G Douglas Barrett, Ph.D.

Web: http://gdouglasbarrett.com

Email: acep8t@r.postjobfree.com

Phone: 617-***-****

Experience Summary

. Extensive writing experience, along with copyediting, and proofreading in

academic, commercial, web, and business contexts. Experience writing SEO-

Optimized copy

. Years of experience writing technical product guides, user manuals, and

API documentation.

. Extensive experience with Git, MySQL, Python, XML.

. Experience using Agile methodologies in Sprint.ly.

. Experience creating schemas and diagrams using Illustrator and

OmniGraffle.

. Numerous original publications written for peer-reviewed academic

journals.

. Written advertising copy for high traffic commercial websites. Experience

with CMS systems.

. Excellent graphic design skills using Adobe CS Suite, and ability to

integrate screenshots, videos, and graphics.

. Product demonstration videos using Final Cut Pro, presentation design

using Keynote and Powerpoint.

. Excellecnt UI/UX, storyboarding, and mockup skills using Balsamiq and

Adobe CS Suite.

. Highly organized and detail-oriented with effective communication skills.

Writing/Presentation Writing (Academic, Scholarly, Business,

Skills Technical), Copyediting, Proofreading. Project

Management, Graphic Design, Product

Presentation Design. Public Speaking and

demonstration. SEO Optimization.

Office Applications MS Word, Excel, QuarkXPress, InDesign, Keynote,

Powerpoint

Multimedia Adobe CS Suite (Photoshop, Illustrator,

Dreamweaver, Fireworks, Bridge, After Effects),

Final Cut Pro, Audacity, SoundBooth

Web Technologies HTML4/5, CSS2/3, JavaScript, JQUERY, JSON,

JQuery-UI

Project Management Agile, Scrum, Sprint.ly

Database SQL, MySQL, SQLAlchemy

Operating Systems OS X, Windows 95/98/2000/XP/Windows7/NT/Vista,

UNIX, LINUX

Education

State University of New York at Buffalo . 2006 - 2010, Music

Composition, Ph.D.

Universit t der K nste Berlin . 2009 - 2010, DAAD Research Grant

California Institute of the Arts . 2004 - 2006, Music, Integrated

Media, MFA

Berklee College of Music . 2001 - 2004, BM

Work Experience

Oxford University Press . Contract copyeditor, proofreader. March 2014 -

May 2014.

Plum Perfect/Color Modules, Inc. . Operations/Project Manager. Aug. 2012 -

Dec. 2013

Wrote copy for technical product guides, Application Programming

Interfaces (API) documentation, and website copy. Design, promote,

maintain, and manage team of developers for web/mobile software

application.

Juju.com, Software Developer . Feb. 2011 - Sep. 2012

Web Programming, design, and managing job-search database.

www.gdouglasbarrett.com . 2010 - Present . Personal website design and

maintenance (HTML, JS, CSS, Adobe CS)

Teaching Experience

Pratt Institute Department of Digital Arts . Adjunct Faculty. Sept.

2011 - Dec. 2012.

Courses: Sound for the Digital Arts: History, theory, and practice

of sound in media and the performing arts.

Advanced Interactive Media: Programming languages for real-time

interactive art (Max, PureData).

SUNY at Buffalo Music Department . Teaching Assistant. 2006 - 2009.

Courses in 20th and 21st Century Music History: Electronic

Music, Computer Music, Algorithmic Music, New Media

Publications

Barrett, G. Douglas, Lindsey Lodhie. "'Hearing Things Through Things': Hong-

Kai Wang's Music While We Work."

Ear Wave Event. April 17, 2014.

http://earwaveevent.org/article/hearing-things-through-things-hong-kai-

wangs-music-while-we-work/

Barrett, G. Douglas. "The Limits of Performing Cage: Ultra-red's

SILENT LISTEN." Postmodern Culture.

Volume 23, No. 2. January, 2014.

http://muse.jhu.edu/journals/postmodern_culture/v023/23.2.barrett.html

Barrett, G. Douglas. "Speaking Volumes: On Melissa Dubbin and Aaron S.

Davidson's Volumes for Sound at Recess." Recess Art. May, 2013.

http://www.recessart.org/activities/7725

Barrett, G. Douglas. "The Silent Network-The Music of Wandelweiser."

Contemporary Music Review special issue, Wandelweiser. 30:5, May 17,

2012. Oxford, UK, 2012.

Barrett, G. Douglas. "A Text Score Manifesto." Word Events: Perspectives on

Verbal Notation.

James Saunders, John Lely (Eds.). New York: Continuum, 2012.

