BASHAR

GEORGIS

ad4rn0@r.postjobfree.com

470-***-****

Arcadia Walk, 345 Stone Mountain Street, Unit M, Apartment 2; Lawrenceville, GA 30046

www.bashargeorgis.com

https://www.linkedin.com/in/bashar-georgis/

https://www.imdb.com/name/nm3830925/

https://en.wikialpha.org/wiki/Bashar_Georgis

SKILLS

Charismatic Leader

Crisis Management

Live Broadcast Direction

External and Public Relations

Research Information Sourcing

Negotiation Competency

Business Development

Corporate Communications

Project Management

Premier Pro and FCP7 Expertise

Da Vinci Resolve

Communications and Media

Adobe Systems Adobe Creative Cloud

EDUCATION

The Bridge Academy

London, UK • 10/2011

Diploma: Digital Film Making

Bangladesh National University

Dhaka, Bangladesh • 12/2002

Bachelor of Arts

National Computing Center of UK

Dhaka, Bangladesh • 12/2001

International Diploma: Computer Studies

PROFESSIONAL SUMMARY

With a highly accomplished career spanning over two decades, filmmaker from Bangladesh has made significant contributions to the Bangladeshi audiovisual industry, earning widespread recognition and acclaim. Renowned for the ability to produce and direct high-quality content that resonates with audiences, versatile filmmaking possesses exceptional writing skills and technical expertise in video editing and color grading, adding depth and visual appeal to projects. With over 300 Television commercials edited and graded under their belt, this individual continues to demonstrate mastery in these areas.

WORK HISTORY

Inovasi Films - Founder, Director, Editor, Colorist

Dhaka, Bangladesh (08/2016 – Current)

Job Overview:

The Founder of Inovasi Films, a renowned production house in Bangladesh, holds a multifaceted leadership role, overseeing and driving the creative and operational aspects of the company. In this dynamic capacity, the Lead Director, Producer, Writer, Editor, and Colorist spearhead the development of impactful content across various mediums, including TV commercials, PSAs, Web series, short films, TV dramas, and documentaries. Collaborating with an extensive clientele, which includes corporate entities, government agencies, Foreign embassies, and esteemed international organizations such as JHCCP, British Council, USAID, World Bank, UNICEF, UNODC, WHO and others, the team consistently delivers high-quality productions that resonate with diverse audiences. Through visionary leadership and creative prowess, Inovasi Films has been successfully positioned as a go-to destination for exceptional content that leaves a profound and lasting impact, while aligning with the unique objectives of valued clients.

Key Responsibilities:

1. Creative Direction and Ideation:

Develop and lead the creative direction for all projects, ensuring each piece of content effectively conveys the client's messaging and objectives.

Ideate and conceptualize innovative ideas for storytelling, visuals, and aesthetics, crafting unique narratives that resonate with the target audience.

Collaborate with clients, government agencies, and international organizations to understand their vision and requirements, translating them into compelling visual narratives.

2. Project Management:

Oversee all stages of production, from pre-production planning to post-production, ensuring seamless execution and timely delivery of projects.

Coordinate with production teams, cast, and crew members to streamline workflow and ensure a smooth production process.

Manage budgets, resources, and timelines, optimizing efficiency without compromising on production quality.

3. Content Production and Direction:

Direct and guide actors, ensuring authentic performances that bring characters to life and evoke emotions in the audience.

Supervise the entire production process, including shooting, lighting, and sound, to maintain a consistent artistic vision.

Produce and direct TV commercials, PSAs, Web series, short films, TV dramas, and documentaries with a focus on engaging storytelling and impactful messaging.

4. Scriptwriting and Story Development:

Craft compelling scripts that convey powerful messages while adhering to the project's objectives and brand identity.

Develop storylines and plot twists that captivate audiences and leave a lasting impact.

Collaborate with writers and creative teams to refine scripts and narratives, ensuring a cohesive and powerful narrative flow.

5. Editing and Color Grading:

Utilize advanced video editing and color grading techniques to enhance the visual appeal and emotional impact of the content.

Bring footage to life through seamless editing, crafting a coherent and immersive storytelling experience.

Ensure the highest production standards are met, maintaining the brand's visual identity and artistic style.

6. Client Relationship Management:

Cultivate strong and lasting relationships with clients, understanding their needs and providing tailored solutions.

Act as a primary point of contact, managing client expectations and ensuring their satisfaction with the final deliverables.

Respond promptly to client feedback and incorporate their input to enhance the quality and relevance of the content.

7. Industry Networking and Collaboration:

Establish strategic partnerships and collaborations with industry professionals, fostering a network of talented individuals for potential projects.

