, Houston, Texas,

Fall 2004, Issue 44

Klaasmeyer, Kelly, Beating Around The Bush, Houston Free Press, October 28, 2004

Lewka, Claire, "Diversity reigns in faculty show, The Daily Iowan, Iowa City, Iowa. October 31, 2007.

Miskowiec, Jay, Searching for Substance Beyond the Simulacra, 1999 McKnight Artist Fellowship for

Interdisciplinary Artists, Intermedia Arts, Minneapolis, Minnesota, 2001, pp.12-13

Noval, Trena, Vital Signs: Social Exchanges in a Virtual World, Camerawork, San Francisco, California,

spring/summer 1999, pp. 18-21

Jon Winet page 9

Curriculum Vitae

Novakov, Anna, A Bucolic Honeymoon for Art and Science, New York Times, New York, New York, August 3,

1999

Olson, Marissa, Fact Checker, rhizome.org, New Museum of Contemporary Art, New York, New York, January

4, 2008, http://rhizome.org/editorial/fp/blog.php/318

Olson, Marissa, A Global Goallllll, rhizome.org, New Museum of Contemporary Art, New York, New York,

June, 12, 2006, http://rhizome.org/fp.rhiz?id=2067

Olson, Marissa, Head Games, Surface no. 22, San Francisco, California, 2000, p. 98

Puchner, Eric, Democracy: The Last Campaign, bayarea.citysearch.com, San Francisco, California, October 24,

2000

Rapko, John, Enrique Chagoya, Margaret Crane and Jon Winet at Gallery Paule Anglim, Artweek, December

2000

Redazione TK, Goal2006 di Jon Winet Teknemedia,Turin, Italy,

http://www.teknemedia.net/magazine/plaid/dettail.html?mId=1309

Tejada, Roberto, Democracy: The Last Campaign, Artvoice, Buffalo, New York, May 11, 2000, pp. 30-31

Suchin, Peter In Search of Lost Tyne, Mute, London, England, November, 2002, p.19

Staff, Monument of the North online, Studio International, The Studio Trust, U.K August 14, 2002 [online

journal]

Van Proyen, Mark, San Francisco e-Mail, Art Issues, Los Angeles, California, January/February 2001, pp. 38-39

Whetstone, David, A monumental tribute to Tyneside, The Newcastle Journal, Newcastle Upon Tyne, England

August 7, 2002, p. 45

Wilson, Megan, Democracy-The Last Campaign, The San Francisco Bay Guardian, October 25, 2000

eleznikar, Jaka, Nogomet malo drugace, Mladina, Republic of Slovenia, June 13, 2006,

http://www.mladina.si/dnevnik/83167/

INVITED CONFERENCES/LECTURES

International

2008

Lecture, The Electoral College - artist media projects focusing on the 2008 U.S. Presidential election, American

Corner, University of Rijeka Library, Rijeka, Croatia.

Lecture, Second Life? a look at Intermedia practice, emerging technologies and social networking practices,

University of Rijeka Fine Arts Academy, Rijeka, Croatia.

Lecture, DIY Artist Initiatives Stateside, Molekula, Rijeka, Croatia.

2007

Lecture, University of Rijeka Fine Arts Academy, Rijeka, Croatia.

Lecture, Filmaktiv Media Collective, Rijeka, Croatia.

2006

Panelist, Housing the Virtual, presentation in conjunction with media project and workshop Goal 2006!,

University of Stuttgart, Institut fUr Baukonstruktion; WUrttembergische Kunstverein; Dialekt e.V Rocker 33,

Stuttgart, Germany.

2005

Panelist, Digital Media as Cultural Object, Be Here: Presences Beyond the Screen symposium, The University

of Sussex, Brighton, England.

Panelist, Digital Media Praxis: Investigations at the Intersection of Live Art and Adaptive Media, PARIP-Practice

as Research in Performance-2005 International Conference, University of Leeds Bretton Hall Campus, Wakefield,

West Yorkshire, England.

Panelist, e-Xplo in Conversation with Jon Winet, Live Art Festival, produced by amino, Baltic Art

Centre, Forma and Michelle Hirschhorn, Newcastle Upon Tyne, England.

2003

Artist Presentation, Isis Arts, Newcastle Upon Tyne, England.

Visiting Artist Lecture, Royal College of Art Interaction Design Department, London, England.

2002

Presenter, Bridges II, International Consortium on Collaboration in Art & Technology, Banff Centre for the Arts,

Banff, Alberta, Canada.

Jon Winet page 10

Curriculum Vitae

2001

Fellowship Presentation, Rockefeller Foundation Study Center, Bellagio, Italy.

Participant/Presenter, Team Build conference on collaborative practice organized by the Baltic Art Center and

Anna Best, Newcastle Upon Tyne, England.

1999

Panelist, California Arts Council Delegation, EVA Florence 99, Florence, Italy.

1998

Visiting Artist, Royal College of Art, London, England.

Visiting Artist Lecture, University of Northumbria at Newcastle Upon Tyne, England.

Visiting Artist Lecture, Sunderland University, Sunderland, England.

National

2010

Presenter, Ingmar Bergman Film Program, [working title], Des Moines Art Center, Des Moines, Iowa.

[scheduled for April.]

2009

Visiting Artist, Sierra Nevada College, Incline Village, Nevada. [scheduled for Fall]

Panelist and Panel Coordinator, "How to Cross the Street in a Flood: Challenges and Opportunities of

Community-Based Practice in a Time of Crisis, 2009 Imagining America National Conference, New Orleans,

Louisiana.