Barrett, G. Douglas. "Echoes of Narcissus: Erin Gee's Voice of Echo at

Contrary Projects." Echo Made Proximate. Exhibition Catalogue

Essay. May, 2011. Contrary Projects. Regina, SK, 2011

Barrett, G. Douglas. "Translating Innova: The New Opera Work of Object

Collection." New Music Box. NewMusicBox.org. April 13, 2011.

http://newmusicbox.org/article.nmbx?id=6870

Barrett, G. Douglas. "The Impossible Image: The Photographic Worlds of Ruud

van Empel."

Ruud van Empel - Worlds. Exhibition Catalogue. April 6, 2011. New

York: Stux Gallery, 2011.

Barrett, G. Douglas, M. Winter. "LiveScore: Real-Time Notation in the Music

of Harris Wulfson," in Contemporary Music Review special issue, Virtual

Scores and Realtime Playing. 29: 1, August, 2010. Oxford, UK, 2010.

Barrett, G. Douglas. "Window Piece: Seeing and Hearing the Music of Peter

Ablinger." HIS Voice, a magazine for other music. March, 2010.

Prague, 2010.

Barrett, G. Douglas. "Between Noise and Language: The Sound Installations

and Music of Peter Ablinger." Mosaic, a journal for the

interdisciplinary study of literature. December 2009, Volume 42, No. 4.

December, 2009. Winnipeg, 2009.

Barrett, G. Douglas, Francesco Gagliardi. Performing the City: An Urban

Performance Workshop. International Computer Music Conference

(ICMC 08) Proceedings, August 24, 2008. Belfast, 2008.

Barrett, G. Douglas. Spectore: Generating Notated Music Using Spectra as

Structural Materials. Society for

Electro-Acoustic Music (SEAMUS) 2008 National Conference, April 3,

2008. Salt Lake City, 2008.

Barrett, G. Douglas, Michael Winter, and Harris Wulfson. Automatic Notation

Generators. International Computer

Music Conference (ICMC 07), 27 August 2007. Copenhagen, 2007. Also

published as: +Wulfson, Harris, G. Douglas Barrett, and Michael

Winter. Automatic Notation Generators. New Interfaces for Musical

Expression, 6 June 2007, New York University. New York, 2007.

Conferences, Public Presentations

Tuning Speculation conference, November 1-2, 2013. York University,

Toronto, Canada. Paper Presentation: "The Debt of Philosophy-Cassie

Thornton's Debt 2 Space Program and the New Materialism."

The Future of Cage: CREDO Conference, U of Toronto, Centre for Drama,

Theater, and Performance Studies. Paper

Presentation: "At the Limits of Performing Cage: 4'33" and the Art

Activism of Ultra-red", October 25, 2012

Conference of Works: Operations and Participations, Panoply Performance

Laboratory.Vaudeville Park, November 11, 2011. Brooklyn, NY.

Artist presentation and performance.

Re-thinking Music of Today, April 6-8, 2011. Universit de Paris-Est Marne-

La-Vall e, Paris, France.

Paper Presentation: "Postconceptual Music," April 8, 2011. Paris,

France

"A Few Transcriptions, A Place or Two, Some Recordings," Neutral Ground,

April 24, 2010. Regina, Saskatchewan.

Evening-length Curated Concert Performance and Artist Talk.

Biennial Symposium for Arts and Technology, March 6, 2010. Connecticut

College, New London, Connecticut.

Paper Presentation: "The Interdisciplinary Performances of the

Maulwerker Ensemble"

"Listening to Language: Text Scores, Recording Technology and Experimental

Music," January 18, 2010. Sound Studies - Akustische Kommunikation.

Sound Studies Lecture Series. Universit t der K nste Berlin.

De Uitwerking I: 'A few silence', November 13, 2009. Performance of A Few

Silence and round-table discussion led by Bas Geerts and Vincent

Gerven Oei. Theater Perdu. Amsterdam, The Netherlands

Nothing New? Understanding Newness in Medieval and Contemporary Music,

April 25, 2009. University of Huddersfield. Huddersfield,

UK. Music Performance: Derivation X.

S.E.M. Ensemble's Reading of New Compositions Workshop, Feb.15, 2007, Feb.

14, 2008, Feb. 11, 2009. Willow Place Auditorium. Brooklyn, New York.

Music Performances: Derivation V., Derivation VIII., Derivation XIII b.

International Computer Music Conference (ICMC 08 Belfast, Ireland), August

24, 2008, Belfast, Northern Ireland.

Paper Presentation: Performing the City: An Urban Performance Workshop

Society for Electro-Acoustic Music (SEAMUS) 2008 National Conference, April

3, 2008, Salt Lake City, Utah

Paper Presentation: Spectore: Generating Notated Music Using Spectra

as Structural Materials

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