Attend industry events, film festivals, and networking opportunities to stay abreast of industry trends and innovations.

Highlighted Projects

TV & Web Series:

“Overtrump” (2023) - webseries

Role: Director, Editor, Screenwriter

Platform: Chorki

Note: Bangladeshi first dark comedy thriller

“Shunno theke suru” (2021) – TV Film

Role: Editor

Platform: Web, TV

Client: Unilever

“Gramer nam Shubornopur” (2020) – 40 episodes TV Daily Soap

Role: Director, Editor, Screenwriter

Platform: Channel i

Client: Directorate General of Family Planning; Ministry of Health & Family Welfare

Note: Besides entertainment focused on family planning and reproductive health.

“Gramer nam Shimulpur” (2018) – 40 episodes TV Daily Soap

Role: Director, Editor, Screenwriter

Platform: Channel i

Client: Directorate General of Family Planning; Ministry of Health & Family Welfare

Note: Besides entertainment focused on family planning and reproductive health. Bangladeshi first daily soap focused on maternal and neonatal health care.

“Famous Babu” (2018) – TV Film

Role: Director, Editor, Screenwriter

Platform: ATN Bangla, NTV, Channel i

Client: Practical Action

Donor: Bill & Melinda Gates Foundation

“Chile Kothar Golpo” (2018) – TV Mini Series

Role: Director, Editor

Platform: ATN Bangla, NTV, Channel i

Client: Unilever Bangladesh

“Hotel Albatross” (2018)

Role: Editor & Colorist

Director: Nuhas Humayun

Platform: Web and TV

Client: GTV

“Sesh adda” (2017)

Role: Editor & Colorist

Director: Amitabh Reza Chowdhury

Platform: Web and TV

Client: GTV

Short Film:

“Morning Coffee” (2021)

Role: Director, editor, colorist & screen writer

Platform: Web, national and international film festivals

Client: US Embassy Dhaka

“The wall” (2021)

Role: Director, editor, colorist

Platform: Web, national and international film festivals

Client: US Embassy Dhaka

“The Return” (2019)

Role: Director, editor & screen writer

Platform: Web, national and international film festivals

Client: US Embassy Dhaka

“Face to Face” (2019)

Role: Director

Platform: Web, national and international film festivals

Client: US Embassy Dhaka

“The Return” (2019)

Role: Director, editor & screen writer

Platform: Web, national and international film festivals

Client: US Embassy Dhaka

“Shayan” (2019)

Role: Director

Platform: Web, national and international film festivals

Client: US Embassy Dhaka

“Chelkhela” (2019)

Role: Director, editor & screen writer

Platform: Web, national and international film festivals

Client: US Embassy Dhaka

Music Video:

“Coke studio Bangla” (2022) - Season 01, 9 Songs

Role: Editor

Video Director: Krishnendu

Platform: Web

Note: More than 20 million viewership for each song.

“Robi Bijoy Itihash” 2018

Role: Producer

Client: Robi Axiata Ltd.

TVC & PSAs

Four TVC to foster social and behavioral change (SBCC) on child rights issues during Covid – 19 Context (2020)

Role: Director, Editor, Colorist

Platform: TV & Web

Client: UNICEF Bangladesh

12 PSAs for Generation Breakthrough Project (2022)

Topic: Covid 19 awareness

Role: Director, writer, editor and colorist

Platform: TV & web

Client: Johns Hopkins Center for Communication Programs (JHCCP)

Donor: USAID

Four PSAs (2018) - Animated training video and PSAs

Topic: Platform for Dialogue; Right to citizens’ charters

Client: British Council

Donor: UKAID, EU

Documentaries:

20 Nos Community video (2021-2022)

20 Nos Radio Production

4 Nos Magazine Program

4 Nos of Docu-drama

Topic: Implementation of Communication Strategy Action Plan for National Agricultural Technology Program – Phase II project (NATP-2)

Client: Government of the People’s Republic of Bangladesh. Ministry of Agriculture.

Donor: World Bank

“Aynaghor” (2019)

Role: Editor

Client: Care International.

Unilever Bangladesh - Production Consultant

Dhaka, Bangladesh (02/2018 - 05/2018)

Job Overview:

Provide audio visual consultancy service for the project "Lux Channel i Super Star 2018" for Unilever Bangladesh. "Lux Channel i Superstar" is a Bangladeshi television reality show that airs on Channel i. Aspiring actresses, singers, and models compete on the show for a chance to launch their careers.

Key Responsibilities:

Conduct pre-production meetings with all parties.

Implement production as per network.

Finalize shooting scripts.