Visiting Artist, Lee Gallery Visiting Artist Lecture: Intermedia and New Media in the Obama Era: DIY, Relational

Aesthetics, Cultural Animation and Civic Engagement, Department of Architecture, Arts and Humanities, Clemson

University, Clemson, South Carolina.

2008

Artist Talk, Sierra Nevada College, Incline Village, Nevada.

Gallery Talk, American University Museum of Art, Washington, D.C. In conjunction with exhibition Close

Encounters, Don Russell and Niels Van Tomme, Curators.

Artist Talk, San Francisco Art Institute, San Francisco, California. In conjunction with exhibition We Remember

the Sun, Mary Ellyn Johnson, Curator.

2007

Panelist Moderator, Challenging Cultural, Political and Formal Boundaries, part of day-long focus No Borders

Here? Cultural Hybrids, Nomads, Refugees, C6 Symposium The Art World Is Flat: Globalism Crisis and

Opportunity, Jay Pritker Pavilion, Millennium Park, Chicago, Illinois. Organized by Lynne Sowder, Sowder Burns

Advisory.

Panelist, Art and New Technologies, Art Chicago, Chicago, Illinois.

Lecture/Workshop, Iowa City Senior Center Television Online!, Joint National Conference of the American

Society on Aging and the National Council on Aging., Chicago, Illinois.

Panelist, College Art Association National Conference, New York, New York. Art as Mediation, New Media

Caucus.

2006

Visiting Artist Lecture, California College of the Arts. Interdisciplinary Seminar, Oakland, California.

Lecture, Interactive Media Division Seminar, School of Cinema, University of Southern California, Los Angeles,

California.

2005

Panelist, "Interdisciplinary Dreaming: Art, Writing, and Curating across disciplines" live Stretcher.org dinner event

as part of Stretcher.org's participation in "Bay Area Now 4," Yerba Buena Center for the Arts, San Francisco,

California.

Lecture, "Intermedia in the 21st Century - a Subjective, Interim Report, University of Northern Iowa Art

Department, Cedar Falls, Iowa.

Visiting Artist Lecture, San Francisco Art Institute Photography Workshop, San Francisco, California.

Visiting Artist, International Center of Photography-Bard College MFA Photography Program, New York, New

York.

Jon Winet page 11

Curriculum Vitae

2004

Guest Lecture, International Center of Photography-Bard College MFA Photography Program, New York, New

York.

Presentation, Made on a Mac Apple Theater, Apple Store, San Francisco, California

Visiting Artist Lecture, University of Houston Art Department, Houston, Texas.

Lecture, Social Education Doctoral Seminar, College of Education, University of Houston, Houston, Texas.

Visiting Artist Lecture, California College of Art, San Francisco, California.

Visiting Artist Lecture, San Francisco Art Institute, San Francisco, California. [fall]

Visiting Artist Lecture, San Francisco Art Institute, San Francisco, California. [summer]

Visiting Artist Lecture, University of Nevada Reno Art Department.

Presenter, DiverseWorks Teachers Training Program in Contemporary Art. Susanna Monteverde, Coordinator.

Panelist, University of Houston Downtown Arts Administration Program, Houston, Texas.

Lecture, A Micro History of Video-in Context, Sioux City Art Center. Sioux City, Iowa.

Panelist, Collaboration and Hybrid Practice for session Redefining the Work of Art: Artists and Art Scholars

Collaborate, College Art Association Annual Conference, Seattle, Washington. Session Chairs: Andrea Fesser,

Clemson University and Gaye Chan, University of Hawaii.

Panelist, Pop Art Know The Score, KSUI Radio, Iowa City, Iowa. Produced by Nancy Hagen

2003

Presenter, Talk Back Session for theatrical production of Neil LaBute s The Shape of Things. University

Theatres, The University of Iowa. Directed by Eric Forsythe. Dramaturgy by Julie Canik.

Visiting Artist Lecture, University of Nebraska, Omaha Art, Design, Communication and Multimedia Technology

Program

2002

Presenter, New Media and GUI s Made on a Mac, Apple Store, Soho. New York, New York.

Guest Reviewer, Digital Media M.A. Final Reviews, Maryland Institute College of Art, Baltimore, Maryland.

2001

Moderator, High Performance. 2001 California Digital Arts Workshop: The Arts and Streaming Media.

American Film Institute, Los Angeles, California. Julie Lazar, Coordinator.

Panelist, Public Actions. 2001 California Digital Arts Workshop: The Arts and Streaming Media. American Film

Institute, Los Angeles, California. Karen Moss, Moderator.

Panelist, The Importance of Interdisciplinary Arts Practice in the Contemporary Art World of the Bay Area and

Beyond. Yerba Buena Center for the Arts, San Francisco, California. Lise Swenson, Organizer.

Visiting Artist Seminars and MFA Lecture, Montclair State University, Upper Montclair, New Jersey.

Visiting Artist Lecture, University of California, Irvine. With Margaret Crane.

Visiting Artist Lecture, Interdisciplinary Graduate Seminar. California College of Arts & Crafts. With Margaret

Crane.

Visiting Artist Lecture, Printmaking Class. San Francisco State University, San Francisco, California.

2000

Visiting Artist Lecture, Graduate Seminar. California College of Arts & Crafts. With Margaret Crane.

Visiting Artist Lecture, Graduate Seminar Series. San Francisco Art Institute. With Margaret Crane.

Visiting Artist Lecture, University of Buffalo, Buffalo, New York. With Margaret Crane.

Panelist, Future Vision: Cutting edge artists talk about the possibilities: tangible and virtual. High Touch/

st

High Tech: Making Art in the 21 Century. KALA Art Institute. Oakland Museum of California.

Visiting Artist Lecture, University of California, Berkeley.

Keynote

Contact this candidate