Finalize content plan as per exception of brands team

Sesame Workshop - Production Budget Consultant

Dhaka, Bangladesh (05/2017 - 07/2017)

Job Overview:

Sisimpur is the Bangladeshi co-production of the American children's television series Sesame Street. The series is co-produced by Bangladesh-based Nayantara Communications and Sesame Workshop Bangladesh. USAID committed US$7 million in funding for the show over its first three years. As the Production Budget Consultant for Sesame Street, the crucial role involved ensuring the efficient and effective allocation of financial resources for 156 half-hour episodes and 3 PSAs production. Expertise in budget management and financial analysis provided support to the production team's efforts in creating high-quality educational content for children and families worldwide.

Key Responsibilities:

1. Budget Development:

Collaborate with the production team to create detailed budgets for assigned productions, considering all relevant costs, including pre-production, production, and post-production expenses.

Analyze project requirements and scope to estimate resource needs and associated costs accurately.

Identify potential cost-saving measures and propose alternative approaches while maintaining the quality and vision of the productions.

2. Budget Monitoring and Control:

Monitor project budgets throughout the production process, ensuring adherence to approved financial plans.

Regularly review expenses and financial reports, identifying any deviations from the budget and addressing discrepancies promptly.

Advise and guide the production team on financial decisions to keep projects on track within the allocated budget.

3. Financial Analysis:

Conduct comprehensive financial analysis for ongoing and future projects, providing insights into budget utilization, cost trends, and projections.

Analyze production expenses against benchmarks and industry standards to ensure cost-effectiveness and budget optimization.

Develop financial models and scenarios to assess the financial impact of different production choices.

4. Vendor and Contractor Management:

Collaborate with procurement and production teams to negotiate contracts and agreements with vendors and contractors, ensuring cost-effectiveness and value for money.

Review vendor quotes and proposals, assessing their alignment with project requirements and budget constraints.

Oversee payments to vendors, verifying that services and deliverables align with contractual terms and budget allocations.

5. Budget Reporting and Presentations:

Prepare regular budget reports, financial updates, and forecasts for stakeholders, including producers, executives, and finance departments.

Present financial information in a clear and concise manner, providing insights and recommendations to inform decision-making.

Communicate budget status, variances, and financial risks to the production team and management.

6. Continuous Improvement:

Identify opportunities for process improvement within the production budgeting and financial management processes.

Collaborate with cross-functional teams to streamline budgeting procedures and enhance overall financial efficiency.

BBC Media Action - Director (Drama)

Dhaka, Bangladesh (06/2013 - 04/2016)

BBC Media Action Bangladesh stands tall as one of the most celebrated organizations in the realm of international development, with a compelling legacy dating back to its founding in 1999 as the altruistic extension of the BBC. Achieved a milestone in the career with the critically acclaimed TV series "Ujan Ganger Naiya" (Sailing Against the Tide), captivating a massive audience of 35 million people. The success of this series solidified the position as a prominent director in the industry. As part of the BBC Agomoni project, four PSAs were carefully crafted to engage audiences and increase their exposure to key health themes.

Key Responsibilities:

• Led pre-production, filming, and post-production for sixteen episodes, closely adhering to the editorial brief provided by the executive producer.

• Directed and briefed all heads of departments during the pre-production phase, ensuring effective preparation for the shoot.

• Demonstrated creative and efficient leadership on location, guiding crews and actors to achieve the desired artistic outcomes.

• Creatively supervised the editing of episodes and provided clear instructions to the editor and sound post-production staff on all aspects of post-production.

• Presented the executive producer with a director's cut and a sound mix of all episodes in a timely manner according to the post-production schedule.

• Supervised the re-editing and re-sound mixed version of all episodes based on notes and amendments requested by the executive producer.

• Led the cast and crew on a creative level to achieve BBC creative quality and standards, providing clear briefings, monitoring performance, giving constructive feedback, and leading by example.

• Planned, created, and directed episodes strictly in line with schedules and budget considerations outlined by the executive producer.

• Generated innovative ideas and interpreted scripts in close collaboration with the executive producer to ensure the desired vision for each episode.

• Maintained effective communication with contributors, the production team, and the series producer, production manager, and/or executive producer, keeping all stakeholders fully informed of developments and requirements at every stage of production.

• Prioritized the health and safety of the crew and contributors on location, adhering to BBC standards and ensuring a safe working environment at all times.

BBC World Service Trust – Video Editor & Colorist

Dhaka, Bangladesh (01/2010 - 02/2013)

Job Overview:

As a video editor and colorist, exceptional skills and creativity quickly established an indispensable senior member of the team. During this period, made innovative contributions to various projects, leaving a lasting impact on the organization's media development initiatives. The inception of "Bishaash" (A Pioneering Supernatural Detective Drama) was woven into the fabric of the renowned "BBC Janala Project," forming an integral part of its multi-award-winning endeavor. Beyond its entertainment value, "Bishaash" played a pivotal role in the Mott MacDonald's £50 million nine-year program, targeting the education of some of the poorest people in Bangladesh. Airing weekly on Bangladesh Television and Bangladesh Television World, the series reached an audience of over 20 million people. As part of the English in Action (EIA) education program, "Bishaash" became a beacon of knowledge, revolutionizing the way English was learned in the country.

In the realm of political discourse, made a mark by making substantial contributions to the highly regarded program, "BBC Bangladesh Sanglap (BBC Dialogue)." Like an orchestrator of meaningful conversations, played a pivotal role in curating discussions that captivated audiences, leading to substantial viewing figures of 37 million and garnering widespread global acclaim.

Key Responsibilities:

Served as one of the key Heads of Department on feature films, overseeing the work of First Assistant Editors, and on larger productions, Second Assistants, and Trainees. Understanding the art of storytelling and its impact on the audience was central to the approach in the filmmaking process.

Held the crucial responsibility of ensuring the seamless flow of the story from beginning to end. Each shot was meticulously selected and edited, eventually assembling them into a series of scenes that would culminate in the final film. This role demanded a unique blend of creativity, challenge, and fulfillment, collaborating closely with the Director to weave the daily rushes into a coherent and captivating whole. Editors, often working long and demanding hours under pressure, are typically employed on a freelance basis by Producers, relying on their reputation and experience. The expertise extended not only to feature films but also encompassed television dramas.

Collaborated closely with the Director before the commencement of shooting, strategizing to maximize the potential of the screenplay. On the first day of principal photography, delved into the cutting room, which was sometimes located on the set itself. There, meticulously reviewed the previous day's rushes, which had been developed overnight at the Film Lab and meticulously synced-up (ensuring alignment of sound and image) by the Assistant Editor. As an Editor, the focus extended beyond just technical standards; carefully assessed the emerging sense of the story and the actors' performances. The unique challenge of working with scenes shot out of sequence required maintaining a profound understanding of how the story unfolded, allowing skillfully selecting the best takes and seamlessly editing them together to create compelling scenes. In certain instances, an improvised line or an actor's interpretation added on-screen magic, inspiring the creation of new and exciting scenes that further enriched the narrative.

Throughout the film's shooting phase, invested countless hours in reworking and piecing together scenes to form a Rough Assembly. The post-production period then involved a collaborative process between the Editor and the Director, meticulously refining the assembly edit into the Director's Cut. The approval of the Producers was sought to achieve picture lock or Fine Cut, marking the final approval of the picture edit by the Director and/or Executive Producer. The role as an Editor extended to supervising subsequent music and track laying, as well as sound mixing.

Half Stop Down - Video Editor & Colorist

Dhaka, Bangladesh (01/2006 - 12/2009)

Job Overview:

Half stop Down is one of the Bangladeshi Audio-Visual Production houses under the supervision of International award-winning producer, director Amitabh Reza Chowdhury. During this period worked in multiple award-winning TV commercials, two reality shows, one TV drama serial and seven TV films.

Key Responsibilities:

Worked tight deadlines with team or independently and made quick creative editing decisions to maintain high quality of work.

Organized and worked with raw footage from multiple cameras and sources.

Contributed new ideas and looked for ways to improve content editing and processes.

Delivered edits on time for reviews and final delivery.

Created titles, captions, graphics and templates in After Effects to give edits additional visual flare.

Edited together video, audio still imagery and motion graphics for creative and informational multimedia projects.

Delivered edits with multiple camera angle choices, titles, graphics, audio, and special effects.

ACHIEVEMENTS

Captivated an audience of 35 million with the TV series “Ujan Ganger Naiya (Sailing against the tide)

Engaged a massive audience of over 20 million viewers with the TV series “Bishaash”.

Achieved an impressive viewing figure of 347 million and garnered widespread global acclaim with BBC Sanglap (BBC Dialogue)

AWARDS

“Bishaash” as part of the English in Action (EIA) BBC Janala project, has received numerous awards and accolades, winning the 2010 Microsoft Education Award and the Manhattan Award 2011 in the E-Education & Learning Category.

Best editor 2017 “Charunirom Television Drama Award” for the film “Sesh Adda” Directed by Amitabh reza

Best editor 2018 “Charunirom Television Drama Award” for the film “Hotel Albatross” Directed by Nuhash Humayun

AFFILIATIONS

MEMBERSHIP IN PROFESSIONAL

ASSOCIATION

Television Drama Directors Organization (Directors'' Guild)

Post- Production Association of Bangladesh